This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Sir Edwin Landseer RA was the foremost animal painter of his day and Queen Victoria s favourite, who became well-known to the public for the portrait of a majestic stag, The Monarch of the Glen, and the bronze lions at the foot of Nelson s Column in Trafalgar Square. But another more private side to Landseer s creative genius which deserves greater recognition is revealed in his off-duty drawings in pen and wash, sketched when he stayed in the homes of his aristocratic patrons, or as a member of their group of family and friends on extended holidays in the Highlands of Scotland, where he took part in their pastimes and sporting activities."

THE HAMMOCK: A novel based on the true story of French painter James Tissot portrays ten remarkable years in the life of James Tissot (1836-1902), who rebuilt - and then lost - his reputation in London. THE HAMMOCK is a psychological portrait, exploring the forces that unwound the career of this complex man. Based on contemporary sources, the novel brings Tissot's world alive in a story of war, art, Society glamour, love, scandal, and tragedy.

From luminaries such as J.M.W.Turner to the all but forgotten George Travers - and through the hierarchy of genres from high art to animals, fruit, flowers, sea and landscapes - the 500 pictures covered in this catalogue form about half of the V&A's collection of British oil paintings.

Money and, by the middle of the century, making him the best-known artist in Britain."--BOOK JACKET.