Kevin Ryan is a writer in the much-maligned genre of true crime who desperately needs a devious, over-the-top story for the subject of his next book. How else can he keep his wife Valerie's roots dyed and keep himself from handing out taco samples at the local supermarket? When Kevin isn't Googling himself or spot checking his books' stock at stores around the country or online, he's bringing the hazards (i.e., criminals and other crazies) of his job home to wife Val and twin daughters Taylor and Hayley. Kevin is on the hunt for the big one, the story that could break him out of the mid-list and onto the bestseller lists. And then there's a knock at the door--a story finds him...A distraught 20-year old Jett Carter shows up at the Ryan house because her mother and sister are imprisoned-perhaps if Kevin writes their story and reveals the truth, he might help exonerate them. The Carters' tale is the perfect white-trash-attempted-murder-love-triangle that Kevin's editor will love and his fans will devour. He begins to write "Love You to Death." Then on a beautiful summer day, the wheels of homicide are set in motion and Kevin's own story begins to eclipse the crime he is chronicling. When his #1 fan is murdered and another body turns up, the Ryans' life in Port Gamble and all that Kevin holds dear is in jeopardy. Somewhere in "Love You to Death" and within the "bunch of low rent losers" he's interviewing is the killer.

Humphrey Bogart said of Confidential: “Everybody reads it but they say the cook brought it into the house” . . . Tom Wolfe called it “the most scandalous scandal magazine in the history of the world” . . . Time defined it as “a cheesecake of innuendo, detraction, and plain smut . . . dig up one sensational ‘fact,’ embroider it for 1,500 to 2,000 words. If the subject thinks of suing, he may quickly realize that the fact is true, even if the embroidery is not.” Here is the never-before-told tale of Confidential magazine, America’s first tabloid, which forever changed our notion of privacy, our image of ourselves, and the practice of journalism in America. The magazine came out every two months, was printed on pulp paper, and cost a quarter. Its pages were filled with racy stories, sex scandals, and political exposés. It offered advice about the dangers of cigarettes and advocated various medical remedies. Its circulation, at the height of its popularity, was three million. It was first published in 1952 and took the country by storm. Readers loved its lurid red-and-yellow covers; its sensational stories filled with innuendo and titillating details; its articles that went far beyond most movie magazines, like Photoplay and Modern Screen, and told the real stories such trade publications as Variety and the Hollywood Reporter couldn’t, since they, and the movie magazines, were financially dependent on—or controlled by—the Hollywood studios. In Confidential’s pages, homespun America was revealed as it really was: our most sacrosanct movie stars and heroes were exposed as wife beaters (Bing Crosby), homosexuals (Rock Hudson and Liberace), neglectful mothers (Rita Hayworth), sex obsessives (June Allyson, the cutie with the page boy and Peter Pan collar), mistresses of the rich and dangerous (Kim Novak, lover of Ramfis Trujillo, playboy son of the Dominican Republic dictator). Confidential’s alliterative headlines told of tawny temptresses (black women passing for white), pinko partisans (liberals), lisping lads (homosexuals) . . . and promised its readers what the newspapers wouldn’t reveal: “The Real Reason for Marilyn Monroe’s Divorce” . . . How “James Dean Knew He Had a Date with Death” . . . The magazine’s style, success, and methods ultimately gave birth to the National Enquirer, Star, People, E!, Access Hollywood, and TMZ . . . We see the two men at the magazine’s center: its founder and owner, Robert Harrison, a Lithuanian Jew from New York’s Lower East Side who wrote for The New York Graphic and published a string of girlie magazines, including Titter, Wink, and Flirt (Bogart called the magazine’s founder and owner the King of Leer) . . . and Confidential ’s most important editor: Howard Rushmore, small-town boy from a Wyoming homestead; passionate ideologue; former member of the Communist Party who wrote for the Daily Worker, renounced his party affiliation, and became a virulent Red-hunter; close pal of FBI director J. Edgar Hoover and expert witness before the House Committee on Un-American Activities, naming the names of actors and writers Rushmore claimed had been Communists and fellow travelers. Henry Scott writes the story of two men, who out of their radically different pasts and conflicting obsessions, combined to make the magazine the perfect confluence of explosive ingredients that reflected the America of its time, as the country struggled to reconcile Hollywood’s blissful fantasy of American life with the daunting nightmare of the nuclear age . . .

