Written over a period of ten years, Third Wish is an epic novel that is above all - a love story - not in the usual sense, but the story of people who love life and go to great lengths to live it in a flourishing way. In fairy tales, the third wish is the last one left when the first wish was foolish, and the second wish was used to undo the first. Now the remaining wish must be used wisely and well - with the help of co-conspirators. The story threads its way through Greece, Japan, France, England, Spain and Seattle. Woven into the fabric is cultural history, art, philosophy, archeology, poetry, theater and music. The mode of the novel is contained in these three words: SLOWLY, SURPRISE, WITNESS. The two-volume set is divided into five parts and includes over 150 illustrations by three accomplished artists.

Deliciously Sinful Liaisons, A Steamy Romance Boxset by The Lord of Lust 7 Books, 7 hard and rugged men, 7 sizzling page turners that will have you devouring every word from start to finish... -Broken A hard and gritty dark romance. Hotter than Sylvia Day and sleeker than James Patterson or Sherlock Holmes. The opening in the Broken Heart Series will suck you down the rabbit hole of South London's seedy criminal underbelly. -Just Once The opening to the Just Friends series is a short and sweet friends find love Romance. - Reckless A Forbidden, Mafia Protector, Dark Romance. -Beneath the Sheets A Friends to Lovers Second Chance Holiday Romance in the Tropical Cocktails Romance Series with no cheating and no cliffhangers, just a lot of heat and a happily ever after. -Training Tracey A wicked and uber-hot coming-of-age love triangle that fans of Selena Kitt's Babysitting the Baumgartners will love! -Blood Lust A sizzling-hot Paranormal romance. If you like strong-willed, sassy heroines and oh-so-bad, drop-dead gorgeous Vampire heroes with lots of bite, you’ll love this page-turner. -Sweet Temptations: The Babysitter Sweet Temptations: The Babysitter is the original debut from the Lord of Lust, L.M. Mountford, a sizzling tale of lust and temptation that will ignite your ereader and leave you panting for more as it follows a modern man's journey across the Rubicon. Scroll up and one-click this sizzling collection and escape into decadence today.

The Old Testament is the story of God's promises to his people. Below its somewhat obscure surface is hidden magnificent truth about the love and power of God. Throughout its pages the reader can find promise after promise from God, all of which are fulfilled in the New Testament-in the incarnation of Jesus Christ. Author Mark Dever introduces readers to the Old Testament as a glorious whole so that they are able to see the big picture of the majesty of God and the wonder of his promises.

How are we to see the Old Testament's characters--typically a tangle of both virtue and vice--as models for our own ethical living? It is clear that Scripture intends for us to embody some qualities while eschewing others, and at times these are immediately obvious: David's wholehearted pursuit of God is admirable, while his adultery with Bathsheba and murder of Uriah are deplorable. But more often than not we are left with shades of gray, not really knowing whether the narrator approves, disapproves, or is indifferent to the behavior of these characters. The present work seeks to address this issue, situating itself at the fault line of the problem: character portrayal. It argues that often what we take to be the narrator's silence about a character is not silence at all; rather, the narrator is simply speaking in ways that we are not attuned to. By becoming attuned to the voice of biblical narrative and by understanding its role in ethics, therefore, we are better able to understand the characters as resources for our own ethics. This work develops its ideas by leveraging pertinent literary and ethical models, which are then trained upon a particular case in point: the Gideon account in Judges 6-8.

A highly readable survey of women's experiences in Latin America from the late fifteenth to the early nineteenth centuries.

The History of mankind is very cyclical. How often has it been said, "history repeats itself." Since time immemorial a repetitive theme in the human drama is Gnosticism, a teaching that special hidden knowledge leads to spiritual enlightenment. Gnostic myths have also focused on the sexual union of gods or goddesses with humans. The recent furor over the fictional novel and movie, The Da Vinci Code, has once again challenged the authenticity of the Christian Gospel, and brought new focus on Gnostic myths. Readers and movie-goers are encouraged to accept the dubious writings of "lost gospels" and reject the canonical teachings of the Bible. In those 2nd and 3rd century sources, the real Jesus who interacted with leaders, cared for the weak and sick, even loving the dregs of society, is exchanged for a strange creature that only appears to be human and bears no likeness to the Jewish man who died on a cruel Roman Cross. Beyond Da Vinci presents the real Jesus through the rich nuptial imagery of the Old and New Testaments. The reader meets the true Bride of Christ and learns of the incredible consummation of Bride and Bridegroom that is yet to come. Are there false Brides? Was Jesus of Nazareth married? Was he just a man or was he divine? Come partake of this incredible journey through the greatest romance of history; a journey to the truth.

