Anita: I went to the gynecologist for a “female issue.” The problem? That the man of the house insisted on coming too. Mr. Robertson is gorgeous, tall and strong, with broad shoulders and a long, thick anaconda that makes my mouth water. Best of all? He just got divorced from my mom. Mark: Anita’s got a female problem. The innocent girl’s climaxes are so powerful that they can push a man’s member out. Little does the brat know ... But I have just the solution ... Which includes a HUGE SIZE tool that her curves can’t eject! Is this story for real? Or is this a joke? In Romancelandia, anything, and I mean ANYTHING, can happen and that includes shafts SO BIG that they cause the ladies to cry out with ecstasy and more! Even better, the man of the house has exactly what the brat needs ... both medically and otherwise! This story is a follow-up to RAW x2 but all of my tales are standalones and can be read in any order. Again, this book takes things to an extreme so DO NOT BUY if you’re easily offended!

A Los Angeles Times columnist recounts her eighteen-month undercover stint as a man, a time during which she underwent considerable personal risks as she worked a sales job, joined a bowling league, frequented sex clubs, dated, and encountered firsthand the rigid codes and rituals of masculinity. 80,000 first printing.

She has zero time for a relationship. A fake one will have to do—in New York Times bestselling author Marina Adair’s new romance that brings the humor and the heart... Evie Granger’s life is one crisis away from a complete meltdown. Between single-parenting a sixteen-going-on-forty daughter, managing a mom living her best life way out loud, caring for an ailing father, and keeping the family’s struggling coffee shop afloat, Evie hasn’t looked after herself in far too long. So naturally her best friend chooses this moment to post a video of Evie describing the ideal man...and sends it stratospherically viral. Now Evie’s an overnight social media sensation and every eligible (and otherwise) guy in a five-state radius is turning up with his “I’m the one” credentials. But Evie can’t bring herself to let any Prince Charming into a life that’s barely holding together. A life she doesn’t even recognize as hers. So she strikes a bargain with her sexy—if equally overwhelmed—neighbor to convince America she’s taken. But can a faux fairytale start to feel real...or is it just as doomed from the start? Marina Adair’s clever, uproarious story captures the utter chaos and irrepressible joy of balancing kids, parents, love, and finding a spare minute for yourself—while the whole world watches every disastrous minute.

All’s fair in love, war, and breakfast waffles in this sizzling romantic comedy from USA Today bestselling author, Lila Monroe! Zoey Rafferty dreams of becoming the food truck queen of San Francisco. She’s building an empire whipping up delicious brunch treats - until the (annoyingly handsome) Breakfast Bandit starts stealing all her customers with his devious tactics and smoldering charm. Cam Newsom never backs down from a fight. As far as he’s concerned, let the best chef win. And so what if Zoey looks sexy as hell when she’s all riled up? He wants a woman he can connect with - not have whipped cream spray fights in the middle of the street. A woman like his mysterious online pen-pal, WaffleGirl, who shares his ambition, and burns up his screen with her flirty quips. Soon, their competition is heating up the kitchen - and the bedroom. But when the famous foodie TV show Truck Stop rolls into town looking for a new reality star, all bets are off, as Zoey and Cam compete for the prize. But will their rivalry blow both their chances? And what happens when they find it’s not just their food on the line - but their hearts, too? Find out in this sexy new twist on ‘You’ve Got Mail’, from USA Today bestselling author, Lila Monroe! The Chick Flick Club series: How to Choose a Guy in 10 Days You’ve Got Male Frisky Business

A dead man pursues the secrets of his life and death in this “dense, subtle, substantive, perfectly shaped fiction” by the author of I, Lucifer (The Guardian, UK). Nathan Clark’s gravestone reads: At rest. But Nathan is not at rest, and knows he won’t be until he finds out why he died. How has he come to hover over his own funeral, a spectral spectator to the grief of his family and friends? Privy now to their innermost thoughts and feelings, Nathan spends the day of his wake getting to know the living as he has never known them before. But why isn’t Nathan’s young daughter Lois at the wake? Who are the two strangers at the funeral, and why does their presence fill him with dread? Nathan knows he has only so long to unlock these mysteries, because he is drawn time and again to a room in his house he never knew existed–a room that holds a terrifying secret. “Duncan's exhilarating, almost exhausting flood of insight into family patterns of love and habit is matched by the rich unexpectedness of his writing and the complex construction of the narrative.”—Publishers Weekly, starred review

