An alternative to literary models that either minimise or exalt the writer's creative role, film theory - in Lehmann's view - perceives authorship as a site of constitutive conflict, generating in the process the notion of the auteur.

Named One of Esquire's 50 Best Biographies of All Time The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death. A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Othello remains one of Shakespeare's most contemporary and moving plays, with its emphasis on race, revenge, murder, and lost love. Chris Ofili’s new edition highlight’s the tragedy of Othello’s plight in ways no other volume of this play has. In twelve etchings Ofili has produced to illustrate this play, Othello is depicted with tears in his eyes, which flow below various scenes visualized in his forehead. Ofili asks us to see in Othello the great injustices that still plague the world today. These images add feeling to Shakespeare’s words, and together they form their own hybrid object—something between a book and a visual retelling of the tragedy. With a foreword by the renowned critic Fred Moten, this edition is the first of its kind and puts Othello’s blackness and interiority front and center, forcing us to confront the complex world that ultimately dooms him. The first play in the Seeing Shakespeare Series, Othello is illustrated by English contemporary artist Chris Ofili. Future titles in the series include A Midsummer Night’s Dream illustrated by Marcel Dzama and The Merchant of Venice with images by Jordan Wolfson.

This book is an account of a public seminar held in honour of Jan Kott's influential study, Shakespeare Our Contemporary. Attracting international contributors, the seminar focused on the relevance of her study for Shakespearian theatre today.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

This book explores how memories and traces of the reign of Richard III survived a century and more to influence the world and work of William Shakespeare, offering a new approach to the cultural history of the Tudor era, whilst shedding fresh light on the sources and preoccupations of Shakespeare's play.

Examines both theatrical and staged art photographs, demonstrating their role in fixing and unfixing Shakespearean authority.

Shakespeare scholar James Shapiro explains when and why so many people began to question whether Shakespeare wrote his plays.