The fascinating history of bell music The carillon, the world’s largest musical instrument, originated in the 16th century when inhabitants of the Low Countries started to produce music on bells in church and city towers. Today, carillon music still fills the soundscape of cities in Belgium and the Netherlands. Since the First World War, carillon music has become popular in the United States, where it adds a spiritual dimension to public parks and university campuses. Singing Bronze opens up the fascinating world of the carillon to the reader. It tells the great stories of European and American carillon history: the quest for the perfect musical bell, the fate of carillons in times of revolt and war, the role of patrons such as John D. Rockefeller Jr. and Herbert Hoover in the development of American carillon culture, and the battle between singing bronze and carillon electronics. Richly illustrated with original photographs and etchings, Singing Bronzetells how people developed, played, and enjoyed bell music. With this book, a fascinating history that is yet little known is made available for a wide public.

The complete, full color guide to singing bowls, in large 8.5"x11" format with over 140 photos. Learn all about singing bowls from the leading expert, including the history, manufacture, modern and traditional use of these iconic instruments. The Singing Bowl Book explains the never before told 1,000 year history, connecting multiple cultures and traditions across Asia. Filled with accurate information and many color photo examples, The Singing Bowl book is the first and only factual book about singing bowls. It includes shopping advice, playing instructions, history, manufacture, metal testing, traditional and modern use of metal singing bowls. Also includes detailed and invaluable information for collectors about antique singing bowls and the traditions that created them. Author Joseph Feinstein is creator of The Singing Bowl Museum and founder of Himalayan Bowls, the first singing bowl shopping site. Joseph is a former university teacher who left teaching to research singing bowls. The Singing Bowl Book is the culmination of 20 years work. Joseph traveled extensively in 10 countries, worked with university and museum experts, examined thousands of bronze objects and took hundreds of photos for this book. He is the leading singing bowl expert and caretaker of the world's best singing bowl collection. In Nepal they call him "the singing bowl king." He now shares all his knowledge and special examination techniques. This is an easy to read and fascinating examination of cultural sharing through amazing artistry. Combining metallurgical research, immersive cultural study and 2 decades of hands-on experience, this is the most complete and accurate examination of metal singing bowls. Learn where singing bowls came from, what they are made of, how they are made and how they are used. Learn the difference between new singing bowls and genuine antiques with side by side comparison. Get valuable consumer advice and learn the common sales tricks. With over 140 color photos taken by the author, The Singing Bowl Book documents all Joseph's knowledge with photo examples. Includes details about the different types of metal singing bowls, advice how to shop for singing bowls, price information, playing instructions, traditional use in Asia as well as modern use in the USA and Europe. This is a useful shopping guide for beginners as well as an essential read for any veteran collector. Get the most from your singing bowl experience. Learn the fascinating history and ancient manufacturing techniques. Learn the common sales tricks and false myths. Discover the beauty and magic of these ancient objects as you journey with the author from California to Nepal and beyond. The Singing Bowl Book covers the full range of metal singing bowls, including cast brass, hand hammered bronze and antique singing bowls. Crystal bowls are not discussed.

The Garland Handbook of Southeast Asian Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 4, Southeast Asia (1998). Largely revised and updated, the essays offer detailed, regional studies of the different musical cultures of Southeast Asia and examine the ways in which music helps to define the identity of this particular area. Part one provides an in-depth introduction to the area of Southeast Asia and explores a series of issues and processes, such as colonialism, mass media, spirituality, and war. The articles in this section are important in gaining historical, political, and social perspective. Part two focuses on mainland Southeast Asia, with essays representing Cambodia, Thailand, Laos, Burma, Peninsular Malaysia, Vietnam, Singapore, and the minority peoples of mainland Southeast Asia. Part three focuses on island Southeast Asia, dividing the area into three sections: Indonesia, the Philippines, and Borneo. In addition to offering a detailed study of the music of each area, it also offers recent perspectives on the gamelan and theater traditions of Indonesia. Questions for Critical Thinking at the end of each major section guide and focus attention on what issues – musical and cultural – arise when one studies the music of Southeast Asia – issues that might not occur in the study of other musics of the world. An accompanying compact disc offers musical examples from Southeast Asia.

Go on a musical journey around the world Discover the power of music and be inspired by cultures from all over the world with the Children's Book of Music. You'll find out how instruments are made and played and learn about the fascinating lives and achievements of great composers and musicians, from Bach to Bowie, Bjork, and Beyoncé. The book is packed with facts and photos highlighting musical styles from around the globe, from the very earliest music through to classical and blues, via reggae, Afropop, hip-hop, and dance. Fun, try-it-yourself activities take children on the ultimate musical journey -the perfect gift for budding musicians.

When writer and director Joss Whedon created the character Buffy the Vampire Slayer, he could hardly have expected the resulting academic interest in his work. Yet almost six years after the end of Buffy on television, Buffy studies—and academic work on Whedon's expanding oeuvre—continue to grow. Now with three hugely popular television shows, Buffy the Vampire Slayer, Angel, and Firefly, and the film Serenity all available on DVD, scholars are evaluating countless aspects of the Whedon universe (or "Whedonverse"). Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon studies the significant role that music plays in these works, from Buffy the Vampire Slayer to the internet musical Dr. Horrible's Sing-Along Blog. Kendra Preston Leonard has collected a varying selection of essays that explore music and sound in Joss Whedon's works. The essays investigate both diegetic and non-diegetic music, considering music from various sources, including the shows' original scores, music performed by the characters themselves, and music contributed by such artists as Michelle Branch, The Sex Pistols, and Sarah McLachlan, as well as classical composers like Camille Saint-Saëns and Johannes Brahms. The approaches incorporate historical and theoretical musicology, feminist and queer musicology, media studies, cultural history, and interdisciplinary readings. The book also explores the compositions written by Whedon himself: the theme music for Firefly, and two fully integrated musicals, the Buffy episode "Once More, With Feeling" and Dr. Horrible's Sing-Along Blog. With several musical examples, a table with a full breakdown of the Danse Macabre scene from the acclaimed Buffy episode "Hush," and an index, this volume will be fascinating to students and scholars of science-fiction, television, film, and popular culture.

The Music of Malaysia, first published in Malay in 1997 and followed by an English edition in 2004 is still the only history, appreciation and analysis of Malaysian music in its many and varied forms available in English. The book categorizes the types of music genres found in Malaysian society and provides an overview of the development of music in that country. Analyses of the music are illustrated with many examples transcribed from original field recordings. Genres discussed include theatrical and dance forms, percussion ensembles, vocal and instrumental music and classical music. It is an excellent introduction to and exploration of the country's vibrant musical culture. This new, fully revised and updated edition includes time lines, listening guides and downloadable resources of field recordings that are analysed and discussed in the text.