JOHN is brought up on an isolated farm near York, spends his spare time birdwatching, lives with an unsympathetic stepfather and loving mother, and attends Hull University as the government pays his expenses. He worries about serious relationships with girls and has no idea of what career to follow. His experience so far is as a farm hand and a hospital porter. A letter he finds at home confirms his biological father is alive but has no intention of helping him. On Bonfire Night 1965 (Guy Fawkes Night), during his final undergraduate year, he meets a fellow student, JEAN-LOUISE, and a romantic relationship develops. In many ways she is different from John; she is a town girl, brought up by loving parents, is an only child, has opposing politics and knows what she wants to be – a fashion buyer for Marks & Spencer. The obstacle is her mother is ill with muscular dystrophy and she must help take care of her parents. She surprises John by encouraging his birdwatching. John joins Ford of Britain as a graduate trainee and after an uncertain start, is placed in industrial relations and decides to study for a graduate degree with the Institute of Personnel Management. He also discovers more about his real father. What happens to the couple during the subsequent 10 years as they navigate their careers, have to deal with events that take place in Britain during the period and manage personal issues at home, are the subjects of this book. There is panic buying during the 1974, 3-day working week, the affects on home life of Britain's entry into the Common Market, annual inflation driven above 25 percent in part because of trade union militancy, and many other national incidents. A unique feature of the novel is the use of bird species to illustrate human behavior and character. At the end of each chapter there is an illustration of the featured bird from that chapter to provide a summary of the bird's appearance and habitat in case the reader is interested. The novel blends British history, ornithology, success at work, discrimination against women and the challenges of home life into a single story.

'I learned about conflict from my parents.' So begins Christina McKenna's haunting memoir of her lonely early life. Recounting scenes from her childhood in Ulster, she paints a memorable and poignant picture of violence and oppression with her brutal father and protective mother, whose retalliation to her husband's meaness came in the form of a secret yellow dress. This is a rite-of-passage account of two generations of Irish women, told with great humour and compassion. On the one hand is the writer; on the other the heroic mother who showed her love as best she could. McKenna concludes that our past, no matter how painful, need not keep us bound - once we choose love over hate. That choice, she suggests, will set us free.

From the earliest days of the western frontier, women heeded the call to go west along with their husbands, sweethearts, and parents. Many of these women were attached to the army camps that dotted the prairies as wives, daughters, and camp followers, and some were active participants in the skirmishes and battles that took place as the burgeoning population of the United States surged into territory where Native Americans were once free to roam. She Wore a Yellow Ribbon tells the story of these women--Buffalo Soldiers, scouts, interpreters, nurses, and others who served their country in the early frontier.

From the creator of the bestselling Bad Girls Throughout History! Celebrated illustrator and author Ann Shen shares her striking study of history's most iconic styles, and the women who changed the world while wearing them. From the revolutionary bikini to the presidential pantsuit, this book explores 50 fashions through bold paintings and insightful anecdotes that empower readers to make their own fashion statements. • Demonstrates the power of fashion as a political and cultural tool for making change • Brilliantly illustrated with Ann's signature art style • Filled with radical clothing choices that defined their time Looks include the Flapper Dress, the unofficial outfit of women's independence in the 1920s; the Afro, worn as a symbol of black beauty, power, and pride; the Cone Bra, donned by Madonna in her 1989 power anthem "Express Yourself"; and the Dissent Collar, Ruth Bader Ginsburg's famous signifier for when she disagrees with the majority. With stunning and vibrant illustrations, this is a treasure for anyone who wants to defy style norms and rewrite the rules. • An insightful look at the intersection of fashion statements and historical female power • Perfect for fans of Ann Shen, as well as anyone who loves fashion, feminism, and political consciousness • You'll love this book if you love books like Women In Science: 50 Fearless Pioneers Who Changed The World by Rachel Ignotofsky; Strong Is the New Pretty: A Celebration Of Girls Being Themselves by Kate T. Parker; and Women Who Dared: 52 Stories Of Fearless Daredevils, Adventurers, And Rebels by Linda Skeers.

UPDATED WITH A NEW EPILOGUE At fifteen years old, Daphne Scholinski was committed to a mental institution and awarded the dubious diagnosis of Gender Identity Disorder. For three years and more than a million dollars of insurance, the problem was “treated”—with makeup lessons and instructions in how to walk like a girl. With a new epilogue by Scholinski, whose name is now Dylan and who identifies as nonbinary, this revised paperback edition of The Last Time I Wore a Dress looks back at those experiences and their life since. It chronicles the journey of coming into oneself and gaining a nuanced, freeing understanding of being born transgender. This memoir tells Dylan Scholinski’s remarkable story in an honest, unforgettable voice that’s both heartbreaking and hopeful.

