Even for a techno-shaman, a kachina in the bedroom isn’t exactly part of the drill. When Olivia Lawson wakes to find one towering over her, she panics. A Hopi god visiting the real world isn't just wrong–it's impossible. Or is it? Soon Olivia learns that the kachina is the least of her worries. As she struggles to save her clients, clashes with other shamans, and fends off the attacks of real-world vigilantes, Olivia finds herself in the destructive path of a malevolent ancient force intent on leaving the spiritual realm to conquer this one. Left with few options, Olivia is forced to defy centuries of shaman prohibitions. As she and her allies risk everything in their bid for survival, Olivia ultimately learns that the rules are there for a reason and that breaking them has a terrible cost.

A frozen planet. A daring quest. An invincible heart. On the great Pacifica Ice Sheet, Thirteen is on a deadly hunt: for her sister and her own name. Though one man has the clue that the ex-slave needs, he’s not sharing. He has a daughter to rescue, and he needs Thirteen’s help. In the unforgiving subzero, an uneasy alliance is formed. But Thirteen never forgets the first rule of the ice. You only get one mistake—your last. Iced is the first book in M. Terry Green’s White World trilogy, a dystopian, science-fiction thriller. If you loved her techno-shaman series, then dive into this breakneck adventure, and meet the fearless heroine at its core. Buy this book to start a new journey today!

Even for a techno-shaman, a kachina in the bedroom isn't exactly part of the drill. When Olivia Lawson wakes to find one towering over her, she panics. A Hopi god visiting the real world isn't just wrong-it's impossible. Or is it? Soon Olivia learns that the kachina is the least of her worries. As she struggles to save her clients, clashes with other shamans, and fends off the attacks of real-world vigilantes, Olivia finds herself in the destructive path of a malevolent ancient force intent on leaving the spiritual realm to conquer this one. Left with few options, Olivia is forced to defy centuries of shaman prohibitions. As she and her allies risk everything in their bid for survival, Olivia ultimately learns that the rules are there for a reason and that breaking them has a terrible cost.

This proceeding contains selected papers of The International Seminar On Recent Language, Literature, And Local Culture Studies “Kajian Mutakhir Bahasa, Sastra, Dan Budaya Daerah (BASA)” held on 20-21 September 2019 in Solo, Indonesia. The conference which was organized by Sastra Daerah, Faculty of Cultural Sciences Universitas Sebelas Maret and Culture Studies Postgraduate Program of Universitas Sebelas Maret. The conference accommodates topics for linguistics in general including issues in language, literature, local cultural studies, philology, folklore, oral literature, history, art, education, etc. Selecting and reviewing process for the The International Seminar On Recent Language, Literature, And Local Culture Studies “Kajian Mutakhir Bahasa, Sastra, dan Budaya Daerah” was very challenging in that it needs a goodwill of those who were involved in such a process. More than ten experts were invited in reviewing, giving suggestions for revision and at last selecting the papers. On that account, we would like to forward our appreciation and our gratefulness to such invited experts for having done the process. The committee received more than 180 papers from the participants and based on the results of the review, only 141 papers were declared fit to be presented at the seminar and subsequently published in the proceedings of BASA#3-2019 Papers in the proceeding are expected to give academic benefits, especially in broadening the horizon of our understanding in language, literature, and local culture studies. We realize that what we are presenting for the publication is till far for being perfect. Constructive criticism is very much welcome for improvement. Finally, the committees thank for the participation and congratulate for the publication of the papers in the proceedings of BASA#3-2019. The committees also thank all those who have supported and actively participated for the success of this event. Hopefully these Proceedings can be used as references in developing technology and improving learning activities in the fields of education, social, arts and humanities.

This is a collection of seven true stories of individuals insulted and injured by the mental health system, individuals who then fought back, broke free, and rebuilt their lives. Madness, Heresy, and the Rumor of Angels is a work in the tradition of Thomas Szasz, R. D. Laing, and Erving Goffman, a challenge to the delusional belief-system known as psychiatry, and a protest against its appalling crimes.

Since the Age of Enlightenment, France has upheld clear constitutional guidelines that protect human rights and religious freedom. Today, however, intolerant attitudes and discriminatory practices towards unconventional faiths have become acceptable and even institutionalized in public life. Susan Palmer offers an insightful examination of France's most stigmatized new religions, or ''sectes,'' and the public management of religious and philosophical minorities by the state. The New Heretics of France tracks the mounting government-sponsored anticult movement in the wake of the shocking mass suicides of the Solar Temple in 1994, and the negative impact of this movement on France's most visible religious minorities, whose names appeared on a ''blacklist'' of 172 sectes commissioned by the National Assembly. Drawing on extensive interviews and field research, Palmer describes the controversial histories of well-known international NRMs (the Church of Scientology, Raelian Movement, and Unificationism) in France, as well as esoteric local groups. Palmer also reveals the partisanship of Catholic priests, journalists, village mayors, and the passive public who support La République's efforts to control minority faiths - all in the name of ''Liberty, Equality and Fraternity.'' Drawing on historical and sociological theory, Palmer analyzes France's war on sects as a strategical response to social pressures arising from globalization and immigration. Her study addresses important issues of religious freedom, public tolerance, and the impact of globalization and immigration on traditional cultures and national character.