This book traces the story of how and why thousands of Scots made money from buying and selling humans... a story we need to own. We need to admit that many Scots were enthusiastic participants in slavery. Union with England gave Scotland access to both trade and settlement in Jamaica, Britain's richest colony and its major slave trading hub. Tens of thousands from Scotland lived and worked there. The abolition campaign and slave revolts threatened Scottish plantation owners, merchants, traders, bankers and insurance brokers who made their fortunes from slave-farmed sugar in Jamaica and fought hard to preserve the system of slavery. Archives and parliamentary papers in both countries reveal these transatlantic Scots in their own words and allow us to access the lives of their captives. Scotland and Jamaica were closely entwined for over one hundred years. Bought & Sold traces this shared story from its early beginnings in the 1700s to the abolition of slavery in the British Empire and reflects on the meaning of those years for both nations today.

In this major, paradigm-shifting commentary on Revelation, internationally respected author Francis Moloney brings his keen narrative and exegetical work to bear on one of the most difficult, mysterious, and misinterpreted texts in the biblical canon. Challenging the assumed consensus among New Testament scholars, Moloney reads Revelation not as an exhortation to faithfulness in a period of persecution but as a celebration of the ongoing effects of Jesus's death and resurrection. Foreword by Eugenio Corsini.

‘But now, having travelled to the frontier of the world of sins, I no longer hesitated in trampling over the remnants of the goodness in my heart.’ Manada, Maani didi, Feroza Bibi, Miss Mukherjee – the jostling identities of our beguiling and charming protagonist as she glides through a life that can be seen as exploitative yet, also, curiously, empowering and honest. Manada’s fascinating life story takes her from her wealthy cossetted upbringing to a life of debauchery and prostitution after she elopes with her married lover when in her mid-teens. She is capable, attractive and doesn’t ask for pity as she struggles with illness, poverty and abandonment, but ensures that she emerges relatively unscathed and carves a niche for herself in her profession. Manada matures and settles into a life of prostitution, entertains barristers, doctors and other men of high society. She describes her colourful life with relish but is often introspective as she places her own position as a sex worker in the context of the times, calling out young sanctimonious patriotic men who maintain a high standing in society yet secretly fancy prostitutes. Rather tantalisingly she takes no names, only occasionally hinting at their identities, to avoid scandals and protect the double lives of men who are well-known in Calcutta in the 1920s. Weaving together multiple strands, looking beyond ideas of morality and accusations, we are presented a life of immense beauty and endurance, which is both grand in its scope and deeply intimate in its portrait.

Contrary to popular belief, the medieval religious imagination did not restrict itself to masculine images of God but envisaged the divine in multiple forms. In fact, the God of medieval Christendom was the Father of only one Son but many daughters—including Lady Philosophy, Lady Love, Dame Nature, and Eternal Wisdom. God and the Goddesses is a study in medieval imaginative theology, examining the numerous daughters of God who appear in allegorical poems, theological fictions, and the visions of holy women. We have tended to understand these deities as mere personifications and poetic figures, but that, Barbara Newman contends, is a mistake. These goddesses are neither pagan survivals nor versions of the Great Goddess constructed in archetypal psychology, but distinctive creations of the Christian imagination. As emanations of the Divine, mediators between God and the cosmos, embodied universals, and ravishing objects of identification and desire, medieval goddesses transformed and deepened Christendom's concept of God, introducing religious possibilities beyond the ambit of scholastic theology and bringing them to vibrant imaginative life. Building a bridge between secular and religious conceptions of allegorized female power, Newman advances such questions as whether medieval writers believed in their goddesses and, if so, in what manner. She investigates whether the personifications encountered in poetic fictions can be distinguished from those that appear in religious visions and questions how medieval writers reconcile their statements about the multiple daughters of God with orthodox devotion to the Son of God. Furthermore, she examines why forms of feminine God-talk that strike many Christians today as subversive or heretical did not threaten medieval churchmen. Weaving together such disparate texts as the writings of Latin and vernacular poets, medieval schoolmen, liturgists, and male and female mystics and visionaries, God and the Goddesses is a direct challenge to modern theologians to reconsider the role of goddesses in the Christian tradition.