When William Shakespeare was about twenty, his life changed forever. He left Stratford and walked to London, where he became the world's greatest playwright. Here is his little-told story of Shakespeare, presented against the colorful tapestry of his England, the kingdom under Elizabeth I and James I. In the reigns of those monarchs, the nation was emerging from centuries of medieval turmoil. The small island that had changed so little since the Norman Conquest of 1066 suddenly became a center of international adventure, political experimentation, and artistic development. Young Shakespeare was fortunate to be in England, and in London, when he was. The first professional theatre opened in the capital in 1576; he arrived, stage-struck and in search of a job, around 1587. He retired to Stratford as a wealthy gentleman in 1611, only a generation before the theatres of England were closed by the Puritans. During Shakespeare's London years, England seethed with plots and intrigue and throbbed with pageantry; everywhere a writer looked there was a scene to fire his imagination. Like Sir Walter Raleigh and other daring contemporaries, William Shakespeare was, indeed, an Elizabethan who took advantage of his time.

This is a newly revised edition of Andrew Gurr's classic account of the people for whom Shakespeare wrote his plays. Gurr assembles evidence from the writings of the time to describe the physical, social and mental conditions of playgoing. For this edition, as well as revising and adding new material which has emerged since the second edition, Gurr develops new sections about points of special interest. Fifty new entries have been added to the list of playgoers and there are a dozen fresh quotations about the experience of playgoing.

Shakespeare's London 1613 offers for the first time a comprehensive "biography" of this crucial year in English history. This book examines political and cultural life in London, including the Jacobean court and the city, which together witnessed an exceptional outpouring of culturalexperiences and transformative political events. The royal family had to confront the sudden death of Prince Henry, heir apparent to the throne, which provoked unparalleled grief. An unprecedented number of plays performed at court helped move the country away from sadness to the happy occasion ofPrincess Elizabeth's marriage to a German prince. Shakespeare's plays dominated London's cultural landscape, diminished by the Globe Theatre's destruction in June. Other playwrights, writers, and printers produced an extraordinary number of books. Shakespeare for the first time purchased property in London. Clearly, court and city intersectedregularly, adding vitality to both.

A collection of some of the best, wittiest and most unusual excerpts from 16th- and 17th-century writing. "Shakespeare's England" brings to life the variety, the energy and the harsh reality of England at this time. Providing a portrait of the age, it includes extracts from a wide variety of writers, taken from books, plays, poems, letters, diaries and pamphlets by and about Shakespeare's contemporaries. These include William Harrison and Fynes Moryson (providing descriptions of England), Nicholas Breton (on country life), Isabella Whitney and Thomas Dekker (on London life), Nashe (on struggling writers), Stubbes (with a Puritan view of Elizabethan enjoyments), Harsnet and Burton (on witches and spirits), John Donne (meditations on prayer and death), King James I (on tobacco) and Shakespeare himself.

"First published in Great Britain under the title Shakespeare's local by Macmillan"--T.p. verso.

How did it feel to hear Macbeth's witches chant of "double, double toil and trouble" at a time when magic and witchcraft were as real as anything science had to offer? How were justice and forgiveness understood by the audience who first watched King Lear; how were love and romance viewed by those who first saw Romeo and Juliet? In England in the Age of Shakespeare, Jeremy Black takes readers on a tour of life in the streets, homes, farms, churches, and palaces of the Bard's era. Panning from play to audience and back again, Black shows how Shakespeare's plays would have been experienced and interpreted by those who paid to see them. From the dangers of travel to the indignities of everyday life in teeming London, Black explores the jokes, political and economic references, and small asides that Shakespeare's audiences would have recognized. These moments of recognition often reflected the audience's own experiences of what it was to, as Hamlet says, "grunt and sweat under a weary life." Black's clear and sweeping approach seeks to reclaim Shakespeare from the ivory tower and make the plays' histories more accessible to the public for whom the plays were always intended.

The dramatic story of the dazzling growth of London in the sixteenth century. For most, England in the sixteenth century was the era of the Tudors, from Henry VII and VIII to Elizabeth I. But as their dramas played out at court, England was being transformed economically by the astonishing discoveries of the New World and of direct sea routes to Asia. At the start of the century, England was hardly involved in the wider world and London remained a gloomy, introverted medieval city. But as the century progressed something extraordinary happened, which placed London at the center of the world stage forever. Stephen Alford's evocative, original new book uses the same skills that made his widely-praised The Watchers so successful, bringing to life the network of merchants, visionaries, crooks, and sailors who changed London and England forever. In a sudden explosion of energy, English ships were suddenly found all over the world--trading with Russia and the Levant, exploring Virginia and the Arctic, and fanning out across the Indian Ocean. The people who made this possible--the families, the guild members, the money-men who were willing to risk huge sums and sometimes their own lives in pursuit of the rare, exotic, and desirable--are as interesting as any of those at court. Their ambitions fueled a new view of the world--initiating a long era of trade and empire, the consequences of which still resonate today.

From Joseph Papp, American’s foremost theater producer, and writer Elizabeth Kirkland: a captivating tour through the world of William Shakespeare. Discover the London of Shakespeare's time, a fascinating place to be—full of mayhem and magic, exploration and exploitation, courtiers and foreigners. Stroll through narrow, winding streets crowded with merchants and minstrels, hoist a pint in a rowdy alehouse, and hurry across the river to the open-air Globe Theater to see that latest play written by a young man named Will Shakespeare. Shakespeare Alive! spirits you back to the very years of that London—as everyday people might have experienced it. Find out how young people fell in love, how workers and artists made ends meet, what people found funny and what they feared most. Go on location with an Elizabethan theater company to learn how plays were produced, where Shakespeare’s plots came from and how he transformed them. Hear the music of Shakespeare’s language and words we still use today that were first spoken in his time. Open the book and elbow your way into the Globe with the groundlings. You’ll be joining one of the most democratic audiences the theater has ever known—alewives, apprentices, shoemakers and nobles—in applauding the dazzling wordplay and swordplay brought to you by William Shakespeare.