A comparison of Sassetta and Giotto as painters of the Franciscan legend. Originally published in 'Burlington Magazine', vol. 3, 1903.

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Excerpt from A Sienese Painter of the Franciscan Legend I thank the Editor of the Burlington Magazine for the permission to republish the articles which make up this small book. They gave rise to certain misunderstandings which were probably due, in the first place, to the fact that they touch too rapidly upon too many things, and in the second place to a question of emphasis. I had hoped to help clear my meaning by adding three other essays, elaborating what I had to say about the religious painting of China and Japan, about imaginative design, and above all about the claims of illustration as a separate art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

For two centuries, the city-republic of Siena was home to a brilliant succession of painters who created some of the greatest masterpieces of all time; an imagery unmatched in colouristic intensity and spatial experimentation. This overview, now revised and updated, is an essential introduction to this extraordinary artistic tradition. Taking a broadly chronological approach, it moves from the 14th-century Siena of Duccio, Simone Martini and the Lorenzetti brothers, to the 15th-century city of Sassetta and Giovanni di Paolo. Perceptive visual analysis of the distinctive styles and conventions of Sienese painting is combined with clear explanations of traditional techniques such as fresco and tempera. The works are also placed in their social and religious context through discussion of Sienas system of government, its civic consciousness, the importance of the Franciscan movement and the cults of local saints. An accomplished writer as well as a practising artist, Timothy Hyman brings breadth of knowledge and experience to this extensively illustrated book, brilliantly conveying his personal enthusiasm for Sienese art.