"Little is known of the acclaimed 18th-century Japanese artist Toshusai Sharaku. This impressive volume is the definitive illustrated catalog of the surviving works of this legendary figure -- offering connoisseurs and collectors clear black-and-white reproductions of 146 prints and drawings. Each print is accompanied by extensive commnetary providing details of background and coloring; inofrmation on states and impressions; and identifications of actors and other subjects, and roles depicted. Also included are succinct plot summaries of the plays in which Sharaku's subjects appeared. Here is a priceless record of Japan's popular Kabuki theater."--from publisher

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

When the body of Saga Atsushi, Japan's preeminent connoisseur of ukiyo-e (woodblock prints), is pulled from the ocean off the coast of Tohoku, having apparently committed suicide, the shocked Japanese art world turns out to mourn his death. Among them is Ryohei, an up-and-coming young ukiyo-e scholar and research assistant to Saga's colleague-turned-rival, Professor Nishijima. But a chance encounter with an old friend makes Ryohei wonder if there might be more to Saga's death than meets the eye...

A wealth of information about herbal remedies native to the Southwest, infused with wisdom, wit, and personal reminiscences.

After Admiral Perry broke through Japan's isolation in 1854, the current of Japanese trade flowed west again, bearing with it the colored woodcuts of Hokusai, Hiroshige, and their contemporaries. Some of the most avid collectors of these prints were the French Impressionists and Nabis, who found in them new ways to treat their own prints. In The Great Wave, Colta Feller Ives, Curator in Charge, Department of Prints and Photographs, The Metropolitan Museum of Art, recounts the phenomenal "cult of Japan" in late nineteenth-century France and reveals through direct comparisons its particular impact on the graphic work of Manet, Degas, Cassatt, Bonnard, Vuillard, Toulouse-Lautrec, and Gauguin.

Focuses on Japanese wood block prints of the Edo period (1600-1868) by explaining the subject matter as well as the technique used in making them.