For fifteen years Sue Eisenfeld hiked in Shenandoah National Park in the Virginia Blue Ridge Mountains, unaware of the tragic history behind the creation of the park. In this travel narrative, she tells the story of her on-the-ground discovery of the relics and memories a few thousand mountain residents left behind when the government used eminent domain to kick the people off their land to create the park. With historic maps and notes from hikers who explored before her, Eisenfeld and her husband hike, backpack, and bushwhack the hills and the hollows of this beloved but misbegotten place, searching for stories. Descendants recount memories of their ancestors “grieving themselves to death,” and they continue to speak of their people’s displacement from the land as an untold national tragedy. Shenandoah: A Story of Conservation and Betrayal is Eisenfeld’s personal journey into the park’s hidden past based on her off-trail explorations. She describes the turmoil of residents’ removal as well as the human face of the government officials behind the formation of the park. In this conflict between conservation for the benefit of a nation and private land ownership, she explores her own complicated personal relationship with the park—a relationship she would not have without the heartbreak of the thousands of people removed from their homes. Purchase the audio edition.

A history of this national park written in conjunction with its 50th anniversary.

Reprint of the 2d, augm. ed., 1969, published by Shenandoah Pub. House, Strasburg, Va.

The Shenandoah Valley is widely renowned for its beauty and its idyllic landscape of farms, fields, historic towns, and Civil War battlefields. Framed to the east and west by the majestic Blue Ridge and Allegheny Mountains, the region is defined by the river made famous in the 1882 song "Oh, Shenandoah." The highly regarded painter Andrei Kushnir has spent years traveling throughout every corner of the Shenandoah Valley, capturing its myriad landscapes and architectural features with panache and an extraordinary appreciation for place. The paintings collected here highlight Kushnir's rare ability to paint any landscape before him--pastoral or industrial, recreational or social, rural or urban, riparian or agricultural--all the while working out in the elements, en plein air. By organizing Kushnir's paintings along highways US 11, US 340, and VA 42, enabling travelers to follow the paintings in geographical order, the book captures the Shenandoah Valley and its famous river in a uniquely comprehensive and intuitive way. In addition to the 263 plein-air paintings, Oh, Shenandoah presents in-depth historical and curatorial essays by Warren R. Hofstra, William M. S. Rasmussen, and Jeffrey C. Everett about the Valley and Kushnir's significant contribution to our understanding of it, adding a rich, textual component to complement Kushnir's artistry. Distributed for George F. Thompson Publishing

Completely updated, this edition provides detailed descriptions and maps of the best hikes in the park. From easy day hikes to strenuous backpacking trips, this guide will provide readers with all the latest information they need to plan virtually any type of hiking adventure in the park.

The only collection of photographs devoted to one of America’s natural treasures, Shenandoah: Views of Our National Park documents one man’s decades-long fascination with this uniquely beautiful region in Virginia’s Blue Ridge Mountains. Hullihen Williams Moore has been visiting Shenandoah National Park since the mid-1960s, but it was after studying with Ansel Adams in 1979 that he began seriously photographing it. Through fifty-one black-and-white duotone photographic prints, Moore reveals the quiet beauty of Shenandoah National Park. From grand vistas and waterfalls to the delicate unfurling of new ferns, these photographs capture the singular appeal that attracts 1.7 million visitors to the park each year. In two essays, Moore addresses the natural and human history of the park as well as his own personal experience of it, including the stories behind the individual images. The author has also included a helpful appendix of technical details regarding the photographs. A limited edition accompanied by original photographic prints is available from the artist at www.hullihenmoorephotography.com

The African American experience in Virginia's Shenandoah Valley from the antebellum period through Reconstruction This book examines the complexities of life for African Americans in Virginia’s Shenandoah Valley from the antebellum period through Reconstruction. Although the Valley was a site of fierce conflicts during the Civil War and its military activity has been extensively studied, scholars have largely ignored the Black experience in the region until now. Correcting previous assumptions that slavery was not important to the Valley, and that enslaved people were treated better there than in other parts of the South, Jonathan Noyalas demonstrates the strong hold of slavery in the region. He explains that during the war, enslaved and free African Americans navigated a borderland that changed hands frequently—where it was possible to be in Union territory one day, Confederate territory the next, and no-man’s land another. He shows that the region’s enslaved population resisted slavery and supported the Union war effort by serving as scouts, spies, and laborers, or by fleeing to enlist in regiments of the United States Colored Troops. Noyalas draws on untapped primary resources, including thousands of records from the Freedmen’s Bureau and contemporary newspapers, to continue the story and reveal the challenges African Americans faced from former Confederates after the war. He traces their actions, which were shaped uniquely by the volatility of the struggle in this region, to ensure that the war’s emancipationist legacy would survive. A volume in the series Southern Dissent, edited by Stanley Harrold and Randall M. Miller

One of the most intriguing and storied episodes of the Civil War, the 1862 Shenandoah Valley Campaign has heretofore been related only from the Confederate point of view. Moving seamlessly between tactical details and analysis of strategic significance, Peter Cozzens presents a balanced, comprehensive account of a campaign that has long been romanticized but little understood. He offers new interpretations of the campaign and the reasons for Stonewall Jackson's success, demonstrates instances in which the mythology that has come to shroud the campaign has masked errors on Jackson's part, and provides the first detailed appraisal of Union leadership in the Valley Campaign, with some surprising conclusions.