The unputdownable true crime story about a killer who preyed on children but was not much older than his victims. When fourteen-year-old Jesse Pomeroy was arrested in 1874, Boston’s nightmarish reign of terror came to an end. Called the “Boston Boy Fiend,” he was finally safely behind bars. But questions remained about how and why a teenager could commit such heinous crimes. Acclaimed true crime writer Harold Schechter brings his brilliant insight and fascinating historical documentation to this unforgettable exploration of one of America’s youngest serial killers.

Is a suspected child abductor laughing in the faces of the police and the victims’ families? For years, little girls have been disappearing from the streets of the San Francisco Bay Area. Their bodies have never been found. One man ties the cases together. He contacts the police. He helps search for the missing children. He offers support and love to the grieving families. Is he guilty? Or, is he the victim of his own eccentricities? Timothy James Bindner has appeared on talk shows, attended victims’ memorials, and offered meticulously detailed theories of the crimes themselves. Yet, in spite of years of intensive investigation, surveillance, and interrogation, Bindner has never been charged. Steadfastly maintaining his innocence, Bindner has infuriated the authorities with his public and outspoken challenges to make their case or leave him alone. This inside account—featuring the words of Bindner himself—takes us into the mind of a suspected child abductor as well as the complex realm of modern forensic investigation. A shocking indictment of our flawed legal system, Stalemate asks the even more disturbing question of whether Timothy James Bindner is playing a sinister game of cat and mouse—and getting away with it.

They were golden boys who killed with sudden savagery. The trial revealed a dark drama too evil to believe. Handsome, rich, bronzed champion athletes, Erik and Lyle Menendez were the stunning symbols of the California dream. The sons of a high-powered Hollywood executive and his beautiful wife, they lived in a pampered world of Beverly Hills mansions, swimming pools, and private tennis coaches. But the dream became a nightmare when police found the butchered bodies of the boys’ parents, Jose and Kitty, in the family room of their five-million dollar mansion. Only days after the couple was laid to rest, the brothers began an appalling spending spree, buying Rolex watches, designer clothes and a new Porsche. Seven months later, all of Hollywood was stunned when the 18- and 21-year-old brothers were arrested for the horrendous killings. In wrenching testimony, Lyle & Erik accused their father of sexually brutalizing then since they were children—claiming his sadistic acts of perversion and cruel violence drove them to their unspeakable crime. Bestselling author Don Davis takes you inside one of the most riveting cases in California’s history, laying to bare the shattering secrets of a tormented family.

The No 1 Bestseller! 'A triumph' Nicola Tallant, Sunday World Crime World podcast 'An incredible catalogue of mayhem ... amazing' Pat Kenny, Newstalk 'Riveting' Irish Times Meet the Wilsons - the deadliest family in crime Brothers Eric, Keith and John Wilson, their cousin Alan, and nephew Luke shared a trade - assassination. Working for Ireland's criminal gangs they brought bloodshed and chaos to the streets. The Wilsons were not choosy about their targets. Hutches, Real IRA chiefs or random opponents from pub rows - they were all the same to them. Nor were they picky about motives - as long as the price was right, they asked no questions. The Hitmen is the shocking story of how a family cornered the market in intimidation and vengeance. It details the terrible cost in human suffering, particularly the death of an innocent teenage girl, Mariaora Rostas, when she randomly crossed their path. And it reveals how, one by one, each of the Wilsons was put out of business. The Hitmen draws on exclusive access to wire taps, case files and interviews with sources close to the gang who have never spoken before. No 1 bestselling authors Stephen Breen and Owen Conlon have written an extraordinary account of a family business like no other.

