LitHub/CrimeReads best new debut selection Popsugar Book Club best new thrillers selection Winner of the 2020 American Fiction Award for Thriller: Crime from American Book Fest Sins of the Bees blends the majesty and mystery of Where the Crawdads Sing with the character explorations of The Girls to present the lives of two very different women and their tumultuous interactions with a dangerous doomsday cult. Other than her bonsai trees, twenty-year-old arborist Silvania August Moonbeam Merigal is alone in the world. After first her mother dies and then her grandfather—the man who raised her and the last of her family—Silva suffers a sexual assault and becomes pregnant. Then, ready to end her own life, she discovers evidence of a long-lost artist grandmother, Isabelle. Desperate to remake a family for herself, Silva leaves her island home on the Puget Sound and traces her grandmother’s path to first a hippie beekeeper named Nick Larkins, and then to a religious, anti-government, Y2K cult embedded deep in the wilds of Hells Canyon. Len Dietz is the charismatic leader of the Almost Paradise compound, a place full of violence and drama: impregnated child brides called the Twelve Maidens, an armed occupation of a visitor’s center, shot-up mountain sheep washing up along with a half-drowned dog, and men transporting weapons in the middle of the night. As Isabelle paints portraits of Len Dietz and the Twelve Maidens ceremonially progressing toward their group marriage on the prophesized end of the world—January 1, 2000, the new millennium—Silva moves ever closer to finding her grandmother in Hells Canyon and finds herself drawn Nick, whose life is also irrevocably tied to Len Dietz. As tensions erupt into violence, Silva, Isabelle, Nick, and the members of Almost Paradise find themselves disastrously entangled. And like the ancient bonsai struggling to navigate territories both new and old, Silva is forced to face both her own history of loss, and the history of loss she’s stepped into: ruinous stories of family that threaten to destroy them all.

In this story of an astonishing love, Thomas Sanchez portrays the violence, hope, and grandeur of lives transformed by war and exile. At the heart of the novel are Zermano, a world-famous Spanish painter, and his beautiful French muse, Louise Collard -- whose lives are torn apart by the German invasion of France in World War II. Leaving Louise in Vichy-controlled Provence, Zermano returns to occupied Paris. But while he eventually goes on to celebrity and fortune, Louise disappears into obscurity. Fifty years later, after Louise's death, an American scholar arrives in the south of France seeking the truth about the lovers' tempestuous romance and sudden separation. Why did the painter abandon the young beauty? What was the cause of her lifelong reclusiveness? What dark mysteries were being concealed by the ill-fated couple? By chance, the professor finds a cache of correspondence -- Zermano's letters to Louise in her remote mountain village, and her intentionally unmailed letters to him in Paris. In their vivid, wrenching contents he uncovers secrets that Louise kept even from Zermano about her wartime experience: the dangers of her participation in the Resistance, and her complicity with one of its leaders, the Fly; her struggles to elude a sadistic officer who hunts her for political and personal reasons; her lyrical intimacy with a mystical beekeeper. Louise is forced to make a fateful decision between the love for her man, and the ultimate sacrifice for her country. In a powerful climax, the scholar is compelled to journey to Mallorca, where Zermano is rumored to be living in self-imposed exile. Determined to reveal Louise's fate to the painter, our narrator does not suspect that he, too, will be forced to confront the enigma of his own desire.

Today is Christmas Eve. Today is my birthday. Today I am fifteen. Today I buried my parents in the backyard. Neither of them were beloved. Marnie and her little sister, Nelly, are on their own now. Only they know what happened to their parents, Izzy and Gene, and they aren't telling. While life in Glasgow's Maryhill housing estate isn't grand, the girls do have each other. Besides, it's only a year until Marnie will be considered an adult and can legally take care of them both. As the New Year comes and goes, Lennie, the old man next door, realizes that his young neighbors are alone and need his help. Or does he need theirs? Lennie takes them in—feeds them, clothes them, protects them—and something like a family forms. But soon enough, the sisters' friends, their teachers, and the authorities start asking tougher questions. As one lie leads to another, dark secrets about the girls' family surface, creating complications that threaten to tear them apart. Written with fierce sympathy and beautiful precision, told in alternating voices, The Death of Bees is an enchanting, grimly comic tale of three lost souls who, unable to answer for themselves, can answer only for one another.

Building upon the concepts in 1 Corinthians 12, believers are encouraged to have an active and healthy role within a Christian community. Just as individual bees contribute to the well-being of the entire colony, Christians are reminded to faithfully use their God-given abilities to make a contribution towards the overall growth and well-being of their fellow believers. (Christian)

A one-year devotional guiding readers through the entire Bible.

A bold and uncompromising feminist manifesto that shows women and girls how to defy, disrupt, and destroy the patriarchy by embracing the qualities they’ve been trained to avoid. Seizing upon the energy of the #MeToo movement, feminist activist Mona Eltahawy advocates a muscular, out-loud approach to teaching women and girls to harness their power through what she calls the “seven necessary sins” that women and girls are not supposed to commit: to be angry, ambitious, profane, violent, attention-seeking, lustful, and powerful. All the necessary “sins” that women and girls require to erupt. Eltahawy knows that the patriarchy is alive and well, and she is fed the hell up: Sexually assaulted during hajj at the age of fifteen. Groped on the dance floor of a night club in Montreal at fifty. Countless other injustices in the years between. Illuminating her call to action are stories of activists and ordinary women around the world—from South Africa to China, Nigeria to India, Bosnia to Egypt—who are tapping into their inner fury and crossing the lines of race, class, faith, and gender that make it so hard for marginalized women to be heard. Rather than teaching women and girls to survive the poisonous system they have found themselves in, Eltahawy arms them to dismantle it. Brilliant, bold, and energetic, The Seven Necessary Sins for Women and Girls is a manifesto for all feminists in the fight against patriarchy.