Featuring specially commissioned artwork and full-color maps, this absorbing study investigates the origins, fighting techniques, and battlefield performance of the combatants fighting on both sides during the Black Hills War of 1876–77. Following the discovery of gold deposits, in December 1875 the US Government ordered the indigenous population of the Black Hills in what is now South Dakota and Wyoming, the Sioux, to return to the Great Sioux Reservation. When the Sioux refused, US Army sent forces into the area, sparking a conflict that would make Lieutenant Colonel George Custer, Chief Sitting Bull, Crazy Horse, and others household names around the world. Examining a series of engagements in the Black Hills War, including Rosebud, Little Bighorn and Slim Buttes, this fully illustrated study assesses the forces fighting on both sides in this momentous campaign, casting light on the origins, tactics, armament, and battlefield performance of the US Cavalry and their Sioux opponents at the height of the Indian Wars.

The battle which took place on the Little Bighorn river on June 25, 1876 has passed into legend as “Custer's Last Stand”. This remarkable book is a unique analysis of the oral and pictorial evidence for the appearance of nearly 30 named Sioux and Cheyenne warriors who were present that day, and for their parts in the battle. The fruit of many years' study by one of today's most internationally respected interpreters and illustrators of Native American material culture, it offers biographical notes and meticulously researched color reconstructions, together with rare photographs and pictographs.

Following the discovery of gold deposits, in December 1875 the US Government ordered the indigenous population of the Black Hills in what is now South Dakota and Wyoming, the Sioux, to return to the Great Sioux Reservation. When the Sioux refused, the US Army sent forces into the area, sparking a conflict that would make Lieutenant Colonel George Custer, Chief Sitting Bull, Crazy Horse, and others household names around the world. Examining a series of engagements in the Black Hills War, including Rosebud, Little Bighorn, and Slim Buttes, this fully illustrated study assesses the forces fighting on both sides in this momentous campaign, casting light on the origins, tactics, armament, and battlefield performance of the US Cavalry and their Sioux opponents at the height of the Indian Wars.

This volume offers accounts of the many battles and skirmishes in the Great Sioux War as they were observed by participating officers, enlisted men, scouts, surgeons, and newspaper correspondents. The selections-some rendered immediately after the encounters and some set down in reminiscences years later - are important and little-known sources of information about the war. By their personal nature, they give a compelling sense of immediacy to the actions. The editor's introduction and commentary on each of the accounts help readers understand the interrelationship of events and appreciate the entire spectrum of the conflict.

On the afternoon of June 25, 1867, an overwhelming force of Sioux and Cheyenne Indians quickly mounted a savage onslaught against General George Armstrong Custer’s battalion, driving the doomed troopers of the U.S. Seventh Cavalry to a small hill overlooking the Little Bighorn River, where Custer and his men bravely erected their heroic last stand. So goes the myth of the Battle of the Little Bighorn, a myth perpetuated and reinforced for over 100 years. In truth, however, "Custer’s Last Stand" was neither the last of the fighting nor a stand. Using innovative and standard archaeological techniques, combined with historical documents and Indian eyewitness accounts, Richard Allan Fox, Jr. vividly replays this battle in astonishing detail. Through bullets, spent cartridges, and other material data, Fox identifies combat positions and tracks soldiers and Indians across the Battlefield. Guided by the history beneath our feet, and listening to the previously ignored Indian testimonies, Fox reveals scenes of panic and collapse and, ultimately, a story of the Custer battle quite different from the fatalistic versions of history. According to the author, the five companies of the Seventh Cavalry entered the fray in good order, following planned strategies and displaying tactical stability. It was the sudden disintegration of this cohesion that caused the troopers’ defeat. The end came quickly, unexpectedly, and largely amid terror and disarray. Archaeological evidences show that there was no determined fighting and little firearm resistance. The last soldiers to be killed had rushed from Custer Hill.

Little Big Horn was the greatest, and the last, victory of the Native Americans over the United States military. Disobeying orders, George Armstrong Custer and the 7th Cavalry Regiment followed a trail to a large encampment of Indians. Without determining the numbers he faced, Custer split his command into three groups and attacked. The resulting chaos has passed into legend as the most infamous battle of the Indian Wars as Custer and more than half the troops under his command were killed. The death of George Armstrong Custer, and over half of his 7th Cavalry Regiment in the valley of the Little Big Horn on 25 July 1876, has become the most celebrated battle of the Indian wars. It was the greatest, and the last, victory of the Native Americans over the United States military. Planned as a combined operation by three different columns of troops commanded by Generals Crook and Terry and Colonel John Gibbon, the campaign went wrong almost from the start. Crook's column was stopped almost immediately and after a severe mauling fell back to its supply base. Custer then disobeyed orders and followed a trail left by a large number of ponies towards the Little Big Horn. He found a large encampment of Indians on the morning of 25 July and without determining the numbers he faced split his command into three groups and attacked. In the resulting chaos Custer and more than half the troops under his command were killed. Custer's luck had finally run out. Peter Panzeri details the whole of the 1876 campaign against the Indians under Sitting Bull, including Gibbon's encounters and Terry's advance, before recounting in detail the last stand of one of history's most controversial figures.

From the 1840s onward, United States military forces clashed with the Apache, a group of Native American peoples associated with the southwestern part of North America. US territorial expansion and conflict – first with Mexico and then during the Civil War – led to an escalation of hostilities that culminated in the defeat of the Apache leader Geronimo in 1886, although fighting continued into the 20th century. In this study the clashes at Cieneguilla (1854), First Adobe Walls (1864), and Cibecue Creek (1881) are assessed in detail. Fully illustrated and featuring contemporary accounts and specially commissioned artwork, this history examines exactly how the Apache were able to pose such a grave threat to US forces and how their initial advantages were gradually negated by the cavalry. Examining the tactics, equipment and training available to each side over four decades of evolving conflict, this is an eye-opening combatant's eye view of one of history's most intriguing campaigns.

The French Indochina War (1946–54) was the largest of the first generation of post-World War II wars of decolonization as Vietminh insurgents sought to topple their French colonial masters. It was also unique in that the insurgency evolved from low-level guerrilla activity to mobile operations by a large conventional army which finally defeated a large European-led expeditionary force, supported by artillery, armour and airpower. The war's progress was almost entirely dictated by the extreme terrain, and by the Chinese support enjoyed by the Vietnamese insurgents. The actions explored in this study cover three contrasting phases of the war in Tonkin during 1948–52, setting both sides on the path that would lead to the conflict's climactic encounter at Dien Bien Phu in 1954. Featuring specially commissioned artwork and drawing upon a range of sources, this meticulously researched study casts new light on the troops who fought on both sides in this evolving and momentous conflict.

Over the last 150 years, gun designers have sought to transform warfare with artillery of superlative range and power, from William Armstrong's 19th-century “monster guns” to the latest research into hypersonic electro-magnetic railguns. Taking a case study approach, Superguns explains the technology and role of the finest monster weapons of each era. It looks at the 1918 “Wilhelm Gun,” designed to shell Paris from behind the German trenches; the World War II “V-3” gun built to bombard London across the Channel; the Cold War atomic cannons of the US and Soviet Union; and the story of Dr Gerald Bull's HARP program and the Iraqi “Supergun” he designed for Saddam Hussein. Illustrated throughout, this is an authoritative history of the greatest and most ambitious artillery pieces of all time.