"Heartbreakingly beautiful writing; sometimes funny, sometimes shattering—always revolutionary. Truly amazing collection!"--Margaret Cho "Sister Spit is like the underground railroad for burgeoning queer writers. Not only in the van, but in the audiences trapped in the hinterlands of America and looking to escape. Sister Spit saves lives."--Justin Vivian Bond, author of TANGO: My Childhood, Backwards and in High Heels A collection of writing and artwork from the irreverent, flagrantly queer, hilariously feminist, tough-talking, genre-busting ruffians who have toured with the legendary Sister Spit. Co-founded in 1997 by award-winning writer Michelle Tea, Sister Spit is an underground cultural institution, a gender-bending writers' cabaret that brings a changing roster of both emerging writers and some of the most important queer and counterculture artists of the day to universities, art galleries, community spaces, and other venues across the country and worldwide. Sister Spit: Writing, Rants and Reminiscence from the Road captures the provocative, politicized, and risk-taking elements that characterize the Sister Spit aesthetic, stamping the raw energy and signature style of the live show onto the page. Bratty poets and failed priestesses, punk angst and tough love, too much to drink and tattooed timelines—this anthology captures it all in a collection of poetry, personal narrative, fiction, and artwork. Featuring a who's who of queer and queer-centric writers and artists, the collection functions as a travelog, a historical document, and a yearbook from irreverent graduates of the school of hard knocks. Eileen Myles * Beth Lisick * Michelle Tea * MariNaomi * Cristy Road * Ali Liebegott * Blake Nelson * Lenelle Moise * and Many More!

Theo, our scruffy, big-hearted, and quick-witted heroine, is not so much down on her luck as delivered luckless into a culture where the winners and losers have already been decided. Her adventures in getting over take her from San Francisco to New York City, from dyke bars to telemarketing outfits, casinos to free clinics. With the signature poet's voice that has won her awards and acclaim, Ali Liebegott investigates the conjoined hearts of hope and addiction in an unforgettable story of what it means to be young and broke in America. " … frank, funny and painfully realistic … Liebegott has unleashed a book that’s part road novel, part portrait of a would-be artist as a young woman and part unabashed romance."—Josh Davis, The Rumpus "Cha-Ching!, [Liebegott's] latest novel, is one of those books that cause you to look up, blinking, realizing that you’ve read 75 pages and your coffee is cold. It’s a rush of offtrack betting, impulsive road trips, liquor-fueled make-out sessions, and the sort of low-end jobs that are invisible in most fiction but everywhere in Liebegott’s work."—San Francisco Magazine "Cha-Ching! is a rush—the clatter of youth on the angry move, the rattling of dreamy gambles in crappy apartments, the desperate crash of falling for someone despite the million reasons why and the bang! bang! bang! of our tender hearts."—Daniel Handler, author of Why We Broke Up "Cha-Ching! is so raw with need that I found myself itching that addict's itch to chase the seemingly impossible."—Karolina Waclawiak, deputy editor of The Believer and author of How to Get Into the Twin Palms "An open-hearted, deeply romantic story about a fucked-up dyke, her pit bull, her search for love, her tenuous grasp on hope, a pretty girl and the literal spin of the wheel."—Sarah Schulman, author of The Gentrification of the Mind: Witness to a Lost Imagination "In the game of American-life-on-the-go hopscotch, Ali Liebegott's heroine Theo just jumped a square ahead of Dean Moriarty … The author's fine writing about gambling is as good as I ever read, including Dostoevski's and the Barthelme Bros. In the end, love, in whatever twisted, pallid form, a love that has little to do with sexuality, is the only answer … Wonderful book."—Andrei Codrescu, author of So Recently Rent a World: New and Selected Poems "[Ali] Liebegott continues [her] winning streak with her third novel Cha-Ching!, tracing the life and times of compelling lead character Theo, a restless lesbian with a military hairstyle (which makes her gender-ambiguous enough to nickname herself "sirma'amsir") … There is a lot to relate to in Liebegott's cleverly addictive novel. Readers will wonder what happens next to Theo and Cary Grant. Will the love she finds be everlasting, or will her addictions get the best of her? Theo is an engaging character, and she will linger in the imagination long after Cha-Ching!'s final page has been turned."—Jim Piechota, The Bay Area Reporter Ali Liebegott is the author of the award-winning books The Beautifully Worthless and The IHOP Papers. In 2010 she took a train trip across America interviewing female poets for a project titled, The Heart Has Many Doors; excerpts from these interviews are posted monthly on The Believer Logger. Her novel Cha-Ching! is the third in the City Lights/Sister Spit series. In addition, she is the founding editor at Writers Among Artists whose first publication, Faggot Dinosaur, was released in 2012.

