In the course of some research into the musical element in English poetry, Dr Wilson read the work of the Elizabethan sonneteers chronologically and was struck by a suspicion that Shakespeare’s sonnets were parodies. Later she carried out a more thorough investigation, and this book, originally published in 1974, is the product: her early impressions had been justified beyond all expectation. Her investigation involved examining the background of each of Shakespeare’s sonnets, and this in itself is a contribution to scholarship. A surprising number of them are shown to be direct parodies of particular sonnets; all of them guy the sonnet convention, and the more difficult ones are easily explained by this hypothesis. Fresh correspondences between Shakespeare and his predecessors have come to light and his relationship with them is seen to be mocking. This is demonstrated in his borrowings from Ovid also, while the opening seventeen sonnets gain point as parody of Erasmus on marriage. The book opens with a short note on the origin of the sonnet in song, chivalric love and Plato. The sonnet theme in Shakespeare’s early comedies is treated freshly and the author throws light on the plays from a new angle. In the final chapter, among other themes, the implication of dating is considered, and here too some new material is discussed. However, Dr Wilson is aiming at a wider readership than that of scholars alone. She has a view of Shakespeare as a young man catering for "young-man laughter", as she puts it, and she never loses sight of this aspect in her study. Although the academic basis is there, the presentation is not academic. Her aim is clearly to share the joke with her readers.

Intended for all readers, an exciting, innovative approach to Shakespeare's Sonnets."His sugared Sonnets among his private friends." That's how Shakespeare's Sonnets were described in the only contemporary reference to them. This brings up the image of a talented, young poet-with a penchant for irreverent fun-getting together with friends to read his new sonnet cycle. Numerous sonnet cycles were published that typically told the story of thwarted love. The same topics are repeated: a chaste and beautiful lady, a love-sick poet dreaming only of his beloved, sunk into despair by her cruelty (cruel only because she decides to remain chaste). Shakespeare's Sonnets are like this, but with a twist-adding a love triangle that turning convention upside down. Working out all the possibilities of this intriguing story as the sonnets progress is all part of the fun.Atkins invites you to imagine that you are among the friends our poet has allowed to see his new sonnets. You'll read the poems and the discussion of each one, trying to figure out the story. See what it might have been like to read Shakespeare's Sonnets "among his private friends."This book, complete with glosses of difficult words and phrases and a thorough explanation of each poem, is as carefully edited as the acclaimed variorum edition published by Atkins in 2007, Shakespeare's Sonnets: With Three Hundred Years of Commentary. It has the same sensitive readings of verse that made his variorum edition unique. (For those particularly interested in Shakespeare's use of meter, Atkins has made a complete metrical analysis of all 154 poems, which serves as an excellent companion to Shakespeare's Sonnets Among His Private Friends. It is available free at amonghisprivatefriends.com.) Also unique to this edition is a look at how the last 28 sonnets about a "dark lady" may have been influenced by Christopher Marlowe's English translation of Ovid's erotic poems, Amores (Book 1 of which is included in an appendix).294 pages including appendix, bibliography and index

An original account of the reception and influence of Shakespeare's Sonnets in his own time and in later literary history.

"The Dark Lady of the Sonnets" is a one-act play written by means of George Bernard Shaw. A departure from Shaw's more well-known works, this play is a humorous and satirical exploration of the mysterious parent from William Shakespeare's sonnets, regularly known as the "Dark Lady." Set in the early 17th century, the play opens with William Shakespeare himself, grappling with creator's block as he struggles to locate thought for his poetry. The plot takes an unexpected flip while the Dark Lady, the object of Shakespeare's poetic affections, turns out to be none other than Queen Elizabeth I. Shaw uses this revelation to weave a comedic narrative, injecting wit and smart speak into the interaction between the Bard and the Queen. The play satirizes Shakespeare's romantic entanglements and mocks the conventions of Elizabethan drama, all while imparting a lighthearted exploration of the complexities of love, reputation, and artistic idea. "The Dark Lady of the Sonnets" is a short and exciting work that showcases Shaw's wit and ability to playfully engage with ancient and literary topics. It offers a unique angle on the speculative components of Shakespeare's private lifestyles and relationships, including a hint of humor to the area of Elizabethan poetry and drama.

Discover an invigorating new perspective on the life and work of William Shakespeare The Life of the Author: William Shakespeare delivers a fresh and exciting new take on the life of William Shakespeare, offering readers a biography that brings to the foreground his working life as a poet, playwright, and actor. It also explores the nature of his relationships with his friends, colleagues, and family, and asks important questions about the stories we tell about Shakespeare based on the evidence we actually have about the man himself. The book is written using scholarly citations and references, but with an approachable style suitable for readers with little or no background knowledge of Shakespeare or the era in which he lived. The Life of the Author: William Shakespeare asks provocative questions about the playwright-poet’s preoccupation with gender roles and sexuality, and explores why it is so challenging to ascertain his political and religious allegiances. Conservative or radical? Misogynist or proto-feminist? A lover of men or women or both? Patriot or xenophobe? This introduction to Shakespeare’s life and works offers no simple answers, but recognizes a man intensely responsive to the world around him, a playwright willing and able to collaborate with others and able to collaborate with others, and, of course, his exceptional, perhaps unique, contribution to literature in English. The book covers the entirety of William Shakespeare’s life (1564-1616), taking him from his childhood in Stratford-upon-Avon to his success in the theatre world of London and then back to his home town and comfortable retirement. The Life of the Author: William Shakespeare sets his achievement as a writer within the dangerous, vibrant cultural world that was Elizabethan and Jacobean England, revealing a writer’s life of frequent collaboration, occasional crisis, but always of profound creativity. Perfect for undergraduate students in Literature, Drama, Theatre Studies, History, and Cultural Studies courses, The Life of the Author: William Shakespeare will also earn a place in the libraries of students interested in Gender Studies and Creative Writing.

This eBook features the unabridged text of ‘The Passionate Pilgrim’ from the bestselling edition of ‘The Complete Works of William Shakespeare’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Shakespeare includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Passionate Pilgrim’ * Beautifully illustrated with images related to Shakespeare’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

During research into the musical element in English poetry, Dr Wilson read the work of the Elizabethan sonneteers chronologically and had a suspicion that Shakespeare's sonnets were parodies. Later after more thorough investigation, first published in 1974, this is the result: her early impressions were justified beyond all expectation.