The authors recount their decades of UFO research, offering their views on controversial topics including government cover-ups and alien abductions.

"From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself. The two despise each other."--Front jacket flap.

American society has changed dramatically since A Culture of Conspiracy was first published in 2001. In this revised and expanded edition, Michael Barkun delves deeper into America's conspiracy sub-culture, exploring the rise of 9/11 conspiracy theories, the "birther" controversy surrounding Barack Obama's American citizenship, and how the conspiracy landscape has changed with the rise of the Internet and other new media. What do UFO believers, Christian millennialists, and right-wing conspiracy theorists have in common? According to Michael Barkun in this fascinating yet disturbing book, quite a lot. It is well known that some Americans are obsessed with conspiracies. The Kennedy assassination, the Oklahoma City bombing, and the 2001 terrorist attacks have all generated elaborate stories of hidden plots. What is far less known is the extent to which conspiracist worldviews have recently become linked in strange and unpredictable ways with other "fringe" notions such as a belief in UFOs, Nostradamus, and the Illuminati. Unraveling the extraordinary genealogies and permutations of these increasingly widespread ideas, Barkun shows how this web of urban legends has spread among subcultures on the Internet and through mass media, how a new style of conspiracy thinking has recently arisen, and how this phenomenon relates to larger changes in American culture. This book, written by a leading expert on the subject, is the most comprehensive and authoritative examination of contemporary American conspiracism to date. Barkun discusses a range of material-involving inner-earth caves, government black helicopters, alien abductions, secret New World Order cabals, and much more-that few realize exists in our culture. Looking closely at the manifestations of these ideas in a wide range of literature and source material from religious and political literature, to New Age and UFO publications, to popular culture phenomena such as The X-Files, and to websites, radio programs, and more, Barkun finds that America is in the throes of an unrivaled period of millenarian activity. His book underscores the importance of understanding why this phenomenon is now spreading into more mainstream segments of American culture.

Fifteen freedom of speech-themed tales for the dark of heart. Fifteen twisted visions of consequences from some of the finest writers of the dark fantastique: Chet Williamson Elizabeth Massie Matt Hayward Jessica McHugh Richard Christian Matheson Jenny Orosel Jack Ketchum Georgia R. Buns Tom Monteleone Patricia Lee Macomber David Niall Wilson Robert Guffey Joseph Mulak Michael Picco Norman Spinrad Fifteen stories from living legends, rising stars, venerable masters and surprising newcomers, exploring our troubled past, our turbulent present, and frightening futures yet to come. Freedom of Screech. It’s not for the faint of heart.

“One of the rare books on the topic that manages to be both entertaining and factually grounded.” —The Wall Street Journal From the bestselling author of Raven Rock, The Only Plane in the Sky, and Watergate (finalist for the Pulitzer Prize in history) comes the first comprehensive and eye-opening exploration of our government’s decades-long quest to solve one of humanity’s greatest mysteries: Are we alone in the universe? For as long as we have looked to the skies, the question of whether life on earth is the only life to exist has been at the core of the human experience, driving scientific debate and discovery, shaping spiritual belief, and prompting existential thought across borders and generations. It’s one of our culture’s favorite conversations, and yet, the idea of extraterrestrial intelligence has been largely banished to the realm of fantasy and conspiracy. Now, for the first time, the full story of our national obsession with UFOs—and the covert search by scientists, the United States military, and the CIA for proof of alien life—is told by bestselling author and Pulitzer Prize finalist Garrett M. Graff in a deeply reported and researched history. It begins in 1947, when two headline-making sightings of strange flying objects prompt the US Air Force’s newly formed Department of Defense to create a series of secret programs to determine how unidentified phenomena may pose a threat to national security. Over the next half-century, as the atomic age gives way to the space race and the Cold War, the mission continues, bringing together an unexpected group of astronomers, military officials, civilian contactees, and true believers who bring us closer, then further, then closer again, to answering one of our most enduring questions: What exactly is out there? Drawing from original archival research, declassified documents, and interviews with senior intelligence and military officials, Graff brings readers a story that’s “Loads of fun…[a] fascinating deep dive down the rabbit hole” (Publishers Weekly).

