From New York Times Bestselling Author Katy Regnery comes a sexy new series When Seattle journalist, Amanda, heads north to Sitka to research a story, she answers the Odds Are Good personal ad of single dad, Luke, hoping for some no-strings-attached fun. But could the sweet, widowered father of three-who just happens to be a smokin' hot state trooper-turn out to be the man of her dreams?*****An Odds-Are-Good Standalone RomanceSingle In Sitka (Oct 7, 2019)Nome-O Seeks Juliet (Nov 4, 2019)A Fairbanks Affair (Dec 2, 2019)My Valdez Valentine (Feb 10, 2020)Kodiak Lumberjack (Apr 20, 2020)

When fourteen-year-old Eliza Healy is dumped on the shores of Sitka Bay, Alaska, in 1867, its a long way from Wisconsin and her grandmothers warm cozy kitchen. Eliza believes the idea of helping her family establish a new Evangelical Brethren Church in the Alaska Territory is exciting, but she soon realizes serving God is much more difficult than she imagined. The harsh living conditions among rough men and a shortage of food make her wonder about her familys purpose in Alaska. The icy waters of the bay, a shaman, and a grizzly bear are the least of Elizas worries the summer she arrives. As Katrina, a Russian girl, and her friend, Erm, a Tlingit girl, question and challenge Elizas fundamental Christian faith, she learns more about different cultures and religions. But Gods presence seems far removed from Eliza as her baby brother, Amos, and her mother become deathly ill. These new hardships and responsibilities threaten to overwhelm Eliza, but a ruggedly handsome gold miner named Jed may just be her saving grace. Through all of her experiences, adventures, and family crises, she comes to understand God is always there and watching over her.

"Guitars inspire cult-like devotion: an afficionado can tell you precisely when and where their favorite instruments were made. And she will likely also tell you about the wood they were made from and its unique effects on the instruments' sound. In Following Guitars, Chris Gibson and Andrew Warren trace guitars all the way back to the tree. It is a book about musical instrument making, the timbers and trees from which guitars are made. It chronicles the authors' journeys across the world, to guitar festivals, factories, remote sawmills, Indigenous lands, and distant rainforests, in search of the behind-the-scenes stories of how guitars are made, where the much-cherished guitar timbers ultimately come from, and the people and skills involved along the way. The authors are able to unlock insights on longer arcs of world history: on the human exploitation of nature, colonialism, industrial capitalism, and cultural change. They end on a parable of wider resonance: of the incredible but unappreciated skill and care that goes into growing and felling trees, milling timber, and making enchanted musical instruments; set against the human tendency to reform our use (and abuse) of natural resources only when it appears too late"--

Alaska looms as a mythical, savage place, part nature preserve, part theme park, too vast to understand fully. Which is why C. B. Bernard lashed his canoe to his truck and traded the comforts of the Lower 48 for a remote island and a career as a reporter. He soon learned that a distant relation had made the same trek northwest a century earlier. Captain Joe Bernard spent decades in Alaska, amassing the largest single collection of Native artifacts ever gathered, giving his name to landmarks and even a now-extinct species of wolf. C. B. chased the legacy of this explorer and hunter up the family tree, tracking his correspondence, locating artifacts donated to museums, and finding his journals at the University of Alaska at Fairbanks. Using these journals as guides, he threw himself into the state once known as Seward’s Folly, boating to remote islands, hiking distant forests, hunting and fishing the pristine environment, forming a landscape view of the place that had lured him and “Uncle Joe,” both men anchored beneath the Northern Lights in freezing, far-flung waters, separated only by time. Here, in crisp, crystalline prose, is his moving portrait of the Last Frontier, then and now.