A tender, tragic, absurd and highly original voice, Liebegott's award-winning epic road poem has been compared to Kerouac and Wojnarowicz.

Peering into life's cringe-worthy moments, best-selling author Beth Lisick excavates territory that most would rather ignore. Funny, odd, deeply personal, yet somehow universal, these are the kind of memories that haunt us all, the small awful moments of shame and humiliation that we'd rather forget than relive. Beth Lisick has made a career of opening her life to her readers in all of its messy, smart hilarity, but this type of story doesn't usually find its way into a memoir. With her trademark humor and sly intelligence, writing in short flashes the way these episodes tend to pop up in memory, Lisick recounts her most embarrassing moments with gusto. From a trick she played on a neighbor thirty years ago to what she accidentally blurted out at last night's dinner party, she explores the bad judgments and free-floating regrets that keep her up at night, and the result is a daring, candid and wickedly funny collection of embarrassment embraced, the triumph of humor and perspective over everyday mortification. Writer, performer and independent film actress Beth Lisick is the author of the New York Times best-selling comic memoir Everybody Into the Pool and the gonzo self-help manifesto Helping Me Help Myself. Praise for Yokohama Threeway: "The ultimate joyride for those of us who enjoy cringe-worthy embarrassment, genuine pathos, and an overdosing amount of schadenfreude."—Michael Ian Black "This book is fucking great."—Kathleen Hanna, of Bikini Kill and The Julie Ruin "A strangely touching and engaging portrait of the artist as a young screwup."—Booklist "Yokohama Threeway blends the funny and the painful into an elixir more closely resembling cough medicine than soda pop—a little bitter, made up of strange ingredients, not real pretty, but necessary if you want to get better. In the end, you are happy you took it, even if it leaves a funky aftertaste."—World Literature Today "Speaking as someone who hates everything, I love this book."—James Greer, musician & author of The Failure "Hilarious, heartbreaking, compassionate, pitch perfect, utterly original."—Joyce Maynard, author of After Her and Labor Day "A laugh-out-loud series of short, revelatory confessions propelled by curiosity and an acute desire to experience the world. It is not now and perhaps never will be quite in vogue for people to share their shames, but Lisick does it with aplomb and even exuberance."—Evan Karp, SF Weekly "Beth Lisick's new essay collection Yokohama Threeway made me laugh out loud more than anything else I have read all year, she is a master at sharing her life experiences with self-deprecating yet honest humor."—David Gutowski, Largehearted Boy "Beth Lisick, divulges the most embarrassing moments in a series of short essays dripping with wicked humor."—7x7 Magazine

A poetic debut novel, formally experimental, by turns hallucinatory, darkly funny and brutally real. Nochita is tender, fierce, and unforgettable. Daughter to a divorced new age guru, Nochita wanders through the cracks of California's counter-culture, half feral child, half absurdist prophet. When tragedy strikes she is sent to live with her father, a working-class cowboy with a fragile grasp on sobriety and a dangerously mean fiancée. Stuck with adults chillingly unable to care for her, Nochita takes to the streets, a runaway with nothing to run from, driven forward by desperation, hope, and an irrepressible wonder. Nochita is a poetic novel dazzling in its detail, stylistically daring, by turns hallucinatory, darkly funny, and brutally real. At its heart is the singular voice of Nochita, tender and fierce, alone and alive and utterly unforgettable. Praise for Nochita: "Nochita shimmers with humor and delight, she burns with stark raving intelligence."—Mary Gaitskill "In Nochita, Dia Felix builds an extraordinarily rich and inventive language to carry the kaleidoscopic point of view of her young protagonist. What a pleasure to open a book and find such exuberant and committed artistry. A stunning debut."—Janet Fitch "There is a way some writers say hello on the first page that gets me excited to be in their conversation. Nochita has it with teeth!! I love this book and the weird strong eye it has on the world, melting clothes off bodies with a crème brulée torch. Nochita is quite the dance to read through, kind of like shaking a bad morning off and realizing you really love this world. Makes me smile, like Dia Felix writes, 'I think I can latch on to this machine now.' BUY THIS BOOK, don’t just stand there reading my fucking blurb!!"— CAConrad "In the vein of extra-sensitive displaced daughters à la White Oleander, with the crystallized hyper-perception at the center of The Bluest Eye, Nochita is singular, resonant—her pictures get under your skin and stay there; more than lines embedded, here are things you've seen before, numbed and fallen away with the process of becoming adult. Against writers who make a phalanx of accuracy and precision, Felix delivers synesthetic gut-sense in a visual pile-on that picks up and turns over your sense of being human, dirt and M&Ms and kundalini shakti, written by a gifted seer whose inner child is alive and screaming … Nochita brings it down to the roots."—Mila Jaroniec

