Nikki was one tough girl, or so all the kids said. She take on anybody, risk anything for the gang. But that was before she met Austin and began to turn her life around.

The heroes of SWINDLE, ZOOBREAK, and FRAMED are back - and this time, things have gone to the dogs! When Luthor goes berserk at a mall dog show, he's accused of ruining the career of the three-time best-in-show beagle. Griffin always knew that Luthor's viciousness was simmering just below the surface - so why does he feel bad enough to spring him from the pound?Griffin and his team have a new plan. This one involves New York City, a sinister saboteur, a reclusive dog-trainer who's quit the business, an international dog show, and a whole lot of red dye. But if they pull it off, no one will even notice their sting operation...right?

Gina tries to be the star of the soccer team at her new school, but her teammates do not like her showoff moves.

Featuring simple illustrated instructions, a witty and nearly wordless resource teaches kids how to do tons of cool things, from creating personalized arts and crafts to performing amazing tricks and pranks. Original.

The Upside-Down Magic kids are back in another topsy-turvy adventure in the next installment of this New York Times bestselling series, now a Disney Channel Original Movie! Some people in school are afraid of the kids in the Upside-Down Magic class. Others just call them flops. But Nory and her friends in Upside-down Magic won't let that stop them. Not with a school-wide talent show coming up! Except... Nory's afraid her fluxing magic will go wonky and upset her father. Pepper is worried that her abilities as a Fierce will make all the animals in the show run wild. Bax has some extreme new magic skills, but they can also be extremely embarrassing. And Elliott suspects there's a Sparkie spy who's looking to uncover UDM's talent-show secrets-and to use those secrets against them. In order to take the stage and make some magic, the Upside-Down Magic kids are going to have to band together... and find the right combination of talents to steal the show!

Hildy looks forward to a visit from her cousin, Winston, but when he arrives he bores her and annoys all of her friends by declaring his superior intelligence and expertise on every subject, until Moose convinces him to try something different.

A 1924 stage play by George Kelly about a working-class North Philadelphian family's reluctance to accept their daughter's suitor Aubrey Piper, an overly confident Socialist buffoon. The play has been revived five times on Broadway and adapted for film four times; it is Kelly's most frequently produced play.

Ocean's 11 . . . with 11-year-olds, in a super stand-alone heist caper from Gordon Korman!After a mean collector named Swindle cons him out of his most valuable baseball card, Griffin Bing must put together a band of misfits to break into Swindle's compound and recapture the card. There are many things standing in their way -- a menacing guard dog, a high-tech security system, a very secret hiding place, and their inability to drive -- but Griffin and his team are going to get back what's rightfully his . . . even if hijinks ensue. This is Gordon Korman at his crowd-pleasing best, perfect for readers who like to hoot, howl, and heist.

The interdisciplinary essays in Showing Off, Showing Up examine acts of showing, a particular species of performance that relies on competition and judgment, active spectatorship, embodied excess, and exposure of core values and hidden truths. Acts of showing highlight those dimensions of performance that can most manipulate spectators and consumers, often through over-the-top heightening and skewing of presentation. Many forms of showing and of heightened performance, however, operate more enigmatically and covertly while still profoundly affecting the social world, even if our reactions to them are initially flippant or unconcerned because “it’s just a show.” Examining a wide range of examples—from dog shows to competitive dancing to carnivals to striptease, the essays illuminate how such events variously foster competition, exaggerate a characteristic, and reveal hidden truths. There is as much to be learned about the power of showing through subtlety and underlying intentionality as through overt display. The book’s theoretical introduction and 12 essays by leading scholars reveal how diverse, particularly efficacious genres of showing are theoretically connected and why they merit more concerted attention, especially in the 21st century.

A new philosophy of the image which explores and challenges accepted modes of looking and seeing.