Chord tone soloing and soloing over changes on guitar is a complex area which can be approached in many ways, and where even a cursory search for online resources is likely to leave you with more questions than answers. It’s particularly difficult on guitar because guitarists tend to arrive at this point with varying amounts of knowledge and gaps in their playing, whereas other instrumentalists approach soloing over changes in a more uniform way. While it’s true that everyone learns differently, I believe that a solid approach to soloing over changes requires a system that is a) not based on patterns, b) develops the ability to locate notes on the neck either by interval or by the name of the note, and c) develops the player’s ear to the point where he/she is able to fully express themselves and truly improvise on their instrument as oppose to a formulaic, calculated and somewhat cold approach to something that should be, insofar as is possible, spontaneously created in the moment; and this is what I hope to achieve with this eBook.

3NPS (three-note-per-string) scales, as used by legions of guitarists but popularized mainly by Joe Satriani, are one of the most efficient ways to navigate the fretboard and get your scales down IF you follow the guidelines in this book. As the name suggests, a 3NPS scale is any scale that contains three notes on each string, and as you'll see in this eBook, this makes for a very consistent way to map out scales on the guitar fretboard. What we’ve done here is revamped the 3NPS scale system and turned it into an incredibly effective means to learn a wide variety of scales all over the fretboard by streamlining the number of patterns, as well as the picking system. This is not a scale theory book, and contains no pentatonic scales. This is a quick and dirty (and very effective) method for learning 3NPS scales all over the fretboard; something to work on in the woodshed. It will improve your picking technique and speed. It does not require a great amount of thinking as you only need to learn two picking patterns, which is really one in two directions, and only three scale patterns instead of the usual seven per scale.

The art of improvising chord-style solos is an important part of any musician's resources. This book has been written to improve that art for guitar, vibes and all keyboard instruments. A careful study of these solos will give you a thorough understanding of chordal playing and substitutions. It is great for voicing as well as improvisation.

(Musicians Institute Press). Perfect for seasoned rockers seeking new challenges and jazz newcomers looking for a good start, this book/CD pack covers scales, chords, licks, techniques and other vital jazz improv concepts step by step. The accompanying CD features 65 full-band demo and play-along tracks.

(Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.

Have you ever seen those guitarists that sound like they know exactly what they’re doing when they’re improvising? They just seem to hit all the right notes while their playing sounds crisp and melodic, as if they’d planned it all out beforehand, or were born with a God-given sense of melody. I’d always wondered how on earth they were able to come up with such melodic and flowing lines, thinking that they must simply be gifted, or have done some serious woodshedding. Then, during one unforgettable class at music college the door was opened to a method for playing and thinking as melodically and as effortlessly as they did, and this is what I want to share with you in this eBook.

There's a little more than meets the eye when making the transition from 6 to 7-string guitar. Reference books for the 7-string guitar have their uses but what's lacking is an actual method for applying and transferring what you already know to this new instrument. This book goes beyond the limits of a reference book to provide you with a complete system for learning and/or transferring scales, arpeggios, chords and triads to the 7-string fretboard, in any key. This book is for guitarists who: -Want to understand how scales, chords, arpeggios and triads work on a 7-string guitar. -Are looking for a 7-string guitar method, not a reference book. -Already have a good knowledge of theory and want to transfer it to the 7-string guitar. -Are making the transition from 6 to 7 strings. -Feel that the 7-string guitar hasn't quite 'clicked' for them yet. In Book 1 we cover: -The major and natural minor scales. -The major and minor pentatonic scales. -The blues scale. -Diatonic 7th arpeggios. -Triads and triad arpeggios. -Diatonic chords.

Hacking the CAGED System: Diatonic Harmony is both a stand-alone ingenious system that teaches you to construct all the components of any key signature on the guitar fretboard, as well as following on nicely from Hacking the CAGED System – Book 1. This book will provide you with the tools to improvise freely within any key using a variety of devices such as modes, pentatonic scales, triads, chord tones, and arpeggios, chord synonyms, arpeggios, AND come up with your own diverse chord progressions using chord synonyms and all the chords in the key. Please note: it is not a prerequisite to have worked through Hacking the CAGED System – Book 1. You’ll also be able to create modal chord progressions that can be as simple or as complex as you like, as you’ll have access the full range of chords you can find in any key signature. Mapping out key signatures on the guitar fretboard is one of the best (and underused) ways to really learn the neck, play with confidence, and sound exactly like you know what you’re doing in any musical situation. Key signatures keep everything in context and prevent you from learning random bits of information that you can’t really use or that don’t add much to your playing. This book will tie your knowledge together and enable you to understand what chords work well together, as well as how to solo over them using a variety of devices such as triads, arpeggios, pentatonic scales, and modes, among others. I’m sure you’ve been there; you come up with a chord progression, riff or the beginning of a piece of music, but you don’t know what chords work with it, where to go next, or even how to solo over it. This book will put all those options right at your fingertips, leaving you free to do some of your best playing and writing yet.