"In this adaptation of a Texas folk song, the illustrations show the story of Katy Bear's birthday party, while the repetitive verses are a catalog of what the guests wore. . . . The pictures pick up color as the guests arrive and the activities get livelier. To further focus attention on color, the words are printed in boxed insets of the appropriate hue. . . . The music-a simple, singable tune-is printed at the end. The subject and the highly predictable pattern of text have appeal for just-beginning readers as well as for preschool listeners and singers."-Language Arts

A versatile missive written from the intersections of gender, disability, trauma, and survival. “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.

Inspired by the wartime experiences of her late father-in-law, award-winning author Bobbie Ann Mason has written an unforgettable novel about an American World War II pilot shot down in Occupied Europe. When Marshall Stone returns to his crash site decades later, he finds himself drawn back in time to the brave people who helped him escape from the Nazis. He especially recalls one intrepid girl guide who risked her life to help him--the girl in the blue beret. At twenty-three, Marshall Stone was a U.S. flyboy stationed in England. Headstrong and cocksure, he had nine exhilarating bombing raids under his belt when enemy fighters forced his B-17 to crash-land in a Belgian field near the border of France. The memories of what happened next--the frantic moments right after the fiery crash, the guilt of leaving his wounded crewmates and fleeing into the woods to escape German troops, the terror of being alone in a foreign country--all come rushing back when Marshall sets foot on that Belgian field again. Marshall was saved only by the kindness of ordinary citizens who, as part of the Resistance, moved downed Allied airmen through clandestine, often outrageous routes (over the Pyrenees to Spain) to get them back to their bases in England. Even though Marshall shared a close bond with several of the Resistance members who risked their lives for him, after the war he did not look back. But now he wants to find them again--to thank them and renew their ties. Most of all, Marshall wants to find the courageous woman who guided him through Paris. She was a mere teenager at the time, one link in the underground line to freedom. Marshall's search becomes a wrenching odyssey of discovery that threatens to break his heart--and also sets him on a new course for the rest of his life. In his journey, he finds astonishing revelations about the people he knew during the war--none more electrifying and inspiring than the story of the girl in the blue beret. Intimate and haunting, The Girl in the Blue Beret is a beautiful and affecting story of love and courage, war and redemption, and the startling promise of second chances.

THE NEW YORK TIMES BESTSELLER Women in Clothes is a book unlike any other. It is essentially a conversation among hundreds of women of all nationalities—famous, anonymous, religious, secular, married, single, young, old—on the subject of clothing, and how the garments we put on every day define and shape our lives. It began with a survey. The editors composed a list of more than fifty questions designed to prompt women to think more deeply about their personal style. Writers, activists, and artists including Cindy Sherman, Kim Gordon, Kalpona Akter, Sarah Nicole Prickett, Tavi Gevinson, Miranda July, Roxane Gay, Lena Dunham, and Molly Ringwald answered these questions with photographs, interviews, personal testimonies, and illustrations. Even our most basic clothing choices can give us confidence, show the connection between our appearance and our habits of mind, express our values and our politics, bond us with our friends, or function as armor or disguise. They are the tools we use to reinvent ourselves and to transform how others see us. Women in Clothes embraces the complexity of women’s style decisions, revealing the sometimes funny, sometimes strange, always thoughtful impulses that influence our daily ritual of getting dressed.

NEW YORK TIMES BESTSELLER • From the pages of Vogue to the runways of Paris, this “captivating” (Time) memoir by a legendary style icon captures the fashion world from the inside out, in its most glamorous and most cutthroat moments. “The Chiffon Trenches honestly and candidly captures fifty sublime years of fashion.”—Manolo Blahnik NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Fortune • Garden & Gun • New York Post During André Leon Talley’s first magazine job, alongside Andy Warhol at Interview, a fateful meeting with Karl Lagerfeld began a decades-long friendship with the enigmatic, often caustic designer. Propelled into the upper echelons by his knowledge and adoration of fashion, André moved to Paris as bureau chief of John Fairchild’s Women’s Wear Daily, befriending fashion's most important designers (Halston, Yves Saint Laurent, Oscar de la Renta). But as André made friends, he also made enemies. A racially tinged encounter with a member of the house of Yves Saint Laurent sent him back to New York and into the offices of Vogue under Grace Mirabella. There, he eventually became creative director, developing an unlikely but intimate friendship with Anna Wintour. As she rose to the top of Vogue’s masthead, André also ascended, and soon became the most influential man in fashion. The Chiffon Trenches offers a candid look at the who’s who of the last fifty years of fashion. At once ruthless and empathetic, this engaging memoir tells with raw honesty the story of how André not only survived the brutal style landscape but thrived—despite racism, illicit rumors, and all the other challenges of this notoriously cutthroat industry—to become one of the most renowned voices and faces in fashion. Woven throughout the book are also André’s own personal struggles that impacted him over the decades, along with intimate stories of those he turned to for inspiration (Diana Vreeland, Diane von Fürstenberg, Lee Radziwill, to name a few), and of course his Southern roots and faith, which guided him since childhood. The result is a highly compelling read that captures the essence of a world few of us will ever have real access to, but one that we all want to know oh so much more about.