The Silver Bough is an indispensable treasury of Scottish culture, universally acknowledged as a classic of literature. The author, F Marian McNeill, succeeded in capturing and bringing to life many traditions and customs of old before they died out or were influenced by the modern era. The Silver Branch of the sacred apple tree, laden with crystal blossoms of golden fruit, is in Celtic mythology the equivalent of the Golden Bough of classical mythology - the symbolic bond between the world we know and the Otherworld.In the first volume of the Silver Bough, the author deals generally with Scottish folk-lore and folk belief, with chapters on ethnic origins, the Druids, the Celtic gods, the slow transition to Christianity, magic, the fairy faith, second sight, selkies, changelings and the witch cult. In volumes two and three she explored in some depth the foundations of many of these beliefs and rituals through the Calendar of Scottish national festivals, in which we find enshrined many of the fascinating folk customs of our ancestors. This fourth volume turns our attention to the Local Festivals of Scotland. As man makes greater and greater advances in the understanding and control of his physical environment, the river between the known and the unknown gradually changes its course, and the subjects of the simpler beliefs of former times become part of the new territory of knowledge. The Silver Bough maps out the old course of the waterway that in Celtic belief winds between here and beyond, and reveals the very roots of the Scottish people's distinctive customs and way of life. The Silver Bough is a large and important work which involved many years of research into both living and recorded lore. Its genesis lies, perhaps, in the author's subconscious need to reconcile the old primitive world she had glimpsed in childhood with the sophisticated modern world she later entered. "e;I do not believe that you can exaggerate the importance of the preservation of old ways and customs, and all those little things which bind a man to his native place. Today we live in difficult times. The steam-roller of progress is flattening out many of our old institutions, and there is a danger of a general decline in idiom and distinctive quality in our Scottish life. The only way to counteract this peril is to preserve jealously all these elder things which are bone of our bone and flesh of our flesh. For, remember, no man can face the future with courage and confidence unless it is solidly founded upon the past. And conversely, no problem will be too hard, no situation too strange, if we can link it with what we know and love"e; F Marian McNeill

The Silver Bough is an indispensable treasury of Scottish culture, universally acknowledged as a classic of literature. The author, F Marian McNeill, succeeded in capturing and bringing to life many traditions and customs of old before they died out or were influenced by the modern era. The Silver Branch of the sacred apple tree, laden with crystal blossoms of golden fruit, is in Celtic mythology the equivalent of the Golden Bough of classical mythology - the symbolic bond between the world we know and the Otherworld.This, the first volume of The Silver Bough, deals with Scottish folklore and folk-belief. There are chapters on the ethnic origins of the national festivals, the Druids, the Celtic gods, and the slow transition from Druidism to Christianity. There are accounts of magic, the fairy faith, second sight, selkies, changelings and the witch cult, including tales of "e;witches"e; being hung, or worse. There are old familiar rhymes and a wealth of information on the Scotland of old, now gone for ever, where the people feared witches and "e;faeries"e;. Readers are bound to find something fascinating about somewhere in Scotland they didn't know before. The book is attractively illustrated, with many interesting relics reproduced for the first time, including a witch's cursing bone, hair rope and corp creadh (clay image) and some well-known amulets and charms. The subsequent three volumes deal with the origins and traditions of Scottish national and local festivals. As man makes greater and greater advances in the understanding and control of his physical environment, the river between the known and the unknown gradually changes its course, and the subjects of the simpler beliefs of former times become part of the new territory of knowledge. The Silver Bough maps out the old course of the waterway that in Celtic belief winds between here and beyond, and reveals the very roots of the Scottish people's distinctive customs and way of life. 1938 character count(extra section to be added where possible)The Silver Bough is a large and important work which involved many years of research into both living and recorded lore. Its genesis lies, perhaps, in the author's subconscious need to reconcile the old primitive world she had glimpsed in childhood with the sophisticated modern world she later entered. "e;I do not believe that you can exaggerate the importance of the preservation of old ways and customs, and all those little things which bind a man to his native place. Today we live in difficult times. The steam-roller of progress is flattening out many of our old institutions, and there is a danger of a general decline in idiom and distinctive quality in our Scottish life. The only way to counteract this peril is to preserve jealously all these elder things which are bone of our bone and flesh of our flesh. For, remember, no man can face the future with courage and confidence unless it is solidly founded upon the past. And conversely, no problem will be too hard, no situation too strange, if we can link it with what we know and love"e; F Marian McNeill

The Silver Bough is an indispensable treasury of Scottish culture, universally acknowledged as a classic of literature. The author, F Marian McNeill, succeeded in capturing and bringing to life many traditions and customs of old before they died out or were influenced by the modern era. The Silver Branch of the sacred apple tree, laden with crystal blossoms of golden fruit, is in Celtic mythology the equivalent of the Golden Bough of classical mythology - the symbolic bond between the world we know and the Otherworld.In the first volume of the Silver Bough, the author deals generally with Scottish folk-lore and folk belief, with chapters on ethnic origins, the Druids, the Celtic gods, the slow transition to Christianity, magic, the fairy faith, second sight, selkies, changelings and the witch cult. In volume two she began her more in-depth exploration of the foundations of many of these beliefs and rituals through the Calendar of Scottish national festivals, in which we find enshrined many of the fascinating folk customs of our ancestors. This third volume continues that study by looking at the Festivals from Hallow'en to Yule tide. As man makes greater and greater advances in the understanding and control of his physical environment, the river between the known and the unknown gradually changes its course, and the subjects of the simpler beliefs of former times become part of the new territory of knowledge. The Silver Bough maps out the old course of the waterway that in Celtic belief winds between here and beyond, and reveals the very roots of the Scottish people's distinctive customs and way of life. The Silver Bough is a large and important work which involved many years of research into both living and recorded lore. Its genesis lies, perhaps, in the author's subconscious need to reconcile the old primitive world she had glimpsed in childhood with the sophisticated modern world she later entered. "e;I do not believe that you can exaggerate the importance of the preservation of old ways and customs, and all those little things which bind a man to his native place. Today we live in difficult times. The steam-roller of progress is flattening out many of our old institutions, and there is a danger of a general decline in idiom and distinctive quality in our Scottish life. The only way to counteract this peril is to preserve jealously all these elder things which are bone of our bone and flesh of our flesh. For, remember, no man can face the future with courage and confidence unless it is solidly founded upon the past. And conversely, no problem will be too hard, no situation too strange, if we can link it with what we know and love"e; F Marian McNeill

