A new understanding of the rise, expansion and perpetuation of slavery in the Atlantic World.

Originally published as La mujer que llora (Barcelona: Planeta, 2013).

Weeping Under This Same Moon, by Jana Laiz is the three time award winning novel, based on the true story of two teenage girls from different cultures, whose paths intertwine, dramatically altering the course of their lives. Mei is an artist whose life has been disrupted by the Vietnam War. Her anguished parents send her away on a perilous escape during the exodus of thousands of Vietnamese refugees known as "Boat People." In Mei's words we learn of the dangers she faces caring for her two younger siblings on a sea journey fraught with hunger, thirst and deprivation, leaving behind everything she loves, to find refuge for her family. Hannah is an angry seventeen-year-old American high school student. Friendless, neurotic, a social misfit - her passion for writing and the environment only intensify her outcast state. Through Hannah's voice, we get inside her head, there to discover a gentle soul beneath all the anger and turmoil. When Hannah learns of the plight of the "Boat People," she is moved to action. Destiny brings Mei and Hannah together in a celebration of cultures and language, food and friendship, and the ultimate rescue of both young women from their own despair. Weeping Under This Same Moon is a testament to the power of love and the spirit of volunteerism; affirming that doing for others does so much for one's self.. Weeping Under This Same Moon won Gold Medal in ForeWord Magazine's Book of the Year Award for the best in Young Adult Fiction The International Reading Association IRA has named Weeping Under This Same Moon a Notable Book for 2009. Arts Reach Alliance - Valley Reads Selection for 2010

A collection of memorabilia brings together the art of the Surrealist photographer and artist while documenting her seven-year affair with Pablo Picasso and considering her role as a friend and sexually unconventional woman.

Winner of the prestigious Azorín Prize for Fiction, the best-selling novel about love, sacrifice, and Picasso's mistress, Dora Maar. A writer resembling Zoé Valdés—a Cuban exile living in Paris with her husband and young daughter—is preparing a novel on the life of Dora Maar, one of the most promising artists in the Surrealist movement until she met Pablo Picasso. The middle-aged Picasso was already the god of the art world's avant-garde. Dora became his lover, muse, and ultimately, his victim. She became The Weeping Woman captured in his famous portrait, the mistress he betrayed with other mistress-muses, and their affair ended with her commitment to an asylum at the hands of Picasso's friends. The writer's research centers on a mysterious trip to Venice that Dora took fifteen years later, in the company of two young gay men who were admirers of Picasso, including the biographer James Lord. After this episode, Dora cut off contact with the world and secluded herself in her Paris apartment until her death. "After Picasso, God," she would say. What happened in Venice? The more the writer investigates, the more she finds herself implicated in a story of passion taken to the extremes. In The Weeping Woman, prize-winning novelist Zoé Valdés narrates the journey of a woman who would do anything and everything for love. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

This book can be read forwards or backwards, either from A to Z or from Z to A; thus you will realize that the micro world described in this text is a wheel of fortune and a magical sphere. Fortune is changeable and magic sometimes reverses its spells against us. In whatever way you choose to read these pages, you will find more questions than answers concerning the human zoo described within. The unnatural environment of the cities shows us that men and women are capable of the most admirable, as well as the most horrible behaviours. Here you will find an example of how, under both predictable and unpredictable circumstances, the love of a woman can transform itself into hatred, leading her to commit unthinkable actions.

When Crispin Guest finds himself trapped in circumstances outside his control, he must rely on the wits of his young apprentice, Jack Tucker, to do the rescuing. Crispin awakens in a strange bed after a night of passion when he finds a woman dead, murdered. Drunk, Crispin scarcely remembers the night before. Did he kill her? But when other young women turn up dead under similar circumstances, he knows there is a deadly stalker loose in London. Could it have to do with the mysterious Tears of the Virgin Mary kept under lock and key by a close-lipped widow, a relic that a rival family would kill to get their hands on? What does this relic, that forces empathy on all those surrounding it, have to do with murder for hire? With Crispin shackled and imprisoned by the immutable sheriffs who would just as soon see him hang than get to the real truth, Jack hits the ground running and procures the help of a fresh young lawyer to help them solve the crime.

There is a persistent myth about the British: that we are a nation of stoics, with stiff upper lips, repressed emotions, and inactive lachrymal glands. Weeping Britannia - the first history of crying in Britain - comprehensively debunks this myth. Far from being a persistent element in the 'national character', the notion of the British stiff upper lip was in fact the product of a relatively brief and militaristic period of our past, from about 1870 to 1945. In earlier times we were a nation of proficient, sometimes virtuosic moral weepers. To illustrate this perhaps surprising fact, Thomas Dixon charts six centuries of weeping Britons, and theories about them, from the medieval mystic Margery Kempe in the early fifteenth century, to Paul Gascoigne's famous tears in the semi-finals of the 1990 World Cup. In between, the book includes the tears of some of the most influential figures in British history, from Oliver Cromwell to Margaret Thatcher (not forgetting George III, Queen Victoria, Charles Darwin, and Winston Churchill along the way). But the history of weeping in Britain is not simply one of famous tear-stained individuals. These tearful micro-histories all contribute to a bigger picture of changing emotional ideas and styles over the centuries, touching on many other fascinating areas of our history. For instance, the book also investigates the histories of painting, literature, theatre, music and the cinema to discover how and why people have been moved to tears by the arts, from the sentimental paintings and novels of the eighteenth century and the romantic music of the nineteenth, to Hollywood weepies, expressionist art, and pop music in the twentieth century. Weeping Britannia is simultaneously a museum of tears and a philosophical handbook, using history to shed new light on the changing nature of Britishness over time, as well as the ever-shifting ways in which we express and understand our emotional lives. The story that emerges is one in which a previously rich religious and cultural history of producing and interpreting tears was almost completely erased by the rise of a stoical and repressed British empire in the late nineteenth century. Those forgotten philosophies of tears and feeling can now be rediscovered. In the process, readers might perhaps come to view their own tears in a different light, as something more than mere emotional incontinence.

Miracles are real! Popular Catholic author and speaker, Elizabeth Ficocelli reveals signs of God's loving hand in history's most magnificent miracles. In brisk, easy to read accounts, Ficocelli relates these amazing (and true!) stories. Bleeding Hands, Weeping Stone explains why God performs miracles and what our disposition should be toward them. Some miracles are quiet and simple, some are dramatic - bordering on outrageous - but all of them astound and continually inflame our hearts to greater faith and more ardent love.