"David Sterritt is widely recognized as one of the most knowledgeable, perceptive, and accessible commentators on Alfred Hitchcock’s career. He makes a convincing case for the charm, technical innovativeness, and often perverse wit of Hitchcock’s films and television shows while, at the same time, not shying away from exploring troubling aspects of his career. Relax with this delightful book and prepare for the illumination and sheer pleasure it delivers." —William Luhr, author of Thinking About Movies: Watching, Questioning, Enjoying and Professor of English at Saint Peter's University From Dial M for Murder and Vertigo to North by Northwest, Psycho, and The Birds, Alfred Hitchcock (1899–1980) made some of the most memorable thrillers in the history of cinema. Acclaimed for both his daring artistic innovations and his irrepressible showmanship, Hitchcock blended suspense, humor, and psychologically unsettling themes to create an extraordinary body of work. In Simply Hitchcock, author and movie critic David Sterritt explores the celebrated director’s entire career, from its beginnings in the British silent film industry to its glory days in Hollywood. He shows Hitchcock as a consummate artist who dealt with deep existential and psychological issues, as well as a mischievous prankster who loved playing tricks on the audience and never lost a chance to pull a dead rabbit out of a hat. With wit and erudition, Simply Hitchcock paints a comprehensive portrait of a brilliant and complex man, who not only made indelible films, but also succeeded in establishing himself as the most instantly recognizable movie director of all time.

“Psycho” traumatized viewers around the world. Never before had the angst or the suspense been so well presented in cinema. But where does the talent of this Alfred Hitchcock come from, the one nicknamed the "Master of Suspense"? To find out, we must first go back to his youth, in England, during the first half of the 20th century. Having grown up in a Catholic family - a religious originality that will be felt in a large part of his cinema - “Hitch” is an atypical Englishman who, very early on, has a taste for telling chilling stories. The temptation to work for the cinema will not be long in coming, first as a graphic designer where his visual talent will lead him to make his debut behind the camera, as an assistant and then as a full director. It is also here that he will meet Alma Reville, his assistant and wife who will accompany him throughout his storied career, including the jump to the big time in Hollywood.Discover the life of undoubtedly one of the greatest filmmakers of all time, the in-depth story film by film, with plenty of juicy anecdotes and amazing insights from interviews with Francois Truffaut and others, of a colorful and quite simply extraordinary artist.

Alfred Hitchcock rigorously controlled his public image, drawing certain carefully selected childhood anecdotes into full focus and blurring out all others. In this gripping short biography, Peter Ackroyd wrests the director’s chair back from the master of control to reveal a lugubriously jolly man fond of practical jokes, who smashed a once-used tea cup every morning to remind himself of the frailty of life. Iconic film stars make cameo appearances throughout Hitchcock’s story, just as the director did in his own films: Grace Kelly, Cary Grant, James Stewart and, perhaps most famously of all, Tippi Hedren, who endures cuts and bruises from a fearsome flock of real birds. Perceptive and intelligent, Alfred Hitchcock is a fascinating look at one of the most revered directors of the twentieth century.

A step-by-step guide to the fundamentals of numerology contains information for setting up a chart as well as data on the significance of numbers, names, and birthdays

"A wonderfully coherent, comprehensive, groundbreaking, and thoroughly engaging study” of how the director of Psycho and The Birds used music in his films (Sidney Gottlieb, editor of Hitchcock on Hitchcock). Alfred Hitchcock employed more musical styles and techniques than any film director in history, from Marlene Dietrich singing Cole Porter in Stage Fright to the revolutionary electronic soundtrack of The Birds. Many of his films—including Notorious, Rear Window, Vertigo, North by Northwest, and Psycho—are landmarks in the history of film music. Now author and musicologist Jack Sullivan presents the first in-depth study of the role music plays in Hitchcock’s films. Based on extensive interviews with composers, writers, and actors, as well as archival research, Sullivan discusses how Hitchcock used music to influence his cinematic atmospheres, characterizations, and even storylines. Sullivan examines the director’s relationships with various composers, especially Bernard Herrmann, and tells the stories behind some of their now-iconic musical choices. Covering the entire director’s career, from the early British works up to Family Plot, this engaging work will change the way we watch—and listen—to Hitchcock’s movies.

A slender satirical gem from the “master of malice and mayhem” (The New York Times) The Ballad of Peckham Rye is a wickedly farcical tale of an English factory town turned upside-down by a Scot who may or may not be in league with the Devil. Dougal Douglas is hired to do “human research” into the lives of the workers, Douglas stirs up mutiny and murder.

Twelve-year-old movie-loving Maisie is in need of a distraction from her current romantic dilemma when her Uncle Walt comes to stay with her family after being hurt on the set of the movie he's filming in Hollywood. Maisie's best friend, Cyrus, has been hanging out a lot with Gary Hackett, whose last-name sounds to Maisie like a cat barfing up a hairball. When it seems as if Hackett might like Maisie romantically, she's none too pleased, and Cyrus is even less impressed. Uncle Walt has a way of pointing Maisie in the right direction, and Maisie's love of movies also keeps her centered. Heading to the local independent theater on Saturdays to see old movies helps Maisie stay grounded as she struggles with growing up, family tensions, a grandma who seems to be losing her memory, and a love triangle she never expected.

“The trouble today is that we don’t torture women enough.” —Alfred Hitchcock It is remarkable how infrequently, over a period of more than fifty years, Alfred Hitchcock spoke about the beautiful, legendary and talented actresses he directed. And when he did, his remarks were mostly indifferent and often hostile. But his leading ladies greatly enriched his films, even as many of them achieved international stardom precisely because of their work for Hitchcock—among the dozens of women were Madeleine Carroll, Joan Fontaine, Grace Kelly and Tippi Hedren. Yet he maintained a stony, insistent silence about the quality of their performances and their contributions to his art. Spellbound by Beauty—the final volume in master biographer Donald Spoto’s Hitchcock trilogy that began with The Art of Alfred Hitchcock and continued with The Dark Side of Genius: The Life of Alfred Hitchcock—is the fascinating, complex and finally tragic story of the great moviemaker and his female stars, the unusual ideas of sex and romance that inform his films and the Hollywood dreams that often became nightmares. Rich with fresh revelations based on previously undisclosed tapes, new interviews, private correspondence and personal papers made available only to the author, this thoughtful, compassionate yet explosive portrait details Hitchcock’s outbursts of cruelty, the shocking humor and the odd amalgam of adoration and contempt that time and again characterized Hitchcock’s obsessive relationships with women—and that also, paradoxically, fed his genius. He insisted, for example, that Madeleine Carroll submit herself to painful physical demands during the making of The 39 Steps. He harbored a poignantly unrequited love for Ingrid Bergman. He meticulously and deliberately constructed Grace Kelly’s image. Finally, he stalked, harassed and abused Tippi Hedren. His treatment of his daughter, Pat, was certainly unusual, while his strange marriage to his sometime collaborator Alma Reville was a union that (according to Hitchcock himself) was forever chaste after one incident. Spellbound by Beauty offers important insights into the life of a brilliant, powerful, eccentric and tortured artist, and it corrects a major gap in movie history by paying tribute at last to those extraordinarily talented actresses who gave so much to his films.

First published in 1982, William Rothman’s Hitchcock is a classic work of film criticism. Written in an engaging style that is philosophically sophisticated yet free of jargon, and using over nine hundred images from the films to illustrate and back up its critical claims, the book follows six different Hitchcock films as they unfold, moment by moment, from first shot to last.