The sharpest stings ever to snap from the tip of an English-speaking tongue are here at hand, ready to be directed at the knaves, villains, and coxcombs of the reader's choice. Culled from 38 plays, here are the best 5,000 examples of Shakespeare's glorious invective, arranged by play, in order of appearance, with helpful act and line numbers for easy reference, along with an index of topical scorn appropriate to particular characters and occasions.

Away, you scullion, you rampallion, you fustilarian! Along with penning some of the most sublime passages in all of English Literature, Shakespeare was a master when it came to casting a wicked comeback or hurling a barbed insult. Whether it's Prospero calling Caliban a 'freckled whelp, hag-born' in The Tempest or King Lear railing against his daughter Goneril with the damning words, 'Thou art a boil, a plague sore, an embossed carbuncle in my corrupted blood', Shakespeare didn't hold back when it came to getting creative with his slights. Packed full of eloquent stings and poisonous putdowns, this is the perfect resource for anyone looking to scorn an enemy – without resorting to swearing! 'Away, you starvelling, you elf-skin, you dried neat's-tongue, bull's-pizzle, you stock-fish!' Henry IV Part I (Act 2, Scene 4). 'Away, you three-inch fool.' The Taming of the Shrew (Act 4, Scene 1). 'Go, prick thy face, and over-red thy fear, Thou lily-liver'd boy.' Macbeth (Act 5, Scene 3). 'The tartness of his face sours ripe grapes.' The Comedy of Errors (Act 5, Scene 4).

Put dullards and miscreants in their place with more than 150,000 handy mix-and-match insults in the bard's own words. This entertaining insult generator and flip book collects hundreds of words from Shakespeare's most pointed barbs and allows readers to combine them in creative and hilariously stinging ways. From "apish bald-pated abomination" to "cuckoldly dull-brained blockhead" to "obscene rump-fed hornbeast," each insult can be chosen at random or customized to fit any situation that calls for a literary smackdown. Featuring an informative introduction on Shakespearean wit, and notes on which terms were coined or only used once by the author in his work, this delightful book will sharpen the tongue of Shakespeare fans and insult aficionados without much further ado.

A collection of over 75 insults curated from William Shakespeare's famous literary works. Each insult is beautiful typography and includes a citation of the work's title and scene for reference. Take your effrontery to the next level! This pocket sized book makes a great gift for English majors, professors and theatre nerds. Be sure to include this little gem for your next librarian or book lover birthday or Christmas!Included are insults like: "Thou damned and luxurious mountain goat" and "Your abilities are too infant-like for doing much alone. "The last page includes a Shakespearean insult generator for a quick comeback in a tight spot.

Originally published as: Shakespeare: his work and his world / illustrated by Robert Ingpen. 2001.

A Shakespearean insult generator that creates tart-tongued and totally humorous bawdy combinations and clever comebacks. Some occasions call for foul language, but why resort to the common F-word? If you must be offensive, hearken back to the Elizabethan days for more salacious and outrageous word choices. Impress your friends with your mastery of lewd iambic pentameter and vanquish your enemies with the power of the bard. After all, a toad-spotted maggot by any other name would be as pestilent . . . Mix and match to come up with your own raucous rebuffs, including: Thou Foul-Reeking Lily-Livered Codpiece! Thou Ruttish Rump-Fed Pignut! Thou Beslubbering Cockeyed Canker-blossom! Thou Churlish Dull-Eyed Hag And more!

Examines the nature and place of insults in daily life, discussing how insults influence a person's beliefs and impressions about others' character, honor, gender, intentions, conventions, and power.

Why are certain words used as insults in Shakespeare's world and what do these words do and say? Shakespeare's plays abound with insults which are more often merely cited than thoroughly studied, quotation prevailing over exploration. The purpose of this richly detailed dictionary is to go beyond the surface of these words and to analyse why and how words become insults in Shakespeare's world. It's an invaluable resource and reference guide for anyone grappling with the complexities and rewards of Shakespeare's inventive use of language in the realm of insult and verbal sparring.

This is a teacher’s resource book tailor-made for EFL teachers who want to bring Shakespeare into their classes. It includes forty innovative lesson plans with ready-to-use worksheets, hands-on games and student-oriented activities that help EFL learners achieve higher levels of English proficiency and cultural sensitivity. By introducing the plots, characters, and language arts employed in Macbeth, Romeo and Juliet, The Taming of the Shrew, and The Merchant of Venice, the book conveys English grammatical rules and aspects like a walk in the garden; complicated rhetorical features such as stress, meter, rhyme, homonymy, irony, simile, metaphor, euphemism, parallelism, unusual word order, etc. are taught through meaning-driven games and exercises. Besides developing EFL learners’ English language skills, it also includes practical extended tasks that enhance higher-order thinking skills, encouraging reflection on the central themes in Shakespeare’s plays.

"This book offers a short, spirited defense of rhetoric and the liberal arts as catalysts for precision, invention, and empathy in today's world. The author, a professor of Shakespeare studies at a liberal arts college and a parent of school-age children, argues that high-stakes testing and a culture of assessment have altered how and what students are taught, as courses across the arts, humanities, and sciences increasingly are set aside to make room for joyless, mechanical reading and math instruction. Students have been robbed of a complete education, their imaginations stunted by this myopic focus on bare literacy and numeracy. Education is about thinking, Newstok argues, rather than the mastery of a set of rigidly defined skills, and the seemingly rigid pedagogy of the English Renaissance produced some of the most compelling and influential examples of liberated thinking. Each of the fourteen chapters explores an essential element of Shakespeare's world and work, aligns it with the ideas of other thinkers and writers in modern times, and suggests opportunities for further reading. Chapters on craft, technology, attention, freedom, and related topics combine past and present ideas about education to build a case for the value of the past, the pleasure of thinking, and the limitations of modern educational practices and prejudices"--