The life and career of Sidney Poitier are analyzed in this biography of the actor, highlighting his work as the only black leading man during the civil rights era and the honors he has received for his work for racial equality in Hollywood.

I Am Not Sidney Poitier is an irresistible comic novel from the master storyteller Percival Everett, and an irreverent take on race, class, and identity in America I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier. Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation. Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: "What's your name?" a kid would ask. "Not Sidney," I would say. "Okay, then what is it?"

"I have no wish to play the pontificating fool, pretending that I've suddenly come up with the answers to all life's questions. Quite the contrary, I began this book as an exploration, an exercise in selfquestioning. In other words, I wanted to find out, as I looked back at a long and complicated life, with many twists and turns, how well I've done at measuring up to the values I myself have set." In this luminous memoir, a true American icon looks back on his celebrated life and career. His body of work is arguably the most morally significant in cinematic history, and the power and influence of that work are indicative of the character of the man behind the many storied roles. Sidney Poitier here explores these elements of character and personal values to take his own measure--as a man, as a husband and father, and as an actor. Poitier credits his parents and his childhood on tiny Cat Island in the Bahamas for equipping him with the unflinching sense of right and wrong and of selfworth that he has never surrendered and that have dramatically shaped his world. "In the kind of place where I grew up," recalls Poitier, "what's coming at you is the sound of the sea and the smell of the wind and momma's voice and the voice of your dad and the craziness of your brothers and sisters ... and that's it." Without television, radio, and material distractions to obscure what matters most, he could enjoy the simple things, endure the long commitments, and find true meaning in his life. Poitier was uncompromising as he pursued a personal and public life that would honor his upbringing and the invaluable legacy of his parents just a few years after his introduction to indoor plumbing and the automobile, Poitier broke racial barrier after racial barrier to launch a pioneering acting career. Committed to the notion that what one does for a living articulates who one is, Poitier played only forceful and affecting characters who said something positive, useful, and lasting about the human condition. Here, finally, is Poitier's own introspective look at what has informed his performances and his life. Poitier explores the nature of sacrifice and commitment, pride and humility, rage and forgiveness, and paying the price for artistic integrity, What emerges is a picture of a man seeking truth, passion, and balance in the face of limits--his own and the world's. A triumph of the spirit, The Measure of a Man captures the essential Poitier.

The first novel from the beloved actor and director. A baby is born with a coin in her hand. An orphan crafts a mysterious wooden object. The CEO of a large corporation is under extraordinary pressure. And on a remote island, a medicine man understands the meaning of all these events.

The bestselling author and American icon offers lessons from his own remarkable life in the form of letters to his great-grandaughter The author of The Measure of a Man and one of the most revered actors in the history of Hollywood offers a book that features inspirational advice and personal stories from his extraordinary life. Written in the form of extended letters to his new great-granddaughter, Sidney Poitier offers perspective and wisdom gained from his memories of being a boy in the Bahamas; breaking the race barrier in theater and film during the Civil Rights Era; achieving stardom and success in Hollywood; and as a diplomat and humanitarian. In his role as father, grandfather, and great-grandfather, Poitier shares his experience of the most important passages in life.

In the first full biography of actor Sidney Poitier, Aram Goudsouzian analyzes the life and career of a Hollywood legend, from his childhood in the Bahamas to his 2002 Oscar for lifetime achievement. Poitier is a gifted actor, a great American success story, an intriguing personality, and a political symbol; his life and career illuminate America's racial history. In such films as Lilies of the Field, In the Heat of the Night, and Guess Who's Coming to Dinner, Poitier's middle-class, mannered, virtuous screen persona contradicted prevailing film stereotypes of blacks as half-wits, comic servants, or oversexed threats. His screen image and public support of nonviolent integration assuaged the fears of a broad political center, and by 1968, Poitier was voted America's favorite movie star. Through careful readings of every Poitier film, Goudsouzian shows that Poitier's characters often made sacrifices for the good of whites and rarely displayed sexuality. As the only black leading man during the civil rights era, Poitier chose roles and public positions that negotiated the struggle for dignity. By 1970, times had changed and Poitier was the target of a backlash from film critics and black radicals, as the new heroes of "blaxploitation" movies reversed the Poitier model. In the 1970s, Poitier shifted his considerable talents toward directing, starring in, and producing popular movies that employed many African Americans, both on and off screen. After a long hiatus, he returned to starring roles in the late 1980s. More recently, the film industry has reappraised his career, and Poitier has received numerous honors recognizing his multi-faceted work for black equality in Hollywood. As this biography affirms, Poitier remains one of American popular culture's foremost symbols of the possibilities for and limits of racial equality.

Sidney Poitier remains one of the most recognizable black men in the world. Widely celebrated but at times criticized for the roles he played during a career that spanned 60 years, there can be no comprehensive discussion of black men in American film, and no serious analysis of 20th century American film history that excludes him. Poitier Revisited offers a fresh interrogation of the social, cultural and political significance of the Poitier oeuvre. The contributions explore the broad spectrum of critical issues summoned up by Poitier's iconic work as actor, director and filmmaker. Despite his stature, Poitier has actually been under-examined in film criticism generally. This work reconsiders his pivotal role in film and American race relations, by arguing persuasively, that even in this supposedly 'post-racial' moment of Barack Obama, the struggles, aspirations, anxieties, and tensions Poitier's films explored are every bit as relevant today as when they were first made.

