(Book). Disclaimer: No U.S. Military Personnel were harmed during the making of these fictional reminiscences. No warrior is more forgotten than he who has been left behind by the war department. Most men who have never tasted combat beyond the occasional fistfight on poker night quickly learn to lay low and zip the lip when battlefield stories are unfurled by the Purple Hearters at the dinner table. Except, of course, for our man Jean Shepherd. Fearless in his uncombativeness, he manfully fought his dearth of frontline duty with the weapons he wielded unmatched by even the most decorated dogface: rapid-fire griping and explosive laughter. Jean Shepherd was, and remains, a pervasive part of American culture. His quirky individuality was portrayed for posterity by Jason Robards in the play and film, A Thousand Clowns , written by Shep's close pal, Herb Gardner. Jack Nicholson embodied a Shepherd-like late-night radio talker in The King of Marvin Gardens . While in Network , by Paddy Chayefsky (another of Shep's comic cohorts), the television newscaster beseeches his listeners to open their windows and yell, "I'm mad as hell, and I'm not going to take this anymore," an unmistakable echo of Shepherd's radio habit of "hurling an invective" like a hand grenade out into the nation's air waves. Shepherd was a spiritual father to Garrison Keillor, Daniel Pinkwater, Bill Harley, Paul Krassner and Joe Frank. Tens of thousands of rabid fans stayed up past their bedtime with transistor radios stashed under their pillows to follow Shep's always unpredictable, usually extemporaneous, verbal forays into current events, social mores, idle thoughts, stories about his childhood in northern Indiana ("I was this kid, see..."), his army days, and his idiosyncratic take on his world-wide travels. Shepherd once bamboozled an innocent public, and gullible publishing world, by promoting a non-existent book ( I, Libertine ) and author (Frederick R. Ewing), then co-writing it with sci-fi author Theodore Sturgeon. It sold in best-seller numbers. Shepherd wrote nearly two dozen stories for Playboy and even interviewed the Beatles for the magazine. He published several best-selling books of his stories and articles; he appeared at Carnegie Hall, Town Hall, and in hundreds of jam-packed college auditoriums. Shep's Army is the first volume of new Shepherd tales to be published in a quarter century.

When Canadian troops cracked mentally, their commanders could not understand that strict discipline and good training were not enough to keep battle exhaustion in check. Some Canadian doctors, using energy and common sense, understood the problem better.

"He died so Jewry should suffer no more." These words on a Canadian Jewish soldier's tombstone in Normandy inspired the author to explore the role of Canadian Jews in the war effort. As PM Mackenzie King wrote in 1947, Jewish servicemen faced a "double threat" - they were not only fighting against Fascism but for Jewish survival. At the same time, they encountered widespread antisemitism and the danger of being identified as Jews if captured. Bessner conducted hundreds of interviews and extensive archival research to paint a complex picture of the 17,000 Canadian Jews - about 10 per cent of the Jewish population in wartime Canada - who chose to enlist, including future Cabinet minister Barney Danson, future game-show host Monty Hall, and comedians Wayne and Shuster. Added to this fascinating account are Jews who were among the so-called "Zombies" - Canadians who were drafted, but chose to serve at home - the various perspectives of the Jewish community, and the participation of Canadian Jewish women.

To determine whether the air quality inside armored-vehicle cabins can meet exposure guidelines under deployment conditions, the Army assessed possible synergistic toxic effects from potentially harmful substances. This book, the final of two reports on the subject from the National Research Council, addresses whether the approach discussed in the technical context section of the Army's proposed guidance is appropriate, or whether an alternative assessment method should be developed. Combined Exposures to Hydrogen Cyanide and Carbon Monoxide in Army Operations provides several conclusions and recommendations, including the use of alternative instrumentation for monitoring gas, conducting experiments on human subjects, and seeking advice from additional groups involved with personnel training and field deployment.

A collection of humorous and nostalgic Americana stories—the beloved, bestselling classics that inspired the movie A Christmas Story Before Garrison Keillor and Spalding Gray there was Jean Shepherd: a master monologist and writer who spun the materials of his all-American childhood into immensely resonant—and utterly hilarious—works of comic art. In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations. In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage “You can never go back.” Bending the ear of Flick, his childhood-buddy-turned-bartender, Shepherd recalls passionately his genuine Red Ryder BB gun, confesses adolescent failure in the arms of Junie Jo Prewitt, and relives a story of man against fish that not even Hemingway could rival. From pop art to the World's Fair, Shepherd's subjects speak with a universal irony and are deeply and unabashedly grounded in American Midwestern life, together rendering a wonderfully nostalgic impression of a more innocent era when life was good, fun was clean, and station wagons roamed the earth. A comic genius who bridged the gap between James Thurber and David Sedaris, Shepherd may have accomplished for Holden, Indiana, what Mark Twain did for Hannibal, Missouri.