Shelley Jean traveled to Haiti determined to adopt an orphan she had discovered online. Although she was already the mother of two biological children, expanding her family by embracing a displaced child was, in part, a fulfillment of her compassionate Christian faith. But when she witnessed the agony many Haitian women experienced when poverty -not lack of love-forced them to give up their children to orphanages, she was outraged. Soon, a new mission blossomed. As she came to better understand and appreciate the people of Haiti, Shelley had a vision of creating jobs that would help some parents earn an income so that they could support their babies and raise them to become productive adults. ..". Shelley's absolute passion and commitment for the human right to a dignified livelihood ... is palpable." -Jennifer Gootman, vice president, Social Consciousness & Innovation, West Elm Despite her own domestic challenges and, at times, the doubts about God's providence that arose after witnessing the devastation caused by earthquakes and hurricanes, Shelley's trial-and-error approach took hold. First, she taught a small group of mothers how to make artisanal products that she now markets worldwide. But she did not stop there. " ... what she's made of herself, as this unflinching story reveals, is a servant ... if this book doesn't inspire you, nothing will." -Mary Fisher, American activist and author Papillon Enterprise, which began as Apparent Project, now has a global reach that has been recognized and praised by Oprah, Vogue Magazine, The Gap, and designer Donna Karan. But there were many sacrifices and defeats along the way. As Shelley sought to reshape the economic landscape of a small nation in dire need of help, she also restored her own ravaged beliefs so that she and her family could emerge stronger and with their faith intact. This memoir is ideal for women of all faiths who know in their hearts that the cruel world can be transformed by love. For men, this unique search for truth sheds light on the undeniable power of the feminine spirit.

Frankenstein, Haitian translation.

What makes a country like Haiti so poor? Why are there so many orphanages? What can those of us from a place a privilege do to help in a country where the poverty seems relentless, systemic, and complicated? Are there better options than building more orphanages to help children in poverty? All of these questions and more are addressed in Shelley's newest book, "The Orphan Gospels" where she wrestles with the complicated solutions to child abandonment and orphan care in an attempt to bring hope to the plight of the orphan both in Haiti and worldwide.

The essays gathered in Haiti's Literary Legacies unpack the theoretical, historical, and political resonance of the Haitian revolution across a multiplicity of European and American Romanticisms, and include discussion of Haitian, British, French, German, and U.S. American traditions. Often referred to as the only successful slave revolt in history, the revolution that forged Haiti at once fulfilled, challenged, and ultimately surpassed Enlightenment conceptions of freedom and universality in ways that became crucial to transnational Romanticism, yet scholars and historians of Romanticism are only beginning to take the measure of its impact. This collection works at the intersection of Romantic and Caribbean studies to move that project forward, showing the myriad ways that literatures of the Romantic period respond to-and are transformed by-the Revolution in Haiti. Demonstrating the Revolution's centrality to romantic writing, Haiti's Literary Legacies urges an enlarged understanding of Romanticism and of its implications for the political, historical, and ecological genealogies of the present.

For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein, Elizabeth Young identifies and interprets the figure of a black American Frankenstein monster as it appears with surprising frequency throughout nineteenth- and twentieth-century U.S. culture, in fiction, film, essays, oratory, painting, and other media, and in works by both whites and African Americans. Black Frankenstein stories, Young argues, effect four kinds of racial critique: they humanize the slave; they explain, if not justify, black violence; they condemn the slaveowner; and they expose the instability of white power. The black Frankenstein's monster has served as a powerful metaphor for reinforcing racial hierarchy—and as an even more powerful metaphor for shaping anti-racist critique. Illuminating the power of parody and reappropriation, Black Frankenstein tells the story of a metaphor that continues to matter to literature, culture, aesthetics, and politics.

Two centuries after Percy Shelley's death, this volume explores his continuing collaborations with audiences across spaces and times.