When you mention the name "Sidney Poitier" many Hollywood fans will remember fondly "To Sir, with Love" or "Guess Who's Coming to Dinner". These were ground-breaking films for many reasons, not least for the way in which they solidified Poitier's place as a black icon.In these times, the world has seen afresh the challenges faced by people of colour in the United States and other western nations. There is nothing new in this struggle. Poitier's acting roles of the 1960s created a particular dilemma for him. Except for one or two decisions, he carefully selected characters which would reflect his own life experience, struggles and desire for radical change.Over the decades, he has become a somewhat reluctant icon, put on a pedestal by a generation of black celebrities and film stars for choosing roles that gave both black and white Americans an alternative picture of society. Too perfect for some, too imperfect for others, his work attracted critical opinion that was as differentiated as black is to white.This book takes a look at Poitier's early life and work in the 1960s and early 70s, the people who influenced his career and a fascinating sample of the contemporary critical views.In the beginning Poitier was a supporting actor in films with Hollywood stars such as Clark Gable and Tony Curtis. In 1964 he won an Oscar as Best Actor in "Lilies of the Field." A few years later he was in the box office hit "Guess Who's Coming to Dinner," co-starring with the legendary Spencer Tracy and Katharine Hepburn. Five years after that he was the first-time film director of a ground-breaking Western, "Buck and the Preacher."The transition from popular black actor to acceptance as a director was challenging.As an actor-director he had multiple hits in the 1970s with "Uptown Saturday Night," "Let's Do It Again" and "A Piece of the Action." His biggest hit was "Stir Crazy" in 1981 starring Gene Wilder and Richard Pryor. The Sidney Poitier-directed film eventually grossed almost a $100 million in American theaters alone.Philip Powers' book "Sidney Poitier: Black and White" explores the events in the sixties in the United States where Poitier was occasionally a minor player, where Poitier was a teenage bystander for many years as his life was swept up in black-white confrontations. It looks at the people in Hollywood - like Stanley Kramer - who were responsible for addressing the big issues of the period. It explores the lives of people Poitier knew well and worked with in the volatile environment of that period in America. It describes the racism Poitier endured when he couldn't eat in certain restaurants or stay in particular hotels. When a policeman put the muzzle of a gun to Poitier's forehead and threatened to shoot him.As part of Poitier's journey he became involved in the civil rights movement in the 1960s lending his supporting to Dr. Martin Luther King, Jr. He worked with his friend Harry Belafonte, a pop superstar, who marched with Dr. King on many occasions, to demand societal change for African Americans."Black and White" explores these events using the words of the media to illustrate Poitier's journey from a poor black boy to a black icon, an inspiration to millions of black people who didn't know it could be done.

"King of the Court provides a highly nuanced and sophisticated analysis of the great African American basketball player from his earliest days up to the present time. With great skill and much insight, Goudsouzian makes clear that Russell was a very complicated man who was full of contradictions in his own private life and in relationship to his business associates, teammates, opponents, the media, and the larger sporting public."—David K.Wiggins, George Mason University "Not only is King of the Court one of the most impressive and important sports biographies to come along in many a season, easily in the same class as David Maraniss's When Pride Still Mattered (on Vince Lombardi) and Wil Haygood's Sweet Thunder (on Sugar Ray Robinson), it is also one of the truly incisive books on the intersection of race, civil rights, and popular culture that have appeared in some time. Having grown up in Philadelphia, I was always a Wilt Chamberlain man and always will be, but King of the Court convinced me that Bill Russell defined his age in ways that Chamberlain never did. Russell was a man for all seasons. This is a biography befitting Russell's stature."—Gerald Early, author of One Nation Under a Groove: Motown and American Culture "Before there were crossover dribbles or slam dunk competitions, before they even kept statistics for blocked shots, Bill Russell dominated the game we call basketball. The respect he demanded as a black man during America's turbulent Civil Rights era made him the personification of a winner in life. King of the Court, like Russell's defense, locks it down, and puts it all in its proper context. Long live the King!"—Dr. Todd Boyd, author of Young, Black, Rich, and Famous: The Rise of the NBA, the Hip Hop Invasion, and the Transformation of American Culture "Bill Russell's life story is only incidentally about basketball. For him the sport was not a life; it was his vehicle for social change, a platform that showcased his vision for America as much as his athletic talent. In his magnificent biography, Aram Goudsouzian captures the nuance and meaning of Russell's career. After reading the book, one will never look at Russell or sports in quite the same way."—Randy Roberts, Purdue University "Brings back the excitement of the great days of the NBA and its legendary players, led by the king of them all, Bill Russell. Best book I've read on basketball in 40 years."—Bill McSweeny, co-author, with Bill Russell, of Go Up for Glory

Percival Everett's blistering satire about race and publishing, now adapted for the screen as the Academy Award-winning AMERICAN FICTION, directed by Cord Jefferson and starring Jeffrey Wright Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies—his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before. In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is—under the pseudonym Stagg R. Leigh—and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.