This book investigates the development of Sherlock Holmes adaptations in British theatre since the turn of the millennium. Sherlock Holmes has become a cultural phenomenon all over again in the twenty-first century, as a result of the television series Sherlock and Elementary, and films like Mr Holmes and the Guy Ritchie franchise starring Robert Downey Jr. In the light of these new interpretations, British theatre has produced timely and topical responses to developments in the screen Sherlocks’ stories. Moreover, stage Sherlocks of the last three decades have often anticipated the knowing, metafictional tropes employed by screen adaptations. This study traces the recent history of Sherlock Holmes in the theatre, about which very little has been written for an academic readership. It argues that the world of Sherlock Holmes is conveyed in theatre by a variety of games that activate new modes of audience engagement.

Reproductions of the classic Sherlock Holmes stage plays, The Speckled Band and Sherlock Holmes, written by Sir Arthur Conan Doyle and William Gillette. These plays offer a fascinating insight into an early and often forgotten chapter of the Sherlock Holmes legacy.

Arthur Conan Doyle (1859 – 1930) was an English writer best known for his detective stories about Sherlock Holmes. “Sherlock Holmes: A Drama in Four Acts” is a four-act play by William Gillette and Sir Arthur Conan Doyle, based on several stories about the world-famous detective.

After the episode at Reichenbach Falls, Watson is closing the apartment at 221b. He is surprised by the appearance of Irene Adler, who reveals a dark side of Holmes that Watson never knew.

THE STORY: The world's greatest detective has seemingly reached the end of his remarkable career when a case presents itself that is too tempting to ignore: The King of Bohemia is about to be blackmailed by a notorious photograph, and the woman at the hea

In 1891, the public was horrified to learn that Sherlock Holmes had perished in a deadly struggle with the archcriminal Professor Moriarty at the Reichenbach Falls. Then, to their amazement, he reappeared two years later, informing the stunned Watson: 'I travelled for two years in Tibet, therefore, and amused myself by visiting Lhasa' Nothing has been known of those two missing years until Jamyang Norbu's discovery, in a rusting tin dispatch box in Darjeeling, of a flat packet carefully wrapped in waxed paper and neatly tied with stout twine. When opened the packet revealed Hurree Chunder Mookerjee's own account of his travels with Sherlock Holmes. Now, for the first time, we learn of Sherlock Holmes's brush with the Great Game, with Colonel Creighton, Lurgan Sahib and the world of Kim. We follow him north across the hot and dusty plains of India to Simla, summer capital of the British Raj, and over the high passes to the vast emptiness of the Tibetan plateau. In the medieval splendour that is Lhasa, intrigue and black treachery stalk the shadows, and in the remote and icy fastnesses of the Trans-Himalayas good and evil battle for ascendancy. As Patrick French has written, 'Read th

Between light and shadow, science and superstition, fear and knowledge is a dimension of imagination. An area we call the Twilight Zone. Adapted by Anne Washburn (Mr Burns) and directed by Olivier Award-winner Richard Jones, this world premiere production of the acclaimed CBS Television Series The Twilight Zone lands on stage for the first time in its history. Or its present. Or its future. Stage magic and fantasy unite as the ordinary becomes extraordinary.

"From their initial meeting in Baker Street, through years of mystery and adventure and culminating in the ordeal and tragedy of Reichenbach Falls and its aftermath, Holmes and Watson form a unique pairing... Yet a dark thread runs through their years of friendship... It is as if a shadow haunts Holmes, a dark twin that pursues and threatens to consume him... What is the true explanation for the enigmatic Moriarty in the legend of Sherlock Holmes?"--Back cover.

Acts of crime and criminal minds have always fascinated the world's authors. During 1900-1925, world stages were full of plays in which transgression and lawbreaking were the common denominators. In Blood on the Stage: Milestone Plays of Crime, Mystery, and Detection, An Annotated Repertoire, 1900 - 1925, Amnon Kabatchnik examines the key representations of transgression drama produced in the 20th century's first quarter. This volume covers 80 plays written and produced between 1900-1925 that had at least one public performance in the English language, with an emphasis on New York and London performances. Each of the entries revolves around murder, theft, chicanery, kidnapping, political intrigue, or espionage. Works by Nobel Prize winners Jacinto Benavente, John Galsworthy, and Eugene O'Neill are examined, along with plays by David Belasco, Earl Derr Biggers, George M. Cohan, Arthur Conan Doyle, Elmer Rice, and Mary Roberts Rinehart. The volume includes standards of the genre such as The Bat, The Cat and the Canary, The Last of Mrs. Cheney, Madame X, and The Scarlet Pimpernel. The emphasis is on manuscripts of enduring importance, pioneering contributions, singular innovations, outstanding success, and representative works by prolific playwrights in the genre. The entries are arranged in chronological order, each consisting of plot summary (often including significant dialogue), production and performance data, opinions by critics and scholars, and other features.

Sherlock Holmes is dead. Or so it is assumed. The world knows the great detective went over the falls at Reichenbach with his nemesis Professor Moriarty. But as Holmes’ body was never retrieved, a number of frauds, fakes, and charlatans have come forward since to lay claim to his identity, and it falls to Dr. Watson to disprove them. Then a telegram arrives informing Watson that three men, each claiming to be Holmes, have been committed to a remote asylum off the coast of Scotland. Now Watson must discover if one of the mad men is the real Sherlock Holmes.