Immensely popular and prolific, Harold Lloyd sold more movie tickets during the Golden Age of Comedy than any other comedian. From Coney Island to Catalina Island, and from Brooklyn to Beverly Hills, Lloyd’s movies captured visions of silent-era America unequaled on the silver screen. A stunning work of cinematic archeology, Silent Visions describes the historical settings found in such Lloyd classics as Safety Last!, Girl Shy, and Speedy, and matches them with archival photographs, vintage maps, and scores of then-and-now comparison photographs, illuminating both Lloyd’s comedic genius, and the burgeoning Los Angeles and Manhattan landscapes preserved in the background of his films. The book represents John Bengtson’s completion of his trilogy of works focusing on the three great geniuses of silent film comedy (Keaton, Chaplin, and Lloyd) in what Oscar-winning historian Kevin Brownlow calls “a new art form.”

This is a true story of a little girl, Sibu, who was totally consumed by the beauties of the world of the unseen, nothing of this material world seem to make sense to her. She explored the spiritual world through dreams and visions, and that was her way of communicating with God. Her spiritual exploration denied her of her childhood and other life experiences that most children of her age had. She spent most of her time in isolation communicating with her imaginary friend "God". As she turns into a young woman, she got married, and her life changed dramatically. She becomes trapped by the beauties and luxuries of the material world, and completely forgets about her imaginary friend. After some time God seizes all the beauties, which separated Sibu from Him. Her whole luxurious life turns into a nightmare. At the ultimate end Sibu repents and accepts God's calling. [email protected]

Caldecott Medal winner Allen Say brings his lavish illustrations and hybrid narrative and artistic styles to the story of artist James Castle. James Castle was born two months premature on September 25, 1899, on a farm in Garden Valley, Idaho. He was deaf, mute, autistic, and probably dyslexic. He didn't walk until he was four; he would never learn to speak, write, read, or use sign language.Yet, today Castle's artwork hangs in major museums throughout the world. The Philadelphia Museum of Art opened "James Castle: A Retrospective" in 2008. The 2013 Venice Biennale included eleven works by Castle in the feature exhibition "The Encyclopedic Palace." And his reputation continues to grow.Caldecott Medal winner Allen Say, author of the acclaimed memoir Drawing from Memory, takes readers through an imagined look at Castle's childhood, allows them to experience his emergence as an artist despite the overwhelming difficulties he faced, and ultimately reveals the triumphs that he would go on toachieve.

Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton is an epic look at a genius at work and at a Hollywood that no longer exists. Painstakingly researching the locations used in Buster Keaton's classic silent films, author John Bengtson combines images from Keaton's movies with archival photographs, historic maps, and scores of dramatic "then" and "now" photos. In the process, Bengtson reveals dozens of locations that lay undiscovered for nearly 80 years. Part time machine, part detective story, Silent Echoes presents a fresh look at the matchless Keaton at work, as well as a captivating glimpse of Hollywood's most romantic era. More than a book for film, comedy, or history buffs, Silent Echoes appeals to anyone fascinated with solving puzzles or witnessing the awesome passage of time.

Silent Visions is the ideal notebook to record your inner most inspirations. Featuring a gorgeous cover, bookplate page, and lined pages, this small sized notebook easily fits into backpacks and even back pockets.

The success of movies like The Artist and Hugo recreated the wonder and magic of silent film for modern audiences, many of whom might never have experienced a movie without sound. But while the American silent movie was one of the most significant popular art forms of the modern age, it is also one that is largely lost to us, as more than eighty percent of silent films have disappeared, the victims of age, disaster, and neglect. We now know about many of these cinematic masterpieces only from the collections of still portraits and production photographs that were originally created for publicity and reference. Capturing the beauty, horror, and moodiness of silent motion pictures, these images are remarkable pieces of art in their own right. In the first history of still camera work generated by the American silent motion picture industry, David S. Shields chronicles the evolution of silent film aesthetics, glamour, and publicity, and provides unparalleled insight into this influential body of popular imagery. Exploring the work of over sixty camera artists, Still recovers the stories of the photographers who descended on early Hollywood and the stars and starlets who sat for them between 1908 and 1928. Focusing on the most culturally influential types of photographs—the performer portrait and the scene still—Shields follows photographers such as Albert Witzel and W. F. Seely as they devised the poses that newspapers and magazines would bring to Americans, who mimicked the sultry stares and dangerous glances of silent stars. He uncovers scene shots of unprecedented splendor—visions that would ignite the popular imagination. And he details how still photographs changed the film industry, whose growing preoccupation with artistry in imagery caused directors and stars to hire celebrated stage photographers and transformed cameramen into bankable names. Reproducing over one hundred and fifty of these gorgeous black-and-white photographs, Still brings to life an entire long-lost visual culture that a century later still has the power to enchant.

Vivid and engaging, Silent Racism persuasively demonstrates that silent racism—racism by people who classify themselves as “not racist”—is instrumental in the production of institutional racism. Trepagnier argues that heightened race awareness is more important in changing racial inequality than judging whether individuals are racist. The collective voices and confessions of “nonracist” white women heard in this book help reveal that all individuals harbor some racist thoughts and feelings. Trepagnier uses vivid focus group interviews to argue that the oppositional categories of racist/not racist are outdated. The oppositional categories should be replaced in contemporary thought with a continuum model that more accurately portrays today’s racial reality in the United States. A shift to a continuum model can raise the race awareness of well-meaning white people and improve race relations. Offering a fresh approach, Silent Racism is an essential resource for teaching and thinking about racism in the twenty-first century.

Today, a kind of Rdemocratized mysticismS of those without much religious background flourishes. This mystical experience is not drawn so much of the tradition as out of contemporary experiences. In that sense, each of us is a mystic, and Soelle's work seeks to give theological depth, clarity and direction. This work conveys Soelle's deep religious knowledge and wisdom with her passion for social justice.

Andrew Louth traces the Christian mystic tradition from Plato, through figures such as Origen, Gregory of Nyssa and Augustine and explores the diverse and conflicting influences to be found in Christian spirituality.