Rare firsthand accounts from Native Americans who fought in the War of 1812. Native peoples played major roles in the War of 1812 as allies of both the United States and Great Britain, but few wrote about their conflict experiences. Two famously wrote down their stories: Black Hawk, the British-allied chief of the still-independent Sauks from the upper Mississippi, and American soldier William Apess, a Christian convert from the Pequots who lived on a reservation in Connecticut. Carl Benn explores the wartime passages of their autobiographies, in which they detail their decisions to take up arms, their experiences in the fighting, their broader lives within the context of native-newcomer relations, and their views on such critical issues as aboriginal independence. Scholars, students, and general readers interested in indigenous and military history in the early American republic will appreciate these important memoirs, along with Benn's helpful introductions and annotations.

The Fry site (33Lu165) was an Ottawa (Odawa) farmstead on the lower Maumee River of Ohio that existed A.D. 1814-1832. Excavations revealed an Ottawa bark burial with trade goods, a cabin or shack, and an animal pen or compound. The material culture consisted of a wide variety of Native and Euro-American manufactured artifacts, including trade silver. The bark burial with trade goods is dated A.D. 1780-1809, slightly earlier than the farmstead occupation. The farmstead is connected with the Roche de Boeuf and Wolf Rapids bands of Ottawa that were removed to Kansas Territory in 1832. The Ottawa Tribe of Oklahoma are the descendants of these Maumee River Ottawa.

British traders and Ojibwe hunters. Cree women and their metis daughters. Explorers and anthropologists and Aboriginal guides and informants. These people, their relationships, and their complex identities were not featured in histories until the 1970s, when scholars from multiple disciplines brought new perspectives and approaches to bear on the past. Gathering Places presents some of the most innovative and interdisciplinary approaches to metis, fur trade, and First Nations history being practised today. Whether they are discussing dietary practices on the Plateau, the meanings of totemic signatures, or issues of representation in public history, the authors present novel explorations of evidence that extend beyond earlier histories centred on the archive. By drawing on archaeological, material, oral, and ethnographic evidence and by exploring personal approaches to history and scholarship, these essays mark a significant departure from the old paradigm of history writing and will serve as models for recovering Aboriginal and cross-cultural experiences and perspectives.

Edited by Gerald W.R. Ward and Jeannine Falino. Text by Gerald W.R. Ward, Jeannine Falino, Jane Port, Rebecca Ann Gay Reynolds.

Honouring anthropologist Richard J. Preston and his outstanding career with the Crees in northern Quebec, Together We Survive presents new research by Preston's colleagues, former students, and family members who - like him - have established long-term, respectful research partnerships and friendships with Aboriginal communities. Demonstrating the influential nature of Preston's collaborative approach on anthropologists in Canada and beyond, the essays in Together We Survive explore development and urbanization, material culture, and conflict. Scholars who conducted research in the 1960s with Crees farther to the south broaden the scope of Preston's Cree Narrative (2002). A Cree colleague and friend expands on his study of traditional Cree songs. Other essays widen the geographical, historical, and cultural foci of the book beyond the Quebec Crees, examining the significance of a beaded hood at Red River in 1844, scrutinizing symbols of Anishinaabe identity, and describing the struggle for indigenous human rights at the United Nations. Building on Preston's pioneering work in cultural anthropology, Together We Survive recounts the ways in which the eastern James Bay Cree and other aboriginal peoples, faced with massive incursions on their lands and lives, have collaborated and formed respectful partnerships as they seek to survive and thrive in peace. Contributors include Regna Darnell (Western), Harvey A. Feit (McMaster), John S. Long (Nipissing), Stan L. Louttit, Richard T. McCutcheon (Algoma), the late Cath Oberholtzer (Trent), Laura Peers (Oxford), Jennifer Preston, Susan Preston, Adrian Tanner (Memorial) and Cory Willmott (Southern Illinois).

A tour through the Yale University Art Gallery's holdings of American art, one of the most exceptional museum collections of its kind This volume presents an engaging selection of highlights and introduces readers to the richness and diversity of the Yale University Art Gallery's holdings of American art. An introductory essay outlines pivotal moments in the three-hundred-year history of collecting, exhibiting, and teaching with American art at Yale and commemorates the fiftieth anniversary of the founding of the Friends of American Arts at Yale, whose support continues to ensure the excellence of the collection. The more than one hundred object entries that follow create a narrative that charts the multiplicity of experiences and accomplishments of artists and artisans living and working in North America--from the earliest days of European settlement to the present. Among the catalogued objects are works by some of the best-known names in American art as well as recent acquisitions and masterpieces that represent diverse American identities. A dazzling range of media is displayed, including paintings and sculpture, medals, prints and drawings, photographs, jewelry, furniture, and decorative arts. Each object is illustrated with a full-page image and is accompanied by a one-page discussion that focuses on its contribution to the history of American art. Distributed for the Yale University Art Gallery

These essays are the proceedings of a conference held on April 19-20, 1996 at the Museum of Fine Arts, Boston. The presenters were leading scholars in the field and their scholarship remains remarkably up-to-date.

This new guide is the first to explore all facets of Native American jewelry—its history, variety, and quality—in one convenient resource. With coverage beginning in the mid-nineteenth century, this resource includes artists, techniques, materials, motifs, and more. The encyclopedia opens with helpful introductory essay to acquaint the reader with the subject. More than 350 entries and over 80 photos make this new encyclopedia and exceptional value.