The PEN Award-winning essay collection about queer lives: “Gorgeously punk-rock rebellious.”—The A.V. Club The razor-sharp but damaged Valerie Solanas; a doomed lesbian biker gang; recovering alcoholics; and teenagers barely surviving at an ice creamery: these are some of the larger-than-life, yet all-too-human figures populating America’s fringes. Rife with never-ending fights and failures, theirs are the stories we too often try to forget. But in the process of excavating and documenting these queer lives, Michelle Tea also reveals herself in unexpected and heartbreaking ways. Delivered with her signature honesty and dark humor, this is the first-ever collection of journalistic writing by the author of How to Grow Up and Valencia. As she blurs the line between telling other people’s stories and her own, she turns an investigative eye to the genre that’s nurtured her entire career—memoir—and considers the price that art demands be paid from life. “Eclectic and wide-ranging…A palpable pain animates many of these essays, as well as a raucous joy and bright curiosity.” —The New York Times “Queer counterculture beats loud and proud in Tea’s stellar collection.” —Publishers Weekly (starred) “The best essay collection I've read in years.”—The New Republic Winner of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay

A twelve-year-old Cubanita finds refuge in punk music in this illustrated tour de force.

A young Aboriginal girl is taken from the north of Australia and sent to an institution in the distant south. There, she slowly makes a new life for herself and, in the face of tragedy, finds strength in new friendships. Poignantly told from the child’s perspective, Sister Heart affirms the power of family and kinship. Suitable for ages 10–15, this compelling novel about the stolen generations helps teachers sensitively introduce into the classroom one of world’s most confronting histories.

"Tara Jepsen's Like a Dog is outrageously funny and soul-scrapingly grim, in the tradition of our most intrepid, shameless, and shame-filled comedians and storytellers. It also announces a singular new voice in American fiction—one which is deeply alive, hard-hitting, and tender."—Maggie Nelson, author of The Argonauts A skateboarder in her early thirties, Paloma is aimlessly winging it through life. She takes low-paying jobs, drinks neon-colored wine coolers in the park, and drives to the Central Valley to skate the empty swimming pools dotting the sun-blasted landscape. Paloma struggles to have a relationship with her brother Peter, whose opiate addiction makes that nearly impossible. Her own delusions about the nature of addiction help to keep the threat of Peter's death by overdose at a comfortable enough distance, and as he slides into a dangerous spiral, Paloma tries out the world of stand-up comedy, happier than she's ever been. Praise for Like a Dog: “This book beat the crap out of me. I am bruised and laughing. Thank you Tara Jepsen, may I have another?”—Daniel Handler, author of All The Dirty Parts "Tara Jepsen captures the absurd, animal humor of residing in a human female body on planet Earth like no other, and Like a Dog sets it loose within a hazy California underground of abandoned skate pools, weed farms and comedy open mics. Eccentric and insidery, taking on the bonds of family and addiction, the effort to find a life and the drive to end it, Like a Dog brims with hyper-conscious gems of hilarity and pathos."—Michelle Tea, author of Black Wave "Tara Jepsen’s blunt eloquence takes us deep into the difficulty of our desires, where the things we most want—intimacy, realness, safety, guarantees—are the things we are the least likely to get. In the desolate hardscapes and nowheres of California, north and south, she reveals how closeness can still be alienating: a brutal fact of her stark realism that brings both laughter and tears."—Karen Tongson, author of Relocations: Queer Suburban Imaginaries

Everyone in the broken-down town of Chelsea, Massachussetts, has a story too worn to repeat—from the girls who play the pass-out game just to feel like they're somewhere else, to the packs of aimless teenage boys, to the old women from far away who left everything behind. But there’s one story they all still tell: the oldest and saddest but most hopeful story, the one about the girl who will be able to take their twisted world and straighten it out. The girl who will bring the magic. Could Sophie Swankowski be that girl? With her tangled hair and grubby clothes, her weird habits and her visions of a filthy, swearing mermaid who comes to her when she’s unconscious, Sophie could be the one to uncover the power flowing beneath Chelsea’s potholed streets and sludge-filled rivers, and the one to fight the evil that flows there, too. Sophie might discover her destiny, and maybe even in time to save them all.