A collections of rhythmically enhanced and metered filled lines of imagination- senses of taste, smell, touch, hear, and seeing.

A huge collection of 76 titles, in lead-line format with guitar chords. Including: Bertha * Black Peter * Casey Jones * Cats Under the Stars * China Cat Sunflower * Cumberland Blues * Dire Wolf * Eyes of the World * Friend of the Devil * Mississippi Half-Step . . . * New Speedway Boogie * Run for the Roses * Saint Stephen * Sugaree * Tennessee Jed * Touch of Grey * Uncle John's Band and many, many more.

By turns tender and punk-tough, Shine of the Ever is a literary mixtape of queer voices out of 1990s Portland. This collection of short stories explores what binds a community of queer and trans people as they negotiate love, screwing up and learning to forgive themselves for being young and sometimes foolish.

For Pavement fans and rock enthusiasts comes an engaging profile of the band and their quirkily dark, melodic sound and cryptic, mirth-filled lyrics.

Essays, questionnaires, and games provide information which help the reader assess his or her interests and talents in order to make career choices.

In the lean and anxious years following World War II, Munich society became obsessed with the moral condition of its youth. Initially born of the economic and social disruption of the war years, a preoccupation with juvenile delinquency progressed into a full-blown panic over the hypothetical threat that young men and women posed to postwar stability. As Martin Kalb shows in this fascinating study, constructs like the rowdy young boy and the sexually deviant girl served as proxies for the diffuse fears of adult society, while allowing authorities ranging from local institutions to the U.S. military government to strengthen forms of social control.

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

Pavement wrapped up at Easley Recording in Memphis. They mixed the tracks and recorded overdubs in New York. They took a step back and assessed the material. It was a wild scene. They had fully fleshed-out songs and whispers and rumors of half-formed ones. They had songs that followed a hard-to-gauge internal logic. They had punk tunes and country tunes and sad tunes and funny ones. They had fuzzy pop and angular new wave. They had raunchy guitar solos and stoner blues. They had pristine jangle and pedal steel. The final track list ran to eighteen songs and filled three sides of vinyl. Released in 1995, on the heels of two instant classics, Wowee Zowee confounded Pavement's audience. Yet the record has grown in stature and many diehard fans now consider it Pavement's best. Weaving personal history and reporting-including extensive new interviews with the band-Bryan Charles goes searching for the story behind the record and finds a piece of art as elusive, anarchic and transportive now as it was then.