Meet four very different girls who all have one thing in common – they love to dance! Eleanor Irvin is ten years old, and dancing is her everything. Tap, ballet, lyrical, and ballroom – she’s tried it all. But her favourite style, by far, is jazz. When Miss Caroline, the owner of Silver Shoes Dance Studio, announces she will be selecting dancers to perform in the upcoming Jazz Groove Dance Competition, Ellie is over the moon! There’s only one problem, she’s not so good at auditions. Actually, there might be a few problems – Ellie’s dance enemy, Jasmine, seems determined to ruin her chances and the new girl, Ashley, is really talented. Will Ellie be able to overcome her nerves and hold on to the spotlight?

Athletics, basketball or ballet? The pressure is on and Riley has a big decision to make! Riley loves ballet – it's her favourite style and she's great at it too, with perfect technique and natural athleticism. But it’s not just dancing she loves – it’s all sports. With her carefree attitude, Riley is happy to ignore everyone who says she does too much and is super excited when she scores a lead role in the upcoming ballet eisteddfod. But, one fouette too late, Riley realises that her sporting and Silver Shoes commitments clash! Was everyone else right, and will she have to make a choice between the three things she loves most?

Riley is one of the best dancers at Silver Shoes. Does this mean she will be a great teacher too? Riley has sprained her ankle and is forced to take a break from dancing! Sitting at home on the couch is at odds with Riley’s energetic nature, so she excitedly takes up Miss Caroline’s offer to become her personal assistant at Silver Shoes. But will Riley get carried away with her new-found authority and end up hurting her friends? And will her impatience to return to dancing and master the lyrical exam routine make her injury even worse?

The most highly-acclaimed jazz theory book ever published! Over 500 pages of comprehensive, but easy to understand text covering every aspect of how jazz is constructed---chord construction, II-V-I progressions, scale theory, chord/scale relationships, the blues, reharmonization, and much more. A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc.

Art Blakey and the Jazz Messengers was one of the most enduring, popular, reliable and vital small bands in modern jazz history. Blakey was not only a distinguished, inventive and powerful drummer, but along with Duke Ellington and Miles Davis, he was one of jazz's foremost talent scouts. The musicians who flowed seamlessly in and out of this constantly evolving collective during its 36-year run were among the most important artists not just of their eras, but of any era. Though their respective innovations were vital to the evolution of bebop, hard bop and neo bop, the recorded work of the Messengers sidemen has never been properly analyzed. Until now. Hard Bop Academy: The Sidemen of Art Blakey's Jazz Messengers critically examines the multitude of gifted artists who populated the many editions of the Jazz Messengers. In addition to dissecting the sidemen's most consequential work with Blakey's band, jazz musician and acclaimed novelist Alan Goldsher offers up engaging profiles of everyone from Wynton Marsalis to Terence Blanchard to Hank Mobley to Wayne Shorter to Horace Silver to Keith Jarrett to Curtis Fuller to Steve Davis. And that's only the beginning. Goldsher conducted over 30 interviews with surviving graduates of Blakey's Hard Bop Academy, many of whom spoke at length of their tenure with the legendary "Buhaina" for the first time. Alan Goldsher is a bassist who has recorded with Janet Jackson, Digable Planets, Cypress Hill and Naughty By Nature. His writing has been published in Bass Player, Tower Pulse, Sport and BasketBull: Chicago Bulls Magazine. Goldsher's debut novel, Jam, was published in 2002 by Permanent Press. He lives in Chicago. Hardcover.

"An unlikely hero. An extraordinary story. The raven doesn t want you to read his story. What if you find out the location of his treasure? Or worse, what if you learn his secret that ravens can talk? But you should read it, even though the raven wants to be left alone. A pesky pigeon, a beady-eyed weatherhen, a ghost boy and a lovestruck scarecrow will make sure this story isn t just about one grumpy raven. With their help, the raven will uncover a thief, sing his own song, and discover there s more to life than being magnificent. Just promise that you won t steal his treasure."

Meet four very different girls who all have one thing in common - they love to dance! Eleanor Irvin is ten years old, and dancing is her everything. Tap, ballet, lyrical, and ballroom - she's tried it all. But her favourite style, by far, is jazz. When Miss Caroline, the owner of Silver Shoes Dance Studio, announces she will be selecting dancers to perform in the upcoming Jazz Groove Dance Competition, Ellie is over the moon! There's only one problem, she's not so good at auditions. Actually, there might be a few problems - Ellie's dance enemy, Jasmine, seems determined to ruin her chances and the new girl, Ashley, is really talented. Will Ellie be able to overcome her nerves and hold on to the spotlight?

A landmark in jazz studies, Thinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea. The product of more than fifteen years of immersion in the jazz world, Thinking in Jazz combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker. Thinking in Jazz overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups. These transcriptions provide additional insight into the structure and creativity of jazz improvisation and represent a remarkable resource for jazz musicians as well as students and educators. Berliner explores the alternative ways—aural, visual, kinetic, verbal, emotional, theoretical, associative—in which these performers conceptualize their music and describes the delicate interplay of soloist and ensemble in collective improvisation. Berliner's skillful integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside of performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic, and a tradition. This unprecedented journey to the heart of the jazz tradition will fascinate and enlighten musicians, musicologists, and jazz fans alike.

(Fake Book). Perfect Binding Edition.This unprecedented, revolutionary collection of jazz standards progressions includes all harmonic progressions with full harmonic analysis, chords, chord-scales and arrows & brackets analysis.Every Jazz Standard analysis was hand-made by well-versed jazz musicians. Every function, chord-scale, modulation and pivot-chord was carefully chosen to create the best possible harmonic interpretation of the progression.All double-page songs are presented side-by-side, so no flipping through pages is necessary.Available for Concert, Bb & Eb Instruments.Volume I has 291 songs including All Blues * Autumn Leaves * All of Me * Blue Trane * Body and Soul * Desafinado * Donna Lee * Girl From Ipanema * It Don't Mean a Thing * Like Someone in Love * Misty * Moment's Notice * My Favorite Things * Prelude to a Kiss * Stella By Starlight * Wave * and hundreds more!

Musical Echoes tells the life story of the South African jazz vocalist Sathima Bea Benjamin. Born in Cape Town in the 1930s, Benjamin came to know American jazz and popular music through the radio, movies, records, and live stage and dance band performances. She was especially moved by the voice of Billie Holiday. In 1962 she and Dollar Brand (Abdullah Ibrahim) left South Africa together for Europe, where they met and recorded with Duke Ellington. Benjamin and Ibrahim spent their lives on the move between Europe, the United States, and South Africa until 1977, when they left Africa for New York City and declared their support for the African National Congress. In New York, Benjamin established her own record company and recorded her music independently from Ibrahim. Musical Echoes reflects twenty years of archival research and conversation between this extraordinary jazz singer and the South African musicologist Carol Ann Muller. The narrative of Benjamin’s life and times is interspersed with Muller’s reflections on the vocalist’s story and its implications for jazz history.