Telling the fabled story of the men and women who shone brightly during the magical era of the singing cowboy movie star, this treasury features such famed cowboy singers as: Gene Autre, Binge Crossly, Dale Evens, Tit Guitar, Dorothy Page, Riders of the Purple Sage, TeX Rita, Marry Robins, Roy Rogers, John Wayne, Ray Whitely, and dozens more.

In this slim, lively book our foremost historian of country music recalls the lost worlds of pioneering fiddlers and pickers, balladeers and yodelers. As he looks at "hillbilly" music's pre-commercial era and its early popular growth through radio and recordings, Bill C. Malone shows us that it was a product not only of the British Isles but of diverse African, German, Spanish, French, and Mexican influences.

The Real Singing Cowboys profiles contemporary cowboy--and cowgirl--singers and musicians who are, or have been, authentic working cowboys or ranchers, or involved in related occupations tied to ranching and cowboy culture. The book includes sixty brief biographies and photos of the singers and musicians, including Glenn Ohrlin, Dave Stamey, Wylie Gustafson, and R.W. Hampton. The stories of traditional occupational songs of working cowboys and how that tradition continues in today’s world provide context for the contemporary performers included in the book. These men, women, and children are, or have been, working cowboys, ranchers, packers, and horse trainers, or have deep roots in cowboy and ranching culture that have shaped and informed their music.

"In this innovative take on a neglected chapter of film history, Peter Stanfield challenges the commonly held view of the singing cowboy as an ephemeral figure of fun and argues instead that he was one of the most important cultural figures to emerge out of the Great Depression.The rural or newly urban working-class families who flocked to see the latest exploits of Gene Autry, Roy Rogers, Tex Ritter, andother singing cowboys were an audience largely ignored by mainstreamHollywood film. Hard hit by the depression, faced with the threat--and often the reality--of dispossession and dislocation, pressured to adapt to new ways of living, these small-town filmgoers saw their ambitions, fantasies, and desires embodied in the singing cowboy and their social and political circumstances dramatized in ""B"" Westerns.Stanfield traces the singing cowboy's previously uncharted roots in the performance tradition of blackface minstrelsy and its literary antecedents in dime novels, magazine fiction, and the novels of B. M. Bower, showing how silent cinema conventions, the developing commercial music media, and the prevailing conditions of film production shaped the ""horse opera"" of the 1930s. Cowboy songs offered an alternative to the disruptive modern effects of jazz music, while the series Western--tapping into aesthetic principles shunned by the aspiring middle class--emphasized stunts, fist fights, slapstick comedy, disguises, and hidden identities over narrative logic and character psychology. Singing cowboys also linked recording, radio, publishing, live performance, and film media.Entertaining and thought-provoking, Horse Opera recovers not only the forgotten cowboys of the 1930s but also their forgotten audiences: the ordinary men and women whose lives were brightened by the sights and songs of the singing Western."

As the United States expanded west in the 1800s, and cattle became big business, the figure of the young brash cattleman who rode with the herds quickly emerged as a cultural icon. Victorian Americans went crazy for cowboys, snapping up dime-store novels and sheet music, and turning out in droves for Buffalo Bill Cody's Wild West Show. It was only a matter of time before someone brought together these three facets-entertainer, singer, and cowboy. And when Carl T. Sprague recorded the first hit cowboy record ("When the Work's All Done This Fall") in 1925, the singing cowboy as we know him was born. A singing cowboy himself, Douglas B. Green (better known as Ranger Doug from the Grammy-award-winning group Riders In The Sky) is uniquely suited to write the story of the singing cowboy. He has been collecting information and interviews on western music, films, and performers for nearly thirty years. In this volume, he traces this history from the early days of vaudeville and radio, through the heyday of movie westerns before World War II, to the current revival. He provides rich and careful analysis of the studio system that made men such as Gene Autry and Roy Rogers famous, and he documents the role that country music and regional television stations played in carrying on the singing cowboy tradition after World War II. This book, lavishly illustrated with over 140 photos, is a wealth of information that comes out of decades of research. Green has unearthed never-before-published photos and rare movie posters-including one from an all-Black western, Harlem on the Prairie (1938). Through his close friendships with other singing cowboys and their families, Green is able to provide rare insights into the ways that some like Autry became stars and others like Raoul Walsh (who lost his eye in a shooting accident and later became a famous director) did not. Green also traces the history of cowboy music, from popular songs such as "Sweet Betsy from Pike" to the instantly recognizable harmonies of the Sons of the Pioneers. Green even speculates about just when the famous yodel became a ubiquitous part of the singing cowboy's repertoire. More important, Green reveals how the imagery of the singing cowboy has become such a potent force that even now country musicians don cowboy hats so as to symbolically take part in the legend. Nowhere has the recorded history of the singing cowboy and the film history been collected in one volume, and this book is sure to become the resource for students of the style. Co-published with the Country Music Foundation Press

