Given the explosion in recent years of scholarship exploring the ways in which disability is manifested and performed in numerous cultural spaces, it’s surprising that until now there has never been a single monograph study covering the important intersection of popular music and disability. George McKay’s Shakin’ All Over is a cross-disciplinary examination of the ways in which popular music performers have addressed disability: in their songs, in their live performances, and in various media presentations. By looking closely into the work of artists such as Johnny Rotten, Neil Young, Johnnie Ray, Ian Dury, Teddy Pendergrass, Curtis Mayfield, and Joni Mitchell, McKay investigates such questions as how popular music works to obscure and accommodate the presence of people with disabilities in its cultural practice. He also examines how popular musicians have articulated the experiences of disability (or sought to pass), or have used their cultural arena for disability advocacy purposes.

It is not impossible to find something humorous about a disease as devastating as Parkinson's. What's Shakin' is not a book about Parkinson's disease, however it is a book about a man who has Parkinson's and the hilarious situations he has fallen into as a result of this disease. The book also has a serious side to it and will offer hope and inspiration to anyone who has had tragedy touch their lives. What's Shakin' is fresh and inspirational. The author's life experiences offer optimism and encouragement to others regardless of what misfortunes they may face.

Europeanization is a term at the centre of contemporary political debate. In this innovative study, a team of British and German historians present the findings of their research project into how the concept and content of Europeanization needs to be understood as a historical phenomenon, which has changed its meaning during the twentieth century.

The Birth of British R & B Johnny Kidd was one of the first and most influential artists to emerge from the British music scene during the late 1950s and early 1960s. His number one hit single 'Shakin' All Over' remains a classic to this day and provides not only the title for this long overdue biography but also the benchmark by which so many other artists and records have been compared.

What makes a speaker riveting? What makes an audience come alive? This book answers these questions by looking beyond the mechanics of speaking; by delving into the mysteries of charisma, and into the source of our own inspiration. It reveals the two most important secrets to public speaking. It reveals that how we see the world is how the world sees us. And if we wish to sparkle at the podium, we must be true to ourselves, for only then can we be true inthe spotlight.

This book details a long path of the life of David Chedester. He is one of the worlds youngest living Americans that currently battles Parkinson's Disease. David's truly inspirational story is one that is a must read for anyone. Read about how David accepted Parkinson's as a 2nd chance at a better life.

Musical floodgates were opened after the Beatles' first appearance on The Ed Sullivan Show on February 9, 1964. Suddenly, the U.S. record charts, radio, and television were overrun with British rock and pop musicians. Although this British Invasion was the first exposure many Americans had to popular music from the United Kingdom, British pop — and more specifically British rock and roll — had been developing since the middle of the 1950s. Author James Perone here chronicles the development of British rock, from the 1950s imitators of Elvis Presley and other American rockabilly artists, to the new blends of rockabilly, R&B, Motown, and electric blues that defined the British Invasion as we recognize it today. Die-hard fans of the Beatles, the Who, and the Kinks will all want a copy, as will anyone interested in the 1960s more generally. May 1964 saw major gang-style battles break out in British resort communities between the Mods and the Rockers. The tensions between the two groups had been developing for several years, with each group claiming their own sense of culture and style. The Mods wore designer clothing, rode Vespa motor scooters, and shared an affinity for black American soul music, while the Rockers favored powerful motorcycles, greased-back hair, and 1950s American rock and roll. It was within this context that the sounds of the British Invasion developed. Mods, Rockers, and the Music of the British Invasion chronicles the development of British rock through the iconic artists who inspired the movement, as well as through the bands who later found incredible success overseas. In addition to analyzing the music in the context of the British youth culture of the early 1960s, Perone analyzes the reasons that the British bands came to so thoroughly dominate the record charts and airwaves in the United States. The contributions of Cliff Richard, Billy Fury, Johnny Kidd and the Pirates, Tommy Steele, the Tornados, Tony Sheridan, Blues Incorporated, and others to the development of British rock and roll are examined, as are the contributions and commercial and artistic impact of major British Invasion artists such as the Beatles, the Rolling Stones, the Dave Clark Five, the Yardbirds, Manfred Mann, the Who, the Kinks, and others. After investigating these groups and their influences upon one another, Perone concludes by examining the commercial and stylistic impact British rock musicians had on the American music of the time.