Singapore is the setting for the film 'Crazy Rich Asians' and this book celebrates some of Singapore's amazing houses.

In the British colonial city of Singapore, municipal authorities and Asian communities faced off over numerous issues. As the city expanded, various disputes concerning issues such as sanitation, housing and street names arose. This volume details these conflicts and how they shaped the city.

Only book on the market that covers the architecture and interiors of these fascinating houses. Up-to-date photographs as well as in-depth archival materials. Much never-published-before information from original architects' drawings to house plans, descriptions of life in the homes and more. An established bestseller since 2005

Established in 1859, Singapore's Botanic Gardens has served as a park for Singaporeans and visitors, a scientific institution, and a testing ground for tropical plantation crops. Each function has its own story, while the Gardens also fuel an underlying narrative of the juncture of administrative authority and the natural world. Created to help exploit natural resources for the British Empire, the Gardens became contested ground in conflicts involving administrators and scientists that reveal shifting understandings of power, science and nature in Singapore and in Britain. This continued after independence, when the Gardens featured in the "e;greening"e; of the nation-state, and became Singapore's first World Heritage Site. Positioning the Singapore Botanic Gardens alongside the Royal Botanic Gardens at Kew and gardens in India, Ceylon, Mauritius and the West Indies, this book tells the story of nature's colony-a place where plants were collected, classified and cultivated to change our understanding of the region and world.

Singapore Architecture portrays the intruiging architectural heritage of Asia's crossroads city. Singapore's exotic mix of people and colorful history is reflected in the city's architecture. The early temples, shop houses and colonial monuments are documented, through to the growth of the modern city and a skyline which reflects Singapore's role as a global city. The broad spectrum of Singapore's buildings is displayed with private houses, public buildings, public housing, shrines, mosques and office towers. The major landmark buildings of downtown Singapore have been designed by celebrated international architects. The recent work of local architects represents a unique and dynamic mix of cross-cultural influences, combining Asian style with a thorough knowledge of Modern architecture

When C.M. Turnbull's A History of Singapore, 1819-1975 appeared in 1977, it quickly achieved recognition as the definitive history of Singapore. A second edition published in 1989 brought the story up to the elections held in 1988. In this fully revised edition, rewritten to take into account recent scholarship on Singapore, the author has added a chapter on Goh Chok Tong's premiership (1990-2004) and the transition to a government headed by Lee Hsien Loong. The book now ends in 2005, when the Republic of Singapore celebrated its 40th anniversary as an independent nation. Major changes occurred in the 1990s as the generation of leaders that oversaw the transition from a colony to independence stepped aside in favour of a younger generation of leaders. Their task was to shape a course that sustained the economic growth and social stability achieved by their predecessors, and they would be tested towards the end of the decade when Southeast Asia experienced a severe financial crisis. Many modern studies on Singapore focus on current affairs or very recent events and pay a great deal of attention to Singapore's successful transition from the developing to the developed world. However, younger historians are increasingly interested in other aspects of the country's past, particularly social and cultural issues. A History of Modern Singapore, 1819-2005 provides a solid foundation and an overarching framework for this research, surveying Singapore's trajectory from a small British port to a major trading and financial hub within the British Empire and finally to the modern city state that Singapore became after gaining independence in 1965.

British imperialism helped shaped the modern world order. This same imperialism created modern Singapore, controlling its colonial development and influencing its post-colonial orientation. Winston Churchill was British imperialism's most significant twentieth century statesman. He never visited Singapore, but his story and that of the city-state are deeply intertwined. Singapore became a symbol of British imperial power in Asia to Churchill, while Singaporeans came to see him as symbolizing that power. The fall of Singapore to Japanese conquest in 1942 was a low point in Churchill's war leadership, one he forever labeled by calling it 'the worst disaster in British military history.' It was also a tragedy for Singapore, ushering in three years of harsh military occupation. But the interplay between these three historical forces, Churchill, Empire, and Singapore, extended well beyond this dramatic conjuncture. The Last Lion and the Lion City provides a critical examination of that longer interplay through an analysis of Churchill's understanding of empire, his perceptions of Singapore and its imperial role, his direction of affairs regarding Singapore and the Empire, his influence on the subsequent relationship between Britain and Singapore.

A Genealogy of Tropical Architecture traces the origins of tropical architecture to nineteenth century British colonial architectural knowledge and practices. It uncovers how systematic knowledge and practices on building and environmental technologies in the tropics were linked to military technologies, medical theories and sanitary practices, and were manifested in colonial building types such as military barracks, hospitals and housing. It also explores the various ways these colonial knowledge and practices shaped post-war techno scientific research and education in climatic design and modern tropical architecture. Drawing on the interdisciplinary scholarships on postcolonial studies, science studies, and environmental history, Jiat-Hwee Chang argues that tropical architecture was inextricably entangled with the socio-cultural constructions of tropical nature, and the politics of colonial governance and postcolonial development in the British colonial and post-colonial networks. By bringing to light new historical materials through formidable research and tracing the history of tropical architecture beyond what is widely considered today as its "founding moment" in the mid-twentieth century, this important and original book revises our understanding of colonial built environment. It also provides a new historical framework that significantly bears upon contemporary concerns with climatic design and sustainable architecture. This book is an essential resource for understanding tropical architecture and its various contemporary manifestations. Its in-depth discussion and path breaking insights will be invaluable to specialists, academics, students and practitioners.

The Singapore shophouse is an architectural gem a particular building form that is unique to the island. This book traces its development from rudimentary shophouse through various incarnations of decorative style Neoclassical, Chinese Baroque, Jubilee-style, Edwardian, Rococo, Tropical Modern all the while commenting on the various influences that fueled its evolution. Each individual feature of the shophouse is examined, as is its change from rudimentary out-of-China structure to sophisticated dwelling house. Numerous examples of shophouse interiors today complete the odyssey showcasing Shophouse as Temple, Clan House, Home, Boutique Hotel, Shop, Restaurant Coffeeshop and more, we see how these heritage buildings continue to be relevant in the era of the skyscraper and shopping mall.

One of the areas of fastest-growing interest in the humanities and social sciences in recent years has been the history of animals. Imperial Creatures fills a gap in that field by looking across species at animals in a urban colonial setting. If imperialism is a series of power relationships, Timothy P. Barnard argues, then it necessarily involves not only the subjugation of human communities, but also of animals. What was the relationship between those two processes in colonial Singapore? How did interactions with animals enable changes in interactions between people? Through a multidisciplinary consideration of fauna, Imperial Creatures weaves together a series of tales to document how animals were cherished, monitored, employed, and slaughtered in a colonial society. All animals, including humans, Barnard shows, have been creatures of imperialism in Singapore. Their stories teach us lessons about the structures that upheld such a society and how it developed over time, lessons of relevance to animal historians, to historians of Singapore, and to urban historians and imperial historians with an interest in environmental themes.