Women are winning in this smart, sexy new series featuring gaming and romance. In this series debut, a Gamer Girl who’s attracted to the competition will have to keep her eye on the prize . . . WINNER TAKES ALL Travel blogger Gwen Williams is about to live the dream—competing in the annual Annual Explorers of Islay competition. She’s up against some stiff competition, namely legendary gamer and four-time champ Cody McKay. The seriously buff hottie and shameless flirt is going all-out to seduce her. That’s when Gwen lays her cards on the table: She never, ever mixes gaming with romance . . . until resisting Cody becomes a losing proposition. As Gwen gives in to temptation, everything’s in play for a major heartache. With the rounds heating up and players eliminated, she knows she’s gambling a lot more than a seat at the final table in Vegas. But Cody’s kisses promise more than a fleeting romance. If she plays her cards right, Gwen just might walk off with the championship and the man of her dreams. Praise for America’s Next Reality Star “Smart, witty, and really freaking good . . . a fun read that has you cheering from the first paragraph through the last page.” —Kerry Lonsdale, Wall Street Journal bestselling author “Reality TV fans, this is your book! Laura Heffernan captures all the drama and over-the-top craziness in this fun and flirty romance.” —Amy E. Reichert, author of Love, Luck, and Lemon Pie “America’s Next Reality Star is one sweet, sexy brain-candy read! You won’t be sorry you indulged.” —Leah Marie Brown

Mistaken Identity--Viola and her twin brother Sebastian are shipwrecked. While coming ashore they are separated and she assumes he has drowned. Upon reaching shore Viola decides to disguise herself as a young man. Mistaken identity and romance ensue.'Tis beauty truly blent whose red and white Nature's own sweet and cunning hand laid on: Lady you are the cruell'st she alive If you will lead these graces to the grave And leave the world no copy.

This carefully edited companion anthology provides provocative, eye-opening examples of the practice of sociology in a well-edited, well-designed, and affordable format. It includes short articles, chapters, and excerpts that examine common everyday experiences, important social issues, or distinct historical events that illustrate the relationship between the individual and society. The new edition will provide more detail regarding the theory and/or history related to each issue presented. The revision will also include more coverage of global issues and world religions.

A massive collection of laugh-out-loud jokes—arranged A-to-Z by subject! •Did you hear about the flasher who was thinking of retiring? He finally decided to stick it out for one more year! •A dog with three legs walks into a Wild West bar and says, “I’m looking for the man who shot my paw.” •Where do you get virgin wool from? An ugly sheep! •What did the blonde say when she looked into a box of Cheerios? “Oh look! Donut seeds!” •The police have reported the theft of a shipment of filing cabinets, document folders, and labeling machines—it’s believed to have been the work of organized crime. Keep yourself—and friends and family—laughing with a new joke every day. This book is packed full of thousands of jokes, alphabetically organized into hundreds of topics from accountants to zebras, providing one gigantic, over-the-top, laugh-out-loud collection.

This book challenges a contemporary postfeminist sensibility grounded not only in assumptions that gender and sexual equality has been achieved in many Western contexts, but that feminism has gone ‘too far’ with women and girls now overtaking men and boys - positioned as the new victims of gender transformations. The book is the first to outline and critique how educational discourses have directly fed into postfeminist anxieties, exploring three postfeminist panics over girls and girlhood that circulate widely in the international media and popular culture. First it explores how a masculinity crisis over failing boys in school has spawned a backlash discourse about overly successful girls; second it looks at how widespread anxieties over girls becoming excessively mean and/or violent have positioned female aggression as pathological; third it examines how incessant concerns over controlling risky female sexuality underpin recent sexualisation of girls' moral panics. The book outlines how these postfeminist panics over girlhood have influenced educational policies and practices in areas such as academic achievement, anti-bullying strategies and sex-education curriculum, making visible the new postfeminist, sexual politics of schooling. Moving beyond media or policy critique, however, this book offers new theoretical and methodological tools for researching postfeminism, girlhood and education. It engages with current theoretical debates over possibilities for girls’ agency and empowerment in postfeminist, neo-liberal contexts of sexual regulation. It also elaborates new psychosocial and feminist Deleuzian methodological approaches for mapping subjectivity, affectivity and social change. Drawing on two UK empirical research projects exploring teen-aged girls’ own perspectives and responses to postfeminist panics, the book shows how real girls are actually negotiating notions of girls as overly successful, mean, violent, aggressive and sexual. The data offers rich insight into girls’ gendered, raced and classed experiences at school and beyond, exploring teen peer cultures, friendship, offline and online sexual identities, and bullying and cyberbullying. The analysis illuminates how and when girls take up and identify with postfeminist trends, but also at times attempt to re-work, challenge and critique the contradictory discourses of girlhood and femininity. In this sense the book offers an opportunity for girls to ‘talk back’ to the often simplistic either wildly celebratory or crisis-based sensationalism of postfeminist panics over girlhood. This book will be essential reading for those interested in feminism, girlhood, media studies, gender and education.