“I will feel privileged even if I die for my country, I have firm belief that every drop of my blood will make my country strong and progressive”. These were the last words of Indira Gandhi. Our beloved Prime Minister Indira Gandhi, who ruled our hearts for seventeen years, had sacrificed her life for the unity and integrity of the nation. The country progressed in all fields under her leadership and she hoisted the nation’s prestige and fame in the global reckoning. Full of ups and downs, her life was a saga of struggle. She faced difficulties with dedication and fortitude. Today’s generation can certainly derive inspiration from her philosophy of life.

-Padma Shri and late Hindi author Shivani's memoirs of studying at the experimental school set up by Rabindranath Tagore. -A rare view and stories of life inside the Ashram, of how the students' intimate relationships and interactions with Tagore and other towering personalities shaped them. -Includes tributes to other iconic personalities who called Shantiniketan their home, such as Satyajit Ray and Pandit Hajari Prasad Dwivedi. -Written with such warmth and filled with laughter, this book can be enjoyed by both adults and children. -Translated into English for the first time by Ira Pande, the author's daughter and Sahitya Akademi winner for her translation of Manohar Shyam Joshi's T'ta Professor This charming memoir is a loving homage to a grand institution and its legendary gurus. Written from the perspective of a child and young girl, it retains the freshness and innocence of an age when experimental education was not merely a trendy movement. Shivani's vivid pictures of the Ashram and portraits of her teachers and fellow students remain as alive as they seemed when she first wrote this memoir nearly fifty years ago. Along with the moving tributes she wrote when some of her beloved contemporaries passed away, this slim memoir is a sort of diptych that captures the spirit of the Ashram and the liveliness of its inmates, many of whom went on to become iconic Indians. Shivani's recall of her time there takes the reader into an enchanted garden that remains as inspirational to her as it was when she went there all the way from Kumaon a lifetime ago.

The Book “CULTURE AND TRADITION OF WEST BENGAL” by Sahanawaz Hussain highlights the different culture of west Bengal. The state west Bengal has a diverse culture. Author Sahanawaz Hussain highlights all the culture of different district of west Bengal starting from North Bengal to South Bengal. West Bengal boasts a rich literary and cultural heritage with evidenced by authors like Rabindranath Tagore,folk music like baul,Gambhira as well as Najrul Geeti,Rabindra Sangeet. West Bengal is the home of a thriving cinema industry dubbed “Tollywood”.throughout the year many festivals are celebrated in bengal.