Roy Rogers, Gene Autry, Tex Ritter . . . they were the cowboys that everyone loved. Now their magic is captured in a memorable collection of photos, film clips, lobby cards and sheet music. And that's all toppped off with a high-quality compact disc that allows the melodious memories to come racing back. 110 photos, 50 in full-color.

*Includes pictures *Includes their quotes about their lives and careers *Includes a bibliography for further reading "Music has been the better part of my career. Movies are wonderful fun and they give you a famous face. But how the words and melody are joined, how they come together out of air and enter the mind, this is art. Songs are forever" - Gene Autry "I did pretty good for a guy who never finished high school and used to yodel at square dances." - Roy Rogers In the early 20th century, Westerns were one of the most popular genres in Hollywood, and one of the young stars at the forefront was Gene Autry, a Texan whose life story made him a natural to be the country's most famous "singing cowboy". Autry would become a symbol of masculinity and morality on screen during the 1930s, but it was effortless for someone who had already grown up riding horses to school. Autry came of age at a time when the "singing cowboy" was at the apex of his popularity, and like his most famous successor, Roy Rogers, Autry actually got his start in show business as a singer. Even today, Autry might be best known for being a pioneer of country music and the author of Christmas hits "Here Comes Santa Claus", "Frosty the Snowman", and "Rudolph the Red-Nosed Reindeer". Autry would produce hundreds of recordings during his life, helping ensure the popularity of the country music genre and earning inductions into several related halls of fame. Of course, the popularity of Autry's music and country music in general was bolstered by the fact that he became one of the biggest stars in Hollywood. After he was discovered in 1934, Autry made dozens of films and was still one of the industry's biggest moneymakers when he went off to fight in World War II. Though his movie career had already hit its peak by the time he returned, Autry used his popularity and his skills to transition into television, and he dabbled in all kinds of other ventures, including owning a radio station and professional sports teams. By the end of his long life and career, Autry could lay claim to being the only man with 5 stars on the Hollywood Walk of Fame for film, television, music, radio, and live performances. Roy Rogers came from an Ohio farm, but regardless of his background, Rogers certainly looked the part of the quintessential cowboy, along with his wife Dale Evans and his horse Trigger. His versatile singing and acting abilities made him successful both on radio and on the screen. Rogers came of age at a time when the "singing cowboy" was at the apex of his popularity, and that was favorable because he actually got his start in show business as a singer. In the early '30s, he bounced around several groups as a country music singer before earning national attention as a member of the Sons of the Pioneers, who were signed to Decca and had a couple of hits. As a result, when he first appeared in movies in 1935, it was usually in bit roles that required singing, but when Gene Autry threatened to quit acting in 1938, Rogers was viewed as a suitable replacement for lead roles. As it turned out, he became the premiere "singing cowboy" in Autry's stead, and from 1939-1954, he was one of the Top 10 Western stars in Hollywood, and a Top 10 movie star overall during some of those years. As Rogers evolved into the "King of the Cowboys", he became a pop culture icon, and he was shrewd enough to capitalize on his image. All sorts of Roy Rogers merchandise hit stores, from action figures to comic strips, and Rogers even banked on the popularity of his horse Trigger by featuring him enough to make the horse a household name as well. Even today, people can find the name Roy Rogers all over the place, if only because he eventually had his name lent to a popular fast food chain in later years. Gene Autry and Roy Rogers examines the lives and careers of two of America's most famous Western actors.

Collected interviews with the quirky and distinctive writer/director team of such films as Raising Arizona, Intolerable Cruelty, and Barton Fink