Silence Unheard maintains that the reality of Patañjali's Yogasūtra is a profound silence barely and variously audible to the scholars and interpreters who approach it. Even the Yogasūtra itself is an "approach," a voice articulating an other-- a silent, beyond-speech yogin. Author Yohanan Grinshpon presents Patañjali as a Sāṅkhya-philosopher, who interprets silence in accordance with his own dualist metaphysics and Buddhistic sensibilities. The Yogasūtra represents an intellectual's conceptualization of utter otherness rather than the yogin's verbalization of silence. Silence Unheard focuses on the yogin's supra-normal experiences (siddhis) as well as on the classification of silences and the ultimate goal of disintegration through guṇa balance. The book provides a translation of the Yogasūtra divided into two sections: an essential text, concerning the yoga practitioner, and a secondary text, concerning the philosopher. Grinshpon also surveys the encounters of intellectuals, scholars, seekers, devotees, and outsiders with the Yogasūtra.

Silence always has something to say – it’s never neutral and speaks volumes if people are willing to hear. Our response to silence is often to dismiss or end it, to block it out with noise. Instead, silence needs to be taken seriously. This book explores the importance of understanding silence and shows how we can move from merely listening to truly hearing those around us. The interplay of voice and silence in organisational life is not straightforward. We can feel pressured to speak and compelled to keep our silence. Knowing how to read silence, to make sense of its generative and degenerative capacity, is a rarely developed skill among managers and leaders at all levels – who have been brought up to see silence as evidence of compliance or a weakness to be addressed. But it is a critical skill for managers and employees alike. Written by two experts in organisational development, this book explores different types of silence and their implications for organisational practice, digging into the theoretical roots and engaging with real stories and voices. It provides everyone at work with an understanding of the different meanings of silence and how to engage well with it. When to stay with it, when to join in with it, and when to be struck by what’s not being said and do something about it. The Great Unheard at Work is essential reading for corporate leaders, HR professionals in all sectors, business students, professionals, and anyone interested in leadership development.

A qualitative analysis of societal silences, demonstrating how the unsaid directs social action and shapes individual and collective lives.

The Unheard Voices By: Miriam Abigail Amigon Emotions we have to deal Tears we have to fear The moment we wait for Is already here Miriam Abigail Amigon wants readers to know that it’s okay to feel sad and experience emotions. The Unheard Voices is her experience with writing down thoughts she couldn’t share with anyone else.

Our Anthology "ECHOES OF THE UNHEARD" contains marvellous literary work of various authors across the whole Bharat. It is a compiled to give a platform to the budding writers of our great nation and help them in coming forward and present their literary work in front of the whole world. While reading this book, the reader will experience a wholesome of different emotions affecting our internal feelings.

This book 'The Unheard Soul' features writings of writers all over the globe. It comprises of distinct topic in exotic genres with emotions expressed in simplicity. This book can be proved as the best way to lighten up your soul and brighten up your day with positivity. This anthology provides a platform to the budding writers to showcase their talent, to express their unheard soul! This book is successful in fabricating the dedication and devotion towards literature among the young and passionate writers and inspires many to explore their inner potential!

Originally published in 1986. This collection of essays is unified by one leading idea: that the active and creative abilities of listeners and readers deserve as much attention as the skills of speakers and writers. It is shown that hearers, far from being passive recipients in the communicative process, are in fact active in selecting, interpreting and creating from the disparate signals they receive. Equally, readers are involved in creating individual patterns of significance from a text. In presenting this argument, some essays deal with the importance of gender considerations, some with special modes of writing such as the private diary and literary translations, and others with the more familiar fields of poetry and drama. In the sphere of popular music, distinctions such as ‘folk’ and ‘pop’ indicate special problems in assessing the ‘authenticity’ of a listener’s response. By concentrating on active listening, the collection develops and illustrates the conviction that there are fundamental premises underlying the various disciplines under review, the analysis of which makes for a fuller understanding of communication in all its forms.

Willa Forsythe is both a violin prodigy and top-notch thief, which makes her the perfect choice for a crucial task at the outset of World War I--to steal a cypher from a famous violinist currently in Wales. Lukas De Wilde has enjoyed the life of fame he's won--until now, when being recognized nearly gets him killed. Everyone wants the key to his father's work as a cryptologist. And Lukas fears that his mother and sister, who have vanished in the wake of the German invasion of Belgium, will pay the price. The only light he finds is meeting the intriguing Willa Forsythe. But danger presses in from every side, and Willa knows what Lukas doesn't--that she must betray him and find that cypher, or her own family will pay the price as surely as his has.

“There are at least two kinds of games,” states James P. Carse as he begins this extraordinary book. “One could be called finite; the other infinite. A finite game is played for the purpose of winning, an infinite game for the purpose of continuing the play.” Finite games are the familiar contests of everyday life; they are played in order to be won, which is when they end. But infinite games are more mysterious. Their object is not winning, but ensuring the continuation of play. The rules may change, the boundaries may change, even the participants may change—as long as the game is never allowed to come to an end. What are infinite games? How do they affect the ways we play our finite games? What are we doing when we play—finitely or infinitely? And how can infinite games affect the ways in which we live our lives? Carse explores these questions with stunning elegance, teasing out of his distinctions a universe of observation and insight, noting where and why and how we play, finitely and infinitely. He surveys our world—from the finite games of the playing field and playing board to the infinite games found in culture and religion—leaving all we think we know illuminated and transformed. Along the way, Carse finds new ways of understanding everything, from how an actress portrays a role to how we engage in sex, from the nature of evil to the nature of science. Finite games, he shows, may offer wealth and status, power and glory, but infinite games offer something far more subtle and far grander. Carse has written a book rich in insight and aphorism. Already an international literary event, Finite and Infinite Games is certain to be argued about and celebrated for years to come. Reading it is the first step in learning to play the infinite game.

A poetry sequel to Sunbathing in the Rain, this book is about depression. It is partly set in a mental hospital, but the treatment here, is playful and uplifting. The author has written this book first in Welsh, and then reinvenented and expanded it in English.