Glanzvolle Abbilder vergangener Zeiten Die Gemälde von Lawrence Alma-Tadema waren bei seinen Zeitgenossen sehr beliebt und leben heute noch durch das Medium Film weiter. Jeder, der einmal einen Monumentalfilm - von den italienischen Stummfilmklassikern bis zu Ridley Scotts Gladiator - gesehen hat, erkennt sofort die von Alma-Tadema inspirierten Arrangements und Kostüme. Das Buch zeigt seine üppigen und detailreichen Werke und erklärt seine Kunst über seine Vorstellung vom Heim neu: von seiner Bewunderung für die in den frühen niederländischen Gemälden dargestellten Interieurs über seine Faszination für die Ruinen von Pompeji bis zu den großen Atelierhäusern, die er selbst schuf und die an sich schon Kunstwerke sind. Aufbauend auf Alma-Tademas Beinamen "Künstlerarchäologe" zeigt dieses beeindruckende Werk, wie die von ihm geschaffenen Räume, in denen er mit seiner Familie lebte, eine ästhetische Vision dessen darstellen, was die Betrachter und anderen Künstler seit mehr als hundert Jahren fasziniert.

THE HAMMOCK: A novel based on the true story of French painter James Tissot portrays ten remarkable years in the life of James Tissot (1836-1902), who rebuilt - and then lost - his reputation in London. THE HAMMOCK is a psychological portrait, exploring the forces that unwound the career of this complex man. Based on contemporary sources, the novel brings Tissot's world alive in a story of war, art, Society glamour, love, scandal, and tragedy.

"Published by the Clark Art Institute on the occasion of the exhibition Orchestrating Elegance: Alma-Tadema and Design, Clark Art Institute, Williamstown, Massachusetts, June 4-September 4, 2017"--Colophon.

The works of the late Victorian painter Lawrence Alma Tadema have recently enjoyed a revived interest. This second volume in the Getty Museum Studies on Art focuses on Spring, one of Alma Tadema’s most renowned paintings. The book is lavishly illustrated and includes many details of the painting. The author traces the history of the painting and provides an analysis of its sources, composition, and symbolism.

'Woman will be the death of me,' mutters Kingdom Swann, peering up at the nude woman hung by her wrists from a pillar. An impressive old man with a wonderful wealth of beard, he appears the very picture of Victorian respectability. Yet behind the walls of his Piccadilly studio the erotic fantasies of a generation are being acted out for the eye of his camera. For this master of the epic nude painting has turned his hand to pornography: art has come to life and all hell is breaking loose . . . 'With enormous relish Gibson presents a memorable and hugely enjoyable portrait of both the man and the world he inhabited.' Today 'As in Daniel Defoe's Roxanna, a voyeuristic fascination plays games with high morality.' Times 'Wonderful fun to read.' Daily Mail

This illuminating study examines the cultural meaning of artistic reproduction in a refreshingly new context through its consideration of how three artists managed the reproduction of their work.