Documents published and unpublished, particularly journals kept aboard the ships, including the newly-discovered Leicester journal, with drawings of episodes made by the voyage's artist. This is a new print-on-demand hardback edition of the volume first published in 1981.

The three volumes that will encompass North American Exploration appraise the full scope of the exploration of the North American continent and its oceanic margins from prior to the arrival of Columbus until the end of the nineteenth century. More than an assessment of historical events, these volumes portray the process of exploration. Without forgetting the romance of exploration, the authors recognize that exploration is a great deal more than the adventures themselves. All explorers are conditioned by the time, place, and circumstances of their efforts; these determine objectives, the behavior of explorers, and the consequences of their discoveries. In this first volume we follow the expansion of knowledge from the world of the pre-Columbian explorers through the end of the sixteenth century, with each topic addressed by an expert, and all fitting into a coherent whole. The volume is enhanced by a discussion of the geographical knowledge and beliefs of the native peoples of the North American continent, and how this knowledge influenced the efforts and understanding of the Europeans.

This four-volume collection brings together rare pamphlets from the formative years of the English involvement in the Caribbean. Texts presented in the volumes cover the first impressions of the region, imperial rivalries between European traders and settlers and the experience of day-to-day life in the colonies. Volume 1: Conceptualizing the West Indies The texts in this volume chart the growth of English interest in the West Indies, as seen through the publications of the time. Beginning with the Spanish discovery and colonization there followed reports of Spanish cruelty. Gradually the English started to make incursions into the area and this new era of colonization is reflected in the sources. Later publications document the landscape of the islands, the native inhabitants and the other settlers who began to arrive.

This book brings together a collection of the work of David Quinn, the preeminent authority on the early history of the discovery and colonization of America.

Representing Imperial Rivalry in the Early Modern Mediterranean explores representations of national, racial, and religious identities within a region dominated by the clash of empires. Bringing together studies of English, Spanish, Italian, and Ottoman literature and cultural artifacts, the volume moves from the broadest issues of representation in the Mediterranean to a case study – early modern England – where the “Mediterranean turn” has radically changed the field. The essays in this wide-ranging literary and cultural study examine the rhetoric which surrounds imperial competition in this era, ranging from poems commemorating the battle of Lepanto to elaborately adorned maps of contested frontiers. They will be of interest to scholars in fields such as history, comparative literary studies, and religious studies.

The specter of Spain rarely figures in our discussions of the drama that is often regarded as the crowning achievement of the English literary Renaissance. Yet dramatists such as Thomas Kyd, Christopher Marlowe, and William Shakespeare are exactly contemporary with England's protracted conflict with the Spanish Empire, a traditional ally turned archetypical adversary. Were these playwrights really so mute with respect to their nation's Spanish troubles? Or have we failed—for reasons cultural and institutional—to hear the Hispanophobic crosstalk that permeated the drama no less than England's other public discourses? Imagining an early modern public sphere in which dramatists cross pens with proto-imperialists, Protestant polemicists, recusant apologists, and a Machiavellian network of propagandists that included high government officials as well as journeyman printers, Eric Griffin uncovers the rhetorical strategies through which the Hispanophobic perspectives that shaped the so-called Black Legend of Spanish Cruelty were written into English cultural memory. At the same time, he demonstrates that the English were as ready to invoke Spain in the spirit of envious emulation as to demonize the Spanish other as an ethnic agent of intolerance and oppression. Interrogating the Whiggish orientation that has continued to view the English Renaissance through a haze of Anglo-American triumphalism, English Renaissance Drama and the Specter of Spain recovers the voices of key Spanish participants and the "Hispanized" Catholic resistance, revealing how England and Spain continued to draw upon shared traditions and cultural resources, even during the moments of their most storied confrontation.