Martin Sharp was an integral part of international Pop Art in the 1960s, magnified through his covers for OZ magazine in Sydney and London, his covers for Cream, and posters of Dylan, Hendrix and Donovan. His efforts at making The Yellow House and Luna Park cultural precincts were aided by his screen prints and exhibitions to flaunt the work of others, especially the singer Tiny Tim. In this first of two volumes, Lowell Tarling offers us a way into the enigmatic and reclusive artist, through interviews with Sharp and all of his trusted friends, including artists Tim Lewis, Peter Kingston, Garry Shead, photographers Greg Weight, Jonny Lewis and William Yang, film-maker Phillippe Mora, actor Lex Marinos, musicians Mic Conway, Jeannie Lewis, Tiny Tim; Richard Neville and Jim Anderson from London Oz. 'Lowell Tarling was a close friend of Martin Sharp and other Yellow House artists for over forty years and has been recording interviews and discussions with Martin and the rest of us all that time. This is an extraordinary archive of primary source material of those heady and life changing times.' - Roger Foley-Fogg (Ellis D Fogg) 'Martin Sharp, through this wonderful collage of interviews, reminds us all, that ETERNITY is just around corner.' - Jonny Lewis

In this ground-breaking and much-needed book, Stellan Vinthagen provides the first major systematic attempt to develop a theory of nonviolent action since Gene Sharp's seminal The Politics of Nonviolent Action in 1973. Employing a rich collection of historical and contemporary social movements from various parts of the world as examples - from the civil rights movement in America to anti-Apartheid protestors in South Africa to Gandhi and his followers in India - and addressing core theoretical issues concerning nonviolent action in an innovative, penetrating way, Vinthagen argues for a repertoire of nonviolence that combines resistance and construction. Contrary to earlier research, this repertoire - consisting of dialogue facilitation, normative regulation, power breaking and utopian enactment - is shown to be both multidimensional and contradictory, creating difficult contradictions within nonviolence, while simultaneously providing its creative and transformative force. An important contribution in the field, A Theory of Nonviolent Action is essential for anyone involved with nonviolent action who wants to think about what they are doing.

Presents a comprehensive history spanning the 233 years of the four major services' sales commissaries.

Presents a comprehensive history spanning the 233 years of the four major services' sales commissaries.

The distribution and characteristics of periglacial landforms in the southern Kenai Mountains, Alaska, were investigated during the summer of 1979. The principal area of study was a 1300-metre high mountain mass which stood as a nunatak during the last general glaciation. Periglacial features in the area include gelifluction lobes, nivation hollows, cryoplanation terraces, tors, a string bog, and various forms of patterned ground such as sorted circles, sorted polygons, earth hummocks, sorted steps, sorted stripes, and small ice-wedge polygons. Ground temperature measurements indicate that permafrost recently existed in the area but is no longer present. The sorted polygons, cryoplanation terraces, and nivation hollows are relic features which have been inactive for a considerable time. The turf-banked sorted steps and large gelifluction lobes were active until the very recent thawing of permafrost. Cryofraction and frost sorting still are vigorous active processes. Finely jointed bedrock, a previous colder environment, and long exposure in the absence of glacial ice has allowed periglacial processes to be the dominant surface agents both in the principal study area and in similar areas along the western side of the Kenai Mountains. (Author).

Includes entries for maps and atlases.