The chilling true story of romantic obsession and murder by cancer from the New York Times–bestselling author of The Search for the Green River Killer. Omaha, Nebraska, 1978. Sandy Johnson was in shock. Her husband, Duane, and young daughter, Sherrie, were violently ill when word arrived that her infant nephew just died of mysterious causes. Days earlier, the entire family was happy, healthy, and living the American dream. Now they were at the center of a terrifying medical crisis. Duane soon died in a condition unlike anything the doctors had ever seen. As they raced to discover what disease or toxin could have done so much damage so quickly, Lt. Foster Burchard of the Omaha police began to suspect foul play. Sandy herself became a primary suspect, as did her ex-boyfriend Steven Harper—a man prone to violence who never got over their breakup. In Toxic Love, investigative reporter and true crime author Tomás Guillén offers a detailed and vivid account of this baffling case from the day of the poisoning to the harrowing trial and the murderer’s eventual suicide on death row.

The truth behind the twisted crimes that inspired the films Psycho, The Texas Chain Saw Massacre, and The Silence of the Lambs... From “America’s principal chronicler of its greatest psychopathic killers” (The Boston Book Review) comes the definitive account of Ed Gein, a mild-mannered Wisconsin farmhand who stunned an unsuspecting nation—and redefined the meaning of the word “psycho.” The year was 1957. The place was an ordinary farmhouse in America’s heartland, filled with extraordinary evidence of unthinkable depravity. The man behind the massacre was a slight, unassuming Midwesterner with a strange smile—and even stranger attachment to his domineering mother. After her death and a failed attempt to dig up his mother’s body from the local cemetery, Gein turned to other grave robberies and, ultimately, multiple murders. Driven to commit gruesome and bizarre acts beyond all imagining, Ed Gein remains one of the most deranged minds in the annals of American homicide. This is his story—recounted in fascinating and chilling detail by Harold Schechter, one of the most acclaimed true-crime storytellers of our time.

Bestselling true-crime master Harold Schechter explores the real-life headline-making psychos, serial murderers, thrill-hungry couples, and lady-killers who inspired a century of classic films. The necktie murders in Alfred Hitchcock's Frenzy; Chicago's Jazz Age crime of passion; the fatal hookup in Looking for Mr. Goodbar; the high school horrors committed by the costumed slasher in Scream. These and other cinematic crimes have become part of pop-culture history. And each found inspiration in true events that provided the raw material for our greatest blockbusters, indie art films, black comedies, Hollywood classics, and grindhouse horrors. So what's the reality behind Psycho, Badlands, The Hills Have Eyes, A Place in the Sun, Arsenic and Old Lace, and Dirty Harry? How did such tabloid-ready killers as Bonnie and Clyde, body snatchers Burke and Hare, Texas sniper Charles Whitman Jr., nurse-slayer Richard Speck, and Leopold and Loeb exert their power on the public imagination and become the stuff of movie lore? In this collection of revelatory essays, true-crime historian Harold Schechter takes a fascinating trip down the crossroads of fact and fiction to reveal the sensational real-life stories that are more shocking, taboo, and fantastic than even the most imaginative screenwriter can dream up.

The improbable but true story of a man accused of murdering his entire family and the journalist he impersonated while on the run In 2001, Mike Finkel was on top of the world: young, talented, and recently promoted to a plum job at the New York Times Magazine. Then he made an irremediable slip: Under extraordinary pressure to keep producing blockbuster stories, he fabricated parts of an article. Caught and excommunicated from the Times, he retreated to his home in Montana, swearing off any contact with the media. When the phone rang, though, he couldn’t resist. At the other end was a reporter from the San Francisco Chronicle, whom Finkel congratulated on being the first in what was sure to be a long and bloodthirsty line of media watchdogs. The reporter was puzzled. In Waldport, Oregon, Christian Longo had killed his young wife and three children and dumped their bodies into the bay. With a stolen credit card, he fled south, making his way to Cancun, where he lived for several weeks under an assumed identity: Michael Finkel, journalist for the New York Times. True Story is the tale of a bizarre and convoluted collision between fact and fiction, and a meditation on the slippery nature of truth. When Finkel contacts Longo in jail, the two men begin a close and complex relationship. Over the course of a year, they exchange long letters and weekly phone calls, playing out a cat-and-mouse game in which it’s never quite clear if the pursuer is Finkel or Longo—or both. Finkel’s dogged pursuit of the true story pays off only at the end, in the gripping trial scenes in which Longo, after a lifetime of deception, finally tells the whole truth. Or so he says.