The book ART AND CULTURE OF WEST BENGAL by Sahanawaz Hussain highlights the different culture of west Bengal. The state west Bengal has a diverse culture. Author Sahanawaz Hussain highlights all the culture of different district of west Bengal starting from North Bengal to South Bengal. West Bengal boasts a rich literary and cultural heritage with evidenced by authors like Rabindranath Tagore,folk music like baul,Gambhira as well as Najrul Geeti,Rabindra Sangeet. West Bengal is the home of a thriving cinema industry dubbed Tollywood.throughout the year many festivals are celebrated in bengal. HIGHLIGHTS OF THE BOOK:- Art & Culture (Literature) The Bengali language boasts a rich literary heritage, shared with neighbouring Bangladesh. West Bengal has a long tradition in folk literature, evidenced by the Charyapada, Mangalkavya, Shreekrishna Kirtana, ThakurmarJhuli, and stories related to Gopal Bhar. In the nineteenth and twentieth century, Bengali literature was modernized in the works of authors such as Bankim Chandra Chattopadhyay, Michael Madhusudan Dutt, Rabindranath Tagore, Kazi Nazrul Islam, Sharat Chandra Chattopadhyay, Jibananda Das and Manik Bandyopadhyay. In modern times Jibanananda Das, Bibhutibhushan Bandopadhyay, Tarashankar Bandopadhyay, Manik Bandopadhyay, Ashapurna Devi, Shirshendu Mukhopadhyay, Buddhadeb Guha, Mahashweta Devi, Samaresh Majumdar, Sanjeev Chattopadhyay and Sunil Gangopadhyay among others are well known. (Music and Dance) The Baul tradition is a unique heritage of Bengali folk music, which has also been influenced by regional music traditions. Other folk music forms include Gombhira and Bhawaiya. Folk music in West Bengal is often accompanied by the ektara, a one-stringed instrument. West Bengal also has an heritage in North Indian classical music. Rabindrasangeet, songs composed and set into tune by Rabindranath Tagore and Nazrul geeti (by Kazi Nazrul Islam) are popular. Also prominent are other musical forms like Dwijendralal, Atulprasad and Rajanikanta's songs, and adhunik or modern music from films and other composers. From the early 1990s, there has been an emergence and popularisation of new genres of music, including fusions of Baul and Jazz by several Bangla bands, as well as the emergence of what has been called Jeebonmukhi Gaan (a modern genre based on realism). Bengali dance forms draw from folk traditions, especially those of the tribal groups, as well as the broader Indian dance traditions. Chau dance of Purulia is a rare form of mask dance. State is known for Bengali folk music such as baul and kirtans and gajan, and modern songs including Bengali adhunik songs. (Films) The state is home to a thriving cinema industry, dubbed Tollywood. Tollygunj in Kolkata is the location of numerous Bengali movie studios, and the name Tollywood (similar to Hollywood and Bollywood) is derived from that name. The Bengali film industry is well known for all kind of films, and has produced acclaimed directors like Satyajit Ray, Mrinal Sen, Tapan Sinha and Ritwik Ghatak. Prominent contemporary directors include Buddhadev Dasgupta, Goutam Ghose, Aparna Sen and Rituparno Ghosh.It has also produced famous film personalities like Uttam Kumar,Soumitra Chatterjee,Suchitra Sen,Kanon Devi,Kishore Kumar and many more. (Fine Arts) Bengal had been the harbinger of modernism in fine arts. Abanindranath Tagore, called the father of Modern Indian Art had started the Bengal School of Art which was to create styles of art outside the European realist tradition which was taught in art colleges under the colonial administration of the British Government. The movement had many adherents like Gaganendranath Tagore, RamkinkarBaij, Jamini Roy and Rabindranath Tagore. After Indian Independence, important groups like the Calcutta Group and the Society of Contemporary Artists were formed in Bengal which dominated the art scene in India. (Reformist Heritage) The capital, Kolkata, was the workplace of several social reformers, like Raja Ram Mohan Ray, Iswar Chandra Vidyasagar, and Swami Vivekananda. These social reforms have eventually led to a cultural atmosphere where practices like sati, dowry, and caste-based discrimination or untouchability, the evils that crept into the Hindu society, were abolished. (Costumes) Bengali women commonly wear the shaŗi , often distinctly designed according to local cultural customs. In urban areas, many women and men wear Western attire. Among men, western dressing has greater acceptance. Men also wear traditional costumes such as the panjabi with dhuti, often on cultural occasions. (Festivals) Durga Puja in October is the most popular festival in the West Bengal. Poila Baishakhthe Bengali New Year, Rathayatra, Dolyatra or Basanta-Utsab, Nobanno, Poush Parbon (festival of Poush), Kali Puja, SaraswatiPuja, LaxmiPuja, Christmas, Eid ul-Fitr, Eid ul-Adha and Muharram are other major festivals.

Buddhadeva Bose belonged to that generation of Bengali writers of the thirties and forties who fought tooth and nail to escape the all-pervading influence of Rabindranath Tagore to establish their personal idioms. He succeeded, but the fascination, admiration, and awe of the older poet remained. He twice visited Shantiniketan with his family, once in 1938 and then in the summer of 1941, invited by the poet himself. The younger poet, who in youth rebelled against him, now worshipped him and truly loved him. The title of this memoir Sab Peyechhir Deshe (‘The land where I found it all’) says it all. He intended to give this book personally to Rabindranath as a gift of his deep appreciation, but, sadly, by the time the book came out of the press, Rabindranath had passed away. And what had been conceived as a gift of gratitude now turned into an elegy, a younger poet’s homage to his Master. This book has been ever a favourite with Bengali readers, and constitutes an invaluable addition to the study of Tagore and his life.

Mohandas Karamchand Gandhi is among the most enigmatic, charismatic, deeply revered and equally reviled figures of the twentieth century. His Autobiography, one of the most widely read and translated Indian books of all time, is a classic that allows us to glimpse the transformation of a well-meaning lawyer into a Satyagrahi and an ashramite. In this first-ever critical edition, eminent scholar Tridip Suhrud shines new light on Gandhi's life and thought. The deeply researched notes elucidate the contexts and characters of the Autobiography, while alternative translations capture the flavour, cadence and quirkiness of the Gujarati. In the highly original and insightful introduction, Suhrud traces Gandhi's transformation into a Satyagrahi, a seeker of Truth as God, and explores possible modes of reading the Autobiography. This edition is an absorbing, illuminating text about the life-affirming journey of the most public yet most complex figure of Indian history.