Georges Simenon (1903-1989) was a phenomenally successful author of crime fiction. His 75 Maigret novels and 28 Maigret short stories were published between 1931 and 1972 to great international acclaim (he is the only non-anglophone crime writer to have achieved such renown). His Maigret stories are regarded by many as having established a new direction in crime fiction, emphasizing social and psychological portraiture rather than focussing on a puzzle to be solved or on "action." This book examines the importance of social class and social change in the Maigret stories, giving a particular emphasis to the early formative novels and the development of plot, characterization and setting. The author seeks to establish the extent to which Simenon's portrait of French society is historically accurate and the nature of the influence of the author's own class position and ideology on his fiction.

On the shore of the Black Sea, on the edge of the Soviet Union, a little city has a new Turkish consul. Adil Bey - alone in an alien land - has taken the job after the mysterious death of his predecessor. Receiving only suspicion and hostility, he soon becomes reliant on his secretary, Sonia, for any taste of intimacy. They begin a quiet love affair, and from his window at the consulate, he watches her and her family go about their lives in the room across the way. But this is Stalin's world before the war, and nothing is as it seems. . . Georges Simenon's most starkly political work, The People Opposite is a tour de force of slow-burn tension and existentialist meditation.

“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian In this delightful holiday-themed collection of nine short stories, Inspector Maigret must solve a series of little mysteries—just in time for Christmas morning Christmas mysteries abound in this light-hearted holiday collection of Jules Maigret’s exploits: In one, an otherwise sensible little girl insists that she has seen Father Christmas, a statement alarming to her neighbors, Monsieur and Madame Maigret. Then, a choirboy helps the inspector solve a crime while he lies in bed with a cold; another boy, pursued by a criminal, ingeniously leaves a trail to help Maigret track him. Many of these stories feature observant and resourceful children, frightened yet resolute, who bring out a paternal streak in the childless Maigret. The rapport between the inspector and these youthful heroes imparts a delightful freshness to this holiday collection. A Maigret Christmas is a cornucopia for fans of Maigret and mysteries alike.

A young Frenchman, Joseph Timar, travels to Gabon carrying a letter of introduction from an influential uncle.

“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian A fictional autobiography of Maigret, Georges Simenon’s brilliant detective In this make-believe memoir, Maigret recounts a meeting with the author himself. The account starts with the arrival of Georges Sim, as he is called here, at the Paris Police Judiciaire to soak up atmosphere for his crime novels by dogging the footsteps of Inspector Maigret. The detective is irritated by the audacious young writer who names a character after him and argues that he oversimplifies, in his fiction, the intricate duties of the police investigating a case. Here, Maigret “sets the record straight,” telling readers how he’s different from the invention, and about his courtship and marriage to his beloved Louise. Ingeniously amusing and tender, Maigret’s Memoirs is a look inside the mind of the brilliant Maigret like never before.

Maigret is a registered trademark of the Estate of Georges Simenon.

In Television Cities Charlotte Brunsdon traces television's representations of metropolitan spaces to show how they reflect the medium's history and evolution, thereby challenging the prevalent assumptions about television as quintessentially suburban. Brunsdon shows how the BBC's presentation of 1960s Paris in the detective series Maigret signals British culture's engagement with twentieth-century modernity and continental Europe, while various portrayals of London—ranging from Dickens adaptations to the 1950s nostalgia of Call the Midwife—demonstrate Britain's complicated transition from Victorian metropole to postcolonial social democracy. Finally, an analysis of The Wire’s acclaimed examination of Baltimore, marks the profound shifts in the ways television is now made and consumed. Illuminating the myriad factors that make television cities, Brunsdon complicates our understanding of how television shapes perceptions of urban spaces, both familiar and unknown.

NEW YORK TIMES EDITORS’ CHOICE An incomparable storyteller serves up an enchanting concoction of art, love, and longing In fifteen masterful stories, Frederic Tuten entertains questions of existential magnitude, pervasive yearning, and the creative impulse. A wealthy older woman reflects on her relationship with her drowned husband, a painter, as she awaits her own watery demise. An exhausted artist, feeling stuck, reads a book of criticism about allegory and symbolism before tossing her paintings out the window. Writing a book about the lives of artists he admires—Cezanne, Monet, Rousseau—a man imagines how each vignette could be a life lesson for his wife, the artist he perhaps admires the most. Whether set in Tuten’s beloved Lower East Side, Rome’s Borghese Gardens, or a French seaside resort, these stories shift seamlessly between the poignancy of memory into the logic of fairytales or dreams, demonstrating Tuten’s exceptional ability to transmute his passion for art and life to the page.