This volume of Dickens' public readings includes "A Christmas Carol," "The Chimes," "The Story of Little Dombey," "The Poor Traveller," "Boots at the Holly-Tree Inn," "Mrs. Gamp," "Bardell and Pickwick," "David Copperfield," "Nicholas Nickleby at the Yorkshire School," "Mr. Bob Sawyer's Party," "Doctor Marigold," and "Sikes and Nancy."

On November 14, 1868 Charles Dickens organized a special reading to a select audience to get their opinion on whether or not Sikes and Nancy, the telling of the horrific murder of Nancy by Bill Sikes in Oliver Twist, should be added to his repertoire of public readings of his works. William Charles Kent (1823-1902), editor, journalist, and Dickens' friend, was among those chosen to witness this test reading. Here he gives an account of the event. Most in the audience, Kent among them, felt the reading was sensational and should be added. A few worried about possible hysteria in the audience and the reading's effect on Dickens' already frail health. Dickens read the account with such passion that his pulse soared during its performance. Dickens added Sikes and Nancy to his farewell reading tour of Britain.

The story of Oliver Twist - orphaned, and set upon by evil and adversity from his first breath - shocked readers when it was published. After running away from the workhouse and pompous beadle Mr Bumble, Oliver finds himself lured into a den of thieves peopled by vivid and memorable characters - the Artful Dodger, vicious burglar Bill Sikes, his dog Bull's Eye, and prostitute Nancy, all watched over by cunning master-thief Fagin. Combining elements of Gothic Romance, the Newgate Novel and popular melodrama, Dickens created an entirely new kind of fiction, scathing in its indictment of a cruel society, and pervaded by an unforgettable sense of threat and mystery.

This work offers an original interpretation of the mothers of the protagonists in Dickens’s autobiographical novels. Taking Julia Kristeva’s psychoanalytic concept of abjection and Mary Douglas’s anthropological analysis of pollution as its conceptual framework, the book argues that Dickens’s primary emotional response towards the mother who abandoned him to work in a blacking warehouse was disgust, and suggests that we can trace similar signs of disgust in the narrators of his fictional autobiographies, David Copperfield, Bleak House, and Great Expectations. The author provides a close reading of Dickens’s autobiographical fragment and opens up the possibility that Dickens’s feelings towards his mother actually bore a significant influence on his fiction. The book closes with a provocative discussion of Dickens’s compulsive Sikes and Nancy public readings.

First published in 1985. Dickens was a vigorous champion of the right of all men and women to carefree amusements and dedicated himself to the creation of imaginative pleasure. This book represents the first extended study of this vital aspect of Dickens’ life and work, exploring how he channelled his love of entertainment into his artistry. This study offers a challenging reassessment of Nicholas Nickleby, The Old Curiosity Shop and Hard Times. It shows the importance of entertainment to Dickens’ journalism and presents an illuminating perspective on the public readings which dominated the last twelve years of his life. This book will be of interest to students of literature.

"Academic fans of Dickens's early novels will be gratified by John Bowen's Other Dickens: Pickwick to Chuzzlewit, a ringing defense of the novels Dickens wrote in the first half of his career.... Bowen [demonstrates] a mastery of the body of Dickens criticism.... We owe Bowen a debt of gratitude for delineating so eloquently the politically radical Dickens and for helping us better appreciate his exquisite humor, deep insight into the human condition, and consummate artistry."--College Literature.

This work offers an original interpretation of the mothers of the protagonists in Dickens's autobiographical novels. Taking Julia Kristeva's psychoanalytic concept of abjection and Mary Douglas's anthropological analysis of pollution as its conceptual framework, the book argues that Dickens's primary emotional response towards the mother who abandoned him to work in a blacking warehouse was disgust, and suggests that we can trace similar signs of disgust in the narrators of his fictional autobiographies, David Copperfield, Bleak House, and Great Expectations. The author provides a close reading of Dickens's autobiographical fragment and opens up the possibility that Dickens's feelings towards his mother actually bore a significant influence on his fiction. The book closes with a provocative discussion of Dickens's compulsive Sikes and Nancy public readings.

Charles Dickens's public readings have not had the attention they deserve; and yet Dickens put as much effort into perfecting his performances as he did with his novels. These performances were sensational events and won Dickens thousands of new admirers. This book tells that story and brings the events alive, with more detail than ever before.