Beyond the familiar opposition between those who believe that UFOs are spacecraft from other planets and those who believe UFOs do not exist at all, lies a landscape of stranger and more rewarding topics. This new edition of The UFO Phenomenon is a discovery of the nature of apparitions, the history of secret American aerospace technologies, the mythology of progress, and the role of popular culture in defining experienced reality.

In "The Chaos Conundrum," historian Aaron John Gulyas examines how the paranormal has intersected and influenced our culture in myriad ways, from the conspiracy beliefs of William Cooper and Exopolitics to the challenge that the stories of Gray Barker presented to our concept of self and time. He looks at the maelstrom of personalities, agendas, impressions, data, confusion, and contradictions that can be found in the world of the weird, and demonstrates how they have become an integral part of our lives, whether in the form of flying saucers, hauntings, religious revelations, psychic abilities, or dozens of other guises. Gulyas delves into the stories of the people who have attempted to create order out of the chaos. Along the way he recounts his own journey from enthusiastic believer in the "shadow government" and their underground bases to jaded academic skeptic, and then finally to someone who thinks there might just be something to the paranormal after all... but not what we have been led to expect or believe!

Toward the end of the twentieth century, science fiction television took a dark turn. Series like The X-Files, Millennium, and Dark Skies wove menacing technologies, paranormal forces, and shadowy government agencies into complex tales of corruption and cover-ups. Mind control, alien abductions, secret government laboratories, and implacable “men in black” moved from the fringes to the mainstream of American culture, making weekly appearances in living rooms everywhere. Other series that played on fears of new technologies—such as virtual reality—set the stage for unfamiliar kinds of exploitation, while Dark Angel offered glimpses of a near-future wasteland devastated by a technological catastrophe. In The Paranormal and the Paranoid: Conspiratorial Science Fiction Television, Aaron John Gulyas explores the themes that permeated and defined science fiction television at the turn of the millennium. The author traces the roots of this phenomenon in an earlier generation of series including The Invaders, Kolchak: The Night Stalker,and Project U.F.O. and examines how changes in the cultural landscape led to the proliferation of these types of shows. This book delves into the internal mythology of shows like The X-Files, resurrects now-forgotten series like Wild Palms and VR.5, and provides an important glimpse into American culture at the close of the twentieth century. While exploring the pervasive grimness of these shows, Gulyas also examines how they offer hope in the form of heroes—like agents Scully and Mulder—who relentlessly dug through the tissue of lies and distortions to find and expose the truth. The Paranormal and the Paranoid will appeal to scholars of media studies, sociology, and science fiction—not to mention fans of these programs and even conspiracy theorists.

The Oxford Handbook of Science Fiction attempts to descry the historical and cultural contours of SF in the wake of technoculture studies. Rather than treating the genre as an isolated aesthetic formation, it examines SF's many lines of cross-pollination with technocultural realities since itsinception in the nineteenth century, showing how SF's unique history and subcultural identity has been constructed in ongoing dialogue with popular discourses of science and technology.The volume consists of four broadly themed sections, each divided into eleven chapters. Section I, "Science Fiction as Genre," considers the internal history of SF literature, examining its characteristic aesthetic and ideological modalities, its animating social and commercial institutions, and itsrelationship to other fantastic genres. Section II, "Science Fiction as Medium," presents a more diverse and ramified understanding of what constitutes the field as a mode of artistic and pop-cultural expression, canvassing extra-literary manifestations of SF ranging from film and television tovideogames and hypertext to music and theme parks. Section III, "Science Fiction as Culture," examines the genre in relation to cultural issues and contexts that have influenced it and been influenced by it in turn, the goal being to see how SF has helped to constitute and define important(sub)cultural groupings, social movements, and historical developments during the nineteenth, twentieth, and twenty-first centuries. Finally, Section IV, "Science Fiction as Worldview," explores SF as a mode of thought and its intersection with other philosophies and large-scale perspectives on theworld, from the Enlightenment to the present day.