Simpson's witty, lively, sobering, surprising collection of quotations by people in public life contains over nine thousand gems from 1950 to the present on diverse subjects ranging from politics to religion, from business to literature, from family life to the theater, and more. Two indexes.

The New Penguin Dictionary of Modern Quotations contains over 8,000 quotations from 1914 to the present. As much a companion to the modern age as it is an entertaining and useful reference tool, it takes the reader on a tour of the wit and wisdom of the great and the good, from Margot Asquith to Monica Lewinsky, from George V to Boutros Boutros-Galli and Jonathan Aitken to Frank Zappa.

Containing more than 5,000 quotations from authors as diverse as Bertolt Brecht, George W. Bush, Homer Simpson, Carl Sagan, William Shatner, and Desmond Tutu, the dictionary is organized alphabetically by author, with generous cross-referencing and keyword and thematic indexes. This new edition features more than 500 new quotations and 187 new authors. The book includes special sections featuring quotations from cartoons, films, political slogans, famous last words, misquotations, official advice, newspaper headlines and more.

Completely revised and expanded, the new edition of this extremely entertaining, one-of-a-kind collection of the best quotations from the past 50 years contains twice as many quotes as the previous edition (which sold 35,000 hardcover copies). With more than 20,000 quotes from the famous, the infamous, the renowned and the obscure, Simpson's Contemporary Quotations is a treasury of the most memorable, important and funniest comments uttered between 1950 and today. In order to make finding these quotes as easy as possible, the book is first divided into three parts: The World, Humankind and Communications and The Arts. Each of these three parts is then divided into 60 subsections, within which the quotes are organized alphabetically. The book also features two indexes, one by source and one by subject and key line.

Provides over 10,000 quotes from over 4000 sources, including 25 categories of quotes, and 60 sections, ranging from "love" to "criminology." Full, concise information is given for each quotation, including source, date, and occasion. This comprehensive reference contains words of wit and wisdom from such modern notables as Ezra Pound, Henry Kissinger, George Orwell, Dorothy Parker, and Desmond Tutu.

Mohawk Interruptus is a bold challenge to dominant thinking in the fields of Native studies and anthropology. Combining political theory with ethnographic research among the Mohawks of Kahnawà:ke, a reserve community in what is now southwestern Quebec, Audra Simpson examines their struggles to articulate and maintain political sovereignty through centuries of settler colonialism. The Kahnawà:ke Mohawks are part of the Haudenosaunee or Iroquois Confederacy. Like many Iroquois peoples, they insist on the integrity of Haudenosaunee governance and refuse American or Canadian citizenship. Audra Simpson thinks through this politics of refusal, which stands in stark contrast to the politics of cultural recognition. Tracing the implications of refusal, Simpson argues that one sovereign political order can exist nested within a sovereign state, albeit with enormous tension around issues of jurisdiction and legitimacy. Finally, Simpson critiques anthropologists and political scientists, whom, she argues, have too readily accepted the assumption that the colonial project is complete. Belying that notion, Mohawk Interruptus calls for and demonstrates more robust and evenhanded forms of inquiry into indigenous politics in the teeth of settler governance.

Here are 25,000 quotations drawn from the history, politics, literature, religions, science, and popular culture of the world--ranging from the earliest Chinese sages through Shakespeare to the present day.

The boundary between ‘high’ culture and ‘popular’ culture is neither hermetic nor stable. A wide-spread mechanism of a reception strongly influenced by structuralism and post-modernism has led to the amplification and acceleration of cultural production between these two poles. Relying on a decidedly theoretical approach, this volume offers a broad perspective transgressing linguistic, cultural, temporal, and media borders. Reflections and perspectives on the relationship between ‘high’ and ‘popular’ culture are the subject of the thirteen articles collected here. Side by side with theoretical approaches, case studies covering classical and Heavy Metal music, TV series and pornographic films, zombies and ‘Creature Features’, philosophically infused comics and popular lexicography, professional wrestling and hypertext literature pave the way to a contemporary aesthetics.

A teeming mosaic of provocative one-liners and chewy ruminations on the art and practice of poetry.