NAMED A BEST BOOK OF 2020 BY NPR “Amy Jo Burns writes a version of Appalachia that is one step removed from magic – all strychnine and moonshine and powerful wonder.”—NPR “[A] wrenching testament, told in language as incandescent as smoldering coal. . . This is not a despairing book, but a hopeful one, of Appalachian women taking back their life stories.” —New York Times Book Review On a lush mountaintop trapped in time, two women vow to protect each other at all costs-and one young girl must defy her father to survive. An hour from the closest West Virginia mining town, fifteen-year-old Wren Bird lives in a cloistered mountain cabin with her parents. They have no car, no mailbox, and no visitors-except for her mother's lifelong best friend. Every Sunday, Wren's father delivers winding sermons in an abandoned gas station, where he takes up serpents and praises the Lord for his blighted white eye, proof of his divinity and key to the hold he has over the community, over Wren and her mother. But over the course of one summer, a miracle performed by Wren's father quickly turns to tragedy. As the order of her world begins to shatter, Wren must uncover the truth of her father's mysterious legend and her mother's harrowing history and complex bond with her best friend. And with that newfound knowledge, Wren can imagine a different future for herself than she has been told to expect. Rich with epic love and epic loss, and diving deep into a world that is often forgotten but still part of America, Shiner reveals the hidden story behind two generations' worth of Appalachian heartbreak and resolve. Amy Jo Burns brings us a smoldering, taut debut novel about modern female myth-making in a land of men-and one young girl who must ultimately open her eyes.

A riveting literary debut about the cost of keeping quiet Amy Jo Burns grew up in Mercury, Pennsylvania, an industrial town humbled by the steel collapse of the 1980s. Instead of the construction booms and twelve-hour shifts her parents’ generation had known, the Mercury Amy Jo knew was marred by empty houses, old strip mines, and vacant lots. It wasn’t quite a ghost town—only because many people had no choice but to stay. The year Burns turned ten, this sleepy town suddenly woke up. Howard Lotte, its beloved piano teacher, was accused of sexually assaulting his female students. Among the countless girls questioned, only seven came forward. For telling the truth, the town ostracized these girls and accused them of trying to smear a good man’s reputation. As for the remaining girls—well, they were smarter. They lied. Burns was one of them. But such a lie has its own consequences. Against a backdrop of fire and steel, shame and redemption, Burns tells of the boys she ran from and toward, the friends she abandoned, and the endless performances she gave to please a town that never trusted girls in the first place. This is the story of growing up in a town that both worshipped and sacrificed its youth—a town that believed being a good girl meant being a quiet one—and the long road Burns took toward forgiving her ten-year-old self. Cinderland is an elegy to that young girl’s innocence, as well as a praise song to the curative powers of breaking a long silence.

In this electrifying and raw debut anthology, Maggie Nelson unpicks the everyday with the quick alchemy and precision of her later modern classics The Argonauts and Bluets. The poems of Shiner experiment with a variety of styles-syllabic verse, sonnets, macaronic translation, Zen poems, walking poems-to express love, bewilderment, grief, and beauty. This book, Nelson's first, heralded the arrival of a fully formed, virtuoso voice.

"Larry Shiner challenges our conventional understandings of art and asks us to reconsider its history entirely, arguing that the category of ine art is a modern invention - and that the lines drawn between art and craft emerged only as the result of key European social transformations during the long eighteenth century"--Publisher's description.

"An overview of the aesthetic and ethical issues raised by the contemporary olfactory arts, which range from gallery and museum sculptures and installations, through the enhancement of theatre, film and music with scents, to the ambient scenting of stores and avant-garde chefs' use of scents in cuisine. Special attention is given to the aesthetics of perfume and incense and the question of their art status, as well as to the role of scent in the appreciation of nature and gardens. Ethical issues are discussed regarding ambient scenting, perfume wearing, and the use of smells in fast-food marketing. Because of the traditional neglect and denigration of the sense of smell and its aesthetic potential by philosophers from Kant and Hegel to the present, and by Darwin's and Freud's view of the human sense of smell as a near useless evolutionary vestige, the first parts of the book counter that tradition with both philosophical arguments and evidence from current evolutionary theory, neuroscience, psychology, anthropology, history, linguistics and literature. Although the focus is on Western olfactory arts, the book draws on non-Western examples throughout. The book is aimed at both philosophers and general readers interested in the arts, and develops positions that should stimulate further discussion"--

When Michael follows his dying father to North Carolina, a lifetime of lies begins to unravel. His pursuit of his father's past – haunted by voodoo, adultery and murder – takes him to a place called Hayti, once the most prosperous black community in the South. Now the mysteries of Michael's own heritage become a matter of life and death, as racial conflicts barely restrained since the 1960s erupt again. Rooted in the true story of the US government's urban renewal policy and its disastrous aftermath, Black & White is a literary thriller, a family saga, and a searing portrait of institutionalized hatred.

A bright and acerbic depiction of the slacker culture of Texas and a testament to a lost and found generation. Dave stepped out of Bastrop Federal Prison after a six-month stretch for tax evasion and into the home of one Margueritte Johnson, a.k.a. the Old Lady. The Old Lady passed on, leaving her house and her fortune to her twenty-three cats. But the cats need a caretaker – or so he thinks. But there are others with an eye on the Johnson estate, and soon Dave is caught up in a whirlwind of anarchists, gold diggers, skateboard punks, lawyers, hackers, and arsonists – a population of dropouts and misfits who will do anything to avoid doing anything.

A mine explodes under a truck named Rosie and Shiner is dead. His pal, Snowy, out of hospital, makes the trip through war-torn Italy to put his grave to rights.

"When the New Testament describes what it means to be a Christian, it uses a phrase that is everywhere in Paul's letters but almost nowhere in our churches. Overwhelmingly, when the Bible wants to describe being a Christian, it says that we are in Christ. But what does it mean to be in Christ? And how does this important biblical idea help us understand what God has done for us through Jesus, and what it means to be a Christian? This short book by Rory Shiner sparkles with clarity, wit and biblical wisdom on this vital and much-neglected topic." -- Back cover.

This book has many stories about my friends that are fine And them working on my place whilst drinking my shine Many weeks they get started with the repairs It's really nice to have friends like mine that truly cares I wish you could be here but then I would not write about All what I have to say and when I talk I tend to shout. But you'd not believe how beautiful it is, today for sure The birds are all singing and these hills are alive once more Spring is the season I wait for each year And I always feel much better once it is here Boy"" This shine that I'm now a-drinking is extra ripe That means I've made once again some, moonshine with bite You get all this and much, much more...