'Lisa Tuttle is a subtle and clever writer whose fantasy deals with the world we all believe we have sensed from time to time out of the corners of our eyes.' Michael Moorcock Appleton is a small town nestled on the coast of Scotland. Though it was once famous for the apples it produced, these days it's a shadow of its former self. But in a hidden orchard a golden apple dangles from a silver bough, an apple believed lost for ever. The apple is part of a legend, promising either eternal happiness to the young couple who eat from it secure in their love - or a curse, for those who take its gift for granted. Now, as the town teeters on the edge of decline, the old rituals have been forgotten and the mists are rolling in. And in the mist, something is stirring . . .

Weave magic into every day with seasonal cooking and craft designed for every solstice, equinox, and halfway point in between! In The Spirited Kitchen, practicing witchcraft means nurturing a relationship with the seasons and drawing on ancestral roots to find magic in small details. Here, simple ingredients—apples, hazelnuts, wheat—become magical elements of cooking and ritual crafting. The result is an enchanting culinary journey through the pagan Wheel of the Year, from the Halloween festivities of Samhain to the return of autumn at Harvest Home. With each season, readers can cook feast dinners to celebrate nature’s cycles. In winter, Cranberry Custard Tarts encourage health and well-being; in spring, Deep Dish Nettle Quiche ushers in resilience after cold months; and Calendula Chicken embodies the abundance of summer. Along the way, ritual crafts like Salt Spells, hand-woven Offering Baskets, and a Maypole Chandelier bring extra symbolism to the table. Complete with stunning photographs and a glossary of spirited symbols and ingredients, this book is a bewitching guide to seasonal magic.

I know of no better guide for couples who genuinely desire a maturing relationship.M. Scott Peck, author of The Road Less Traveled A remarkable bookthe most incisive and persuasive I have ever read on the knotty problems of marriage relationships. Ann Roberts, former president, Rockefeller Family Fund

Did You Know? No one knows the origin of the word Hogmanay. Until late in the twentieth century, Hogmanay was celebrated on two distinct dates, twelve days apart. On the island of Islay, it was a Hogmanay custom to predict who you would marry by throwing fish at the wall. There is more to Hogmanay than fireworks – firstfooting, Guisers, thiggers, mass ball games, clavies and the Dingwall Crate all feature within. Oh, and don't forget to look out for the Trows! The Little Book of Hogmanay is a feast of information exploring the history, folklore, tales, food, drink and traditions of Hogmanay, from its pagan roots to its celebratory present. Whether you need a user's guide or an anthology of entertainment, The Little Book of Hogmanay will tell you all you ever wanted to know about Scotland's most widely and wildly celebrated festival.

This volume explores the experience of everyday life in Scotland over two centuries characterised by political, religious and intellectual change and ferment. It shows how the extraordinary impinged on the ordinary and reveals people's anxieties, joys, comforts, passions, hopes and fears. It also aims to provide a measure of how the impact of change varied from place to place.The authors draw on a wide range of primary and secondary sources, including the material survivals of daily life in town and country, and on the history of government, religion, ideas, painting, literature, and architecture. As B. S. Gregory has put it, everyday history is 'an endeavour that seeks to identify and integrate everything - all relevant material, social, political, and cultural data - that permits the fullest possible reconstruction of ordinary life experiences in all their varied complexity, as they are formed and transformed.'

The Quest series from Luath Press continues with the quest for all things Celtic, an investigation into aspects of Celtic history that have previously been neglected or lost. The authors argue strongly that the evidence they have uncovered within folklore, legends, the guilds, and the oral traditions of secret societies in Scotland, link together with striking similarities. They further suggest that these links are not coincidence but the last visible threads of belief systems that have been at the center of the Scottish psyche for centuries. The Celtic Key makes sense of the underlying beliefs that have contributed to, motivated, and shaped a nation through the ages. REVIEWS A fascinating journey through the mystery and magic of Scotland's past...the authors describe the people, places and traditions -- Watkins Review, London, Winter 2002, Issue no. 4A refreshing look at Scotland's past...we are presented with such a wealth of information; well worth reading -- Dalriada, journal of Celtic heritage, Scotland, 2003A spellbinding step into the...world of ancient Caledonia and the people who laid the foundations of Scotland -- West Lothian Courier newspaper, 27 June 2002An enthralling and informative journey through time which deserves a place on every Scottish bookshelf...their sources are well documented -- Scots magazine, Vol 158 No.2, 2003Without resorting to colourful conjecture...it nevertheless adds its own voice to the enduring mysteries of Scotland's Celtic heritage -- Historic Scotland magazine, Winter 2002-3 issue