What happens when God chooses an unremarkable family to become missionaries to alien civilizations? Nine-year-old Jenna and her father, Brian, are hiking on Mount Diablo when they are pulled through interdimensional doorways across time and space and into alien worlds, forcing Lisa, Brian's wife and Jenna's mother, to solve the mystery of her vanishing family. In this first book of the four-book series, Jenna finds herself dropped into a world populated by Sasquatch or, as they call themselves, Sasqui. Jenna is the unwanted answer to their desperate prayers. Her presence and that of her God will shake the Sasqui civilization down to its foundations. As she struggles to adapt to her new life among these volatile beings, Jenna will be proof of the proverb "Be careful what you ask for, you just might get it."

The music of the peoples of South and Central America, Mexico, and the Caribbean has never received a comprehensive treatment in English until this multi-volume work. Taking a sociocultural and human-centered approach, Music in Latin America and the Caribbean gathers the best scholarship from writers all over the world to cover in depth the musical legacies of indigenous peoples, creoles, African descendants, Iberian colonizers, and other immigrant groups that met and mixed in the New World. Within a history marked by cultural encounters and dislocations, music emerges as the powerful tool that negotiates identities, enacts resistance, performs belief, and challenges received aesthetics. This work, more than two decades in the making, was conceived as part of "The Universe of Music: A History" project, initiated by and developed in cooperation with the International Music Council, with the goals of empowering Latin Americans and Caribbeans to shape their own musical history and emphasizing the role that music plays in human life. The four volumes that constitute this work are structured as parts of a single conception and gather 150 contributions by more than 100 distinguished scholars representing 36 countries. Volume 1, Performing Beliefs: Indigenous Peoples of South America, Central America, and Mexico, focuses on the inextricable relationships between worldviews and musical experience in the current practices of indigenous groups. Worldviews are built into, among other things, how music is organized and performed, how musical instruments are constructed and when they are played, choreographic formations, the structure of songs, the assignment of gender to instruments, and ritual patterns. Two CDs with 44 recorded examples illustrate the contributions to this rich volume.

Table of Contents 1. Don’t You Know That Idolatry Is Heresy? (1 Kings 10:1-29) 2. God’s Curse on Heretics (1 Kings 15:25-34) 3. Today’s Heretics Who Are Like King Ahab (1 Kings 21:1-26) 4. There Are God’s Servants Still Remaining on This Earth (1 Kings 22:1-40) 5. Christians Must Now Turn around and Believe in the Gospel of the Water and the Spirit (1 Kings 22:51-53) 6. Who Are These Christian Leaders Seeking Only Mammon? (2 Kings 5:1-27) 7. By This Time Tomorrow, You Shall Know What True Salvation Is (2 Kings 7:1-20) 8. Who Are the False Prophets inside the Christianity of Today? (Matthew 7:15-27) 9. Let Us Lead to the Truth the Heretics Who Do Not Believe That Jesus Is the Christ! (1 John 5:1-12) 10. You Shall Not Kill the Lives of the Born-Again (Genesis 9:1-7) 11. What Should We Do to Avoid Worshipping Idols before God like Solomon the Idolater? (1 Kings 9:1-9) 12. There Are Mighty Hunters Who Aim at the Souls of Men (Genesis 10:1-14) 13. The Descendants of Ham, Mighty Soul-Hunters (Genesis 10:1-32) 14. The Lesson of the Tower of Babel (Genesis 11:1-9) 15. You Must Live out Your Faith with a Pure Faith Like Stone and Mortar (Genesis 11:1-9) In the Bible, the people of Israel claim to worship God, but ultimately, following Jeroboam, they were worshipping the golden calves. In fact, more than 2/3 of the history of Israelites was a history of having worshipped the golden calves, thinking them to be God. Ultimately, even now, they continue to go on living without realizing the fact that Jesus Christ, who has come by the gospel of the water and the Spirit, is their true Savior. In spite of it all, there are many Jews who are waiting for their Savior, even now. Then, how is the faith of you who claim to be taking part in Christianity in this New Testament Era? Do you currently believe in and follow God with a proper understanding of Him? If not, aren't you perhaps worshipping golden calves with a misapprehension of them as God? If you are like that, then you must become aware of the fact that you are worshipping an idol before God like the people of Israel. Then, you must revert back and meet the Lord who has come by the gospel of the water and the Spirit. I am sure that you will be able to believe in the gospel Truth when you truly realize before God what the Truth of the salvation in the gospel of the water and the Spirit is, won't you? I wish to testify before you the true faith and the Truth under the title, "Heretics, Who Followers the sins of Jeroboam." By all means, I hope you will be a person of the same faith as that of mine. The New Life Mission https://www.bjnewlife.org

As a human being living in today's reality, information is readily available for interpretation and subjectivism. The information provided in this book may cause a few readers to prop up on the edge of their seat as they ponder such notions as: Psychology, Consciousness, Spirituality, Religion, Ancient History, Mythology, Symbolism, Shamanism, Music, Art, Crop Circles, and UFOs. 'The Forbidden Fruit & The Tree of Knowledge' is a book that is intended to raise some very curious questions about seemingly random topics which hold a sacred geometrical outline for understanding who and what we are.