A long overdue study of the genre of Greek iambic poetry from the 7th to the late 4th centuries BCE. Employing the evidence of ancient testimonies, Andrea Rotstein also considers the more general question of how literary genres were perceived in ancient Greece.

In this definitive work Margaret Rose presents an analysis and history of theories and uses of parody from ancient to contemporary times and offers a new approach to the analysis and classification of modern, late-modern, and post-modern theories of the subject. The author's Parody/Meta-Fiction (1979) was influential in broadening awareness of parody as a 'double-coded' device which could be used for more than mere ridicule. In the present study she both expands and revises the introductory section of her 1979 text and adds substantial new sections on modern and post-modern theories and uses of parody and pastiche which also discuss the work of theorists and writers including the Russian formalists, Mikhail Bakhtin, Hans Robert Jauss, Wolfgang Iser, Julia Kristeva, Roland Barthes, Michel Foucault, Jacques Derrida, Ihab Hassan, Jean Baudrillard, Fredric Jameson, A. S. Byatt, Martin Amis, Charles Jencks, Umberto Eco, David Lodge, Malcolm Bradbury and others.

Early Skepticism and its founder, Pyrrho of Elis, were introduced to the world in the third century BCE by the poet and philosopher Timon of Phlius. This is the first book-length study in English of the fragments of Timon’s works. Of his more than 100 titles, four fragments remain of a catalogue elegy, the Indalmoi, and 133 verses of the Silloi, a hexameter parody in three books in which Timon ridicules philosophers of all periods whom he observes on a trip to Hades. Dee L. Clayman reconstructs the books of the Silloi starting from an outline in Diogenes Laertius and the book numbers assigned to a few fragments by their sources. This has not been attempted since Wachsmuth’s edition of 1885, and carries his approach further by careful observation of syntactic and contextual clues in the text. Using the Greek text of Lloyd-Jones and Parsons of 1983, all of the extant fragments are translated into English and discussed as literature, rather than as source material for the history of philosophy. Separate chapters demonstrate that the principle Hellenistic poets, Callimachus, Theocritus and Apollonius of Rhodes, were aware of Timon’s work specifically, and of Skepticism generally. The book concludes with a definition of “Skeptical aesthetics” that places many of the characteristic features of Hellenistic literature in a skeptical milieu.

This volume contains the papers of the 'Groningen Workshops on Hellenistic Poetry 3. Genre in Hellenistic Poetry' held at Groningen from 28-31 August 1996. During the workshop a first draft of the papers, which were sent to the participants of the workshop in advance, was discussed and commented on by an international group of specialists in the field of Hellenistic poetry. The volume contains a wide range of articles and thus provides a survey of current developments in research on an important aspect of Hellenistic poetry. In the past the Hellenistic treatment of genre was often described as 'Kreuzung der Gattungen', but during the last decades the development of modern literary criticism and its influence on research in Hellenistic poetry has led scholars to more refined views and suggested new questions. The aim of this workshop was to summarize and reconsider the results of earlier scholarship and to embark on new or until now neglected aspects of genre in Hellenistic poetry.

This handbook is a guide to the reading of elegiac, iambic, personal and public poetry of early Greece. Intended as a teaching manual or as an aid for advanced undergraduate and graduate students, it presents the major scholarly debates affecting the reading of these poetic texts, such as the effect of genre, the question of the poetic persona, or the impact of modern literary theory.

A major new collection of use to all students and scholars working on Hellenistic Greek poetry

The Cyrenaic school of philosophy (named after its founder Aristippus' native city of Cyrene in North Africa) flourished in the fifth and fourth centuries BCE and whose importance was much recognized in ancient times. Ugo Zilioli's book provides the first book-length introduction to the school in English. This book begins by introducing the main figures of the Cyrenaic school beginning with Aristippus and by setting them into their historical context. Once the reader is familiar with those figures and with the genealogy of the school, the book offers an overview of ancient and modern interpretations of the Cyrenaics, to provide readers with alternative accounts of the doctrines they endorsed and of the role they played in the context of ancient thought. Finally, this book offers a reconstruction of Cyrenaic philosophy and shows how the ethical side of their speculation connected with the epistemology and ontology they endorsed and that, as a result, the Cyrenaics were able to offer a quite sophisticated philosophy. Indeed, Zilioli demonstrates that they represented, in ancient philosophy, an important and original metaphysical position and alternative to the kind of realism endorsed by Plato and Aristotle.

Important research in recent decades, along with the publication of P.Mil.Vogl. VIII 309 ('the Milan Posidippus papyrus') in 2001, have reinvigorated the study of Hellenistic epigram. Yet, scholarship on this genre often remains fragmented according to disciplinary sub-specialty and approach: some scholars focus on poets of Meleager’s Garland, others on Philip’s; some on inscriptional epigram, others on literary; each approaching the genre with different motives and questions. In this volume, expert scholars offer those less familiar with the genre an introduction to all aspects of Hellenistic epigram—from models and forms inherited from inscriptional epigram to poetology, sub-genera, epigrammatic intertexts, and ancient and modern reception. Even specialists will find here fresh explorations of epigram, along with new directions for scholarship.

This volume analyses in depth the reception of early Greek philosophy in the Epicurean tradition and provides for the first time in scholarship a comprehensive edition, with translation and commentary, of all the Herculanean testimonia to the Presocratics. Among the most significant scientific outcomes, it provides elements for the attribution of an earlier date to the attested tradition of Xenophanes’ scepticism; a complete reconstruction of the Epicurean reception of Democritus; a new reconstruction of the testimonia to Nausiphanes’ concept of physiologia, Anaxagoras’ physics and theology, and Empedocles’ epistemology; new texts for better comparing the doxographical sections of Philodemus’ On Piety with those of Cicero’s On the Nature of the Gods, which update H. Diels’ treatment of this subject in his Doxographi Graeci.

Early Skepticism and its founder, Pyrrho of Elis, were introduced to the world by the poet and philosopher Timon of Phlius. This is the first book-length study of Timons work in English, and includes a new reconstruction of his most influential poem Silloi . All of the extant fragments are translated and discussed as literature rather than as source material for the history of philosophy. The book concludes with a definition of "skeptical aesthetics" that demonstrates the importance of Timon and early Skepticism to the most influential Hellenistic poets: Callimachus, Theocritus and.