From the New York Times bestselling author of Me Before You and One Plus One, in an earlier work available in the U.S. for the first time, a surprising and moving romance set in an old-fashioned seaside town on the verge of unwelcome change Liza McCullen will never fully escape her past. But the unspoiled beaches and tight-knit community of Silver Bay offer the freedom and safety she craves—if not for herself, then for her young daughter, Hannah. That is, until Mike Dormer arrives as a guest in her aunt’s hotel. The mild-mannered Englishman with his too-smart clothes and distracting eyes could destroy everything Liza has worked so hard to protect: not only the family business and the bay that harbors her beloved whales, but also her conviction that she will never love—never deserve to love—again. For his part, Mike Dormer is expecting just another business deal—an easy job kick-starting a resort in a small seaside town ripe for development. But he finds that he doesn’t quite know what to make of the eccentric inhabitants of the ramshackle Silver Bay Hotel, especially not enigmatic Liza McCullen, and their claim to the surrounding waters. As the development begins to take on a momentum of its own, Mike’s and Liza’s worlds collide in this hugely affecting and irresistible tale full of Jojo Moyes’s signature humor and generosity.

Suppose your life sucks. Your husband has done a vanishing act, your stepson is being bullied and your daughter has a once in a lifetime opportunity - that you can't afford to pay for. So imagine you found and kept some money that didn't belong to you, knowing it would pay for your daughter's happiness. But how do you cope with the shame? Especially when the man you've lied to decides to help you out in your hour of need. Jess is in hell - Ed has saved her family - but is their happiness worth a lifetime's soul-searching? 2014.

From the New York Times bestselling author of The Giver of Stars and the forthcoming Someone Else's Shoes, a novel about a lost girl and her horse, the enduring strength of friendship, and how even the smallest choices can change everything When Sarah’s grandfather gives her a beautiful horse named Boo—hoping that one day she’ll follow in his footsteps to join an elite French riding school, away from their gritty London neighborhood—she quietly trains in city’s parks and alleys. But then her grandfather falls ill, and Sarah must juggle horsemanship with school and hospital visits. Natasha, a young lawyer, is reeling after her failed marriage: her professional judgment is being questioned, her new boyfriend is a let-down, and she’s forced to share her house with her charismatic ex-husband. Yet when the willful fourteen-year-old Sarah lands in her path, Natasha decides to take the girl under her wing. But Sarah is keeping a secret—a secret that will change the lives of everyone involved forever.

A man seeks to rediscover his broken Midwestern community in a novel that “brims with grace and quirky charm” by the author of Peace Like a River (Bookpage). Movie house owner Virgil Wander is “cruising along at medium altitude” when his car flies off the road into icy Lake Superior. Though Virgil survives, his language and memory are altered. Awakening in this new life, Virgil begins to piece together the past. He is helped by a cast of curious locals—from a stranger investigating the mystery of his disappeared son, to the vanished man’s enchanting wife, to a local journalist who is Virgil’s oldest friend. Into this community returns a shimmering prodigal son who may hold the key to reviving their town. Leif Enger conjures a remarkable portrait of a region and its residents, who, for reasons of choice or circumstance, never made it out of their defunct industrial district. Carried aloft by quotidian pleasures including movies, fishing, necking in parked cars, playing baseball and falling in love, Virgil Wander is a journey into the heart of America’s Upper Midwest.

Recovering from a shoulder injury that could end his career as starting pitcher of the New York Empires, Drew MacIntire comes to Silver Bay for solitude and privacy from the media frenzy his surgery has created. After he dances with the beautiful baker, Baylee, at his sister’s wedding, his heart not only wants baseball back, but a future with her as well. Baylee Nelson is settled into her simple, small town life in Silver Bay with her young son, Casey. When Drew saunters into her bakery intent on asking her out, she can’t help but be thrilled. He’s handsome, sexy, kind, and also takes interest in Casey. Baylee knows she needs to keep things casual. She and Drew live in separate worlds, and she needs to keep her focus on her business and son, but Drew didn’t get to the top by giving up easily. Drew and Baylee are falling hard, but with spring training approaching, it seems like the third strike for their future… Can their love withstand the media glare and challenges of a long distance romance?

Meet the Pratt clas. Driven men. Determined women. Through six turbulent generations, they would pursue a lost Paul Revere treasure. And turn a family secret into an obsession that could destroy them. Here is the novel that launched William Martin's astonishing literary career and became an instant bestseller. From the grit and romance of old Boston to exclusive -- and dangerous -- Back Bay today, this sweeping saga paints an unforgettable portrait of a powerful dynasty beset by the forces of history...and a heritage of greed, lust, murder and betrayal.

"The first 100 years of the education of the clergy in the United States is rightly understood as classical professional education-that is, a formation into an identity and calling to serve the wider public through specialized knowledge and skills. This book argues that pastors, priests, and rabbis were best formed into capacities of culture building through the construction of narratives, symbols, and practices that served their religious communities and the wider public. This kind of education was closely aligned with liberal arts pedagogies of studying classical texts, languages, and rhetorical practices. The theory of culture here is indebted to Geertz and Bruner's social-semiotic view, which identifies culture as the social construction of narrative, symbols, and practices that shape the identity and meaning-making of certain communities. The theological framework of analysis is indebted to Lindbeck's cultural-linguistic view, which emphasizes the role of doctrine as grammatical rules that govern narratives, doctrinal grammars, and social practices for distinct religious communities. This framework is pushed toward the renewal and reconstruction of religious frameworks by the postmodern work of Sheila Devaney and Kathryn Tanner. The book also employs several other concepts from social theory, borrowed from Jurgen Habermas, Max Weber, Pierre Bourdieu, Michael Young, and Bernard Anderson"--