Sir Ambrose Heal – designer, manufacturer, and retailer of furniture – was an importantfigure in design developments in early twentieth-century Britain. This book, which recordshis furniture designs and also puts them into the larger retail context, is the first compre -hensive review of his career. It reveals the multiple threads of creativity and craftsmanship,culture and commerce, ethics and enterprise, which he was able to weave into a successfulbusiness. The first part of the book is biographical, the second covers the detail of retail,and the third records the output of Heal’s own Cabinet Factory.Inspired by the likes of John Ruskin and William Morris, Ambrose Heal transformed thefamily furnishing business, Heal’s of Tottenham Court Road, London, to provide a broadmiddle-class public with distinctive, well-designed, well-made furniture and furnishings.As a business leader Heal was a ‘benign dictator’ yet he commanded fierce loyalty from hisstaff who were represented through democratically elected committees and encouraged tobecome employee shareholders at a time when such ideas were rare. His marketing andmerchandising techniques were the forerunners of those employed by today’s best creativeretailers. Heal’s Mansard Gallery displayed works by the most avant-garde artists of the timeand he commissioned advertising and posters from the best graphic designers of the day.This frank study reveals previously unknown difficulties and failures as well as the successesof the man and his team.

This rich new volume brings to light the versatility and accomplishments of the English architect, designer, and maker Ernest Gimson, a central figure in the Arts and Crafts Movement.

This book examines part of the development of the Bruderhof community, which emerged in Germany in 1920. Community members sought to model their life on the New Testament. This included sharing goods. The community became part of the Hutterite movement, with its origins in sixteenth-century Anabaptism. After the rise to power of the Nazi regime, the Bruderhof became a target and the community was forcibly dissolved. Members who escaped from Germany and travelled to England were welcomed as refugees from persecution and a community was established in the Cotswolds. In the period 1933 to 1942, when the Bruderhof’s witness was advancing in Britain, its members were in touch with many individuals and movements. This book covers the Bruderhof’s connections with (among others) the Fellowship of Reconciliation, Dietrich Bonhoeffer, the Peace Pledge Union, the social work of Muriel and Doris Lester in East London, Jewish refugee groups, and artistic pioneers like Eric Gill. As significant numbers of British people joined the Bruderhof, its farming, publishing and arts and crafts activities extended considerably. But with the outbreak of the Second World War, German members came to be regarded with suspicion and British members became unpopular locally because they were pacifists. Although the Bruderhof was defended in Parliament, notably by Lady Astor, it seemed that German members would be interned as enemy aliens. The consequence was that by 1942 over 300 community members had left England. With Mennonite assistance, they began to forge a new life in South America. This book traces a remarkable Christian peace experiment being undertaken in a time of great political upheaval.

The 19th century in Western culture was a time of both confidence and turbulence. Industrial developments resulted in a number of benefits from a growing middle class to efficiency, convenience and innovation across a range of fields from engineering to architecture. Alongside these improvements, the century began with the extended period of the Napoleonic Wars and was further disrupted by rebellions and revolutions both within Europe and in India, South America and other parts of the world. Slavery was abolished and urbanization increased dramatically. These myriad developments were reflected throughout the period in the proliferation of types of furniture, along with their categorization as 'industrial art' at the international exhibitions and world fairs and the increasingly adventurous range of materials that were sometimes used in their construction. Nonetheless, a strong antiquarian/historicist strand also prompted interest in the revival of past styles in areas of art and design, including furniture. Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of Design and Motifs; Makers, Making, and Materials; Types and Uses; The Domestic Setting; The Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations.

This is the other side of the story. Before the Second World War, Ann Basu's family of Jewish tailors lived where the BT Tower stands today. At that time of high migration, the women's fashion trade and the new car industry were sweeping into Fitzrovia, Russian and German anarchists argued in its clubs, Indian revolutionaries practised at the shooting range, and popular cafes such as Lyons' transformed the social lives of workers. The Jews of Fitzrovia and Soho saw each other as being on the 'other side' of Oxford Street, and this book reflects Fitzrovia's distinctive 'inbetween-ness' – at the inner edge of central London, but separate from the West End. Putting the spotlight on Fitzrovia's enterprising twentieth-century immigrant workers, this is the history of working-class and outsider voices that have previously been muted.

Hannah Gluckstein (who called herself Gluck; 1895–1976) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck's life and work, examining, among other things, the artist's numerous personal relationships and contemporary notions of gender and social history. Gluck's paintings comprise a full range of artistic genres—still life, landscape, portraiture—as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artist is known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter.

"C.F.A. Voysey (1857-1941) was an architect-designer who advocated honest and thoughtful design, and championed high standards of craftsmanship applied only to the finest materials. The resulting objects -- simple yet elegant, often enhanced by beautiful and symbolic decoration -- were considered revolutionary in their time and continue to enchant audiences today. The first substantial monograph to be published in 20 years, this comprehensive book focuses on Voysey as a designer of furniture, metalwork, and textiles, providing a new analysis of his characteristic motifs and designs. It draws on the greatest public and private collections of his work to give a complete and fully illustrated account of Voysey's output and his vision for domestic life at the turn of the twentieth century. Original drawings and plans, archive photography and images of a vast selection of surviving objects are brought together here in a fresh examination of the Arts and Crafts pioneer. The authors' extensive new research documents the personal and professional relationships that enabled Voysey to become a great and prolific designer. The book draws together new information on how he ran his business; how he promoted, exhibited, and sold his work; who his clients were; who was responsible for manufacturing his designs; and what a Voysey house and interior looked like." -- Publisher's description.

The Routledge Companion to Marketing History is the first collection of readings that surveys the broader field of marketing history, including the key activities and practices in the marketing process. With contributors from leading international scholars working in marketing history, this companion provides nine country-specific histories of marketing practice as well as a broad analysis of the field, including: the histories of advertising, retailing, channels of distribution, product design and branding, pricing strategies, and consumption behavior. While other collections have provided an overview of the history of marketing thought, this is the first of its kind to do so from the perspective of companies, industries, and even whole economies. The Routledge Companion to Marketing History ranges across many countries and industries, engaging in substantive detail with marketing practices as they were performed in a variety of historical periods extending back to ancient times. It is not to be missed by any historian or student of business.