This is a timely collection of new essays in which leading scholars on both sides of the Atlantic address a neglected national context for a body of dramatic work too often viewed within a narrow English milieu or against a broad British backdrop. These essays explore the playwright's place in Scotland and the place of Scotland in his work. From critical reception to dramatic and cinematic adaptation, the contributors engage with the complexity of Shakespeare's Scotland and Scotland's Shakespeare. The influence of Scotland on Shakespeare's writing, and later on his reception, is set alongside the dramatic effects that his work had on the development of Scottish literature, from the Globe to globalization, and from Captain Jamy and King James to radical productions at the Citizens' Theatre in Glasgow.

Shakespeare and Scotland is a timely collection of new essays in which leading scholars on both sides of the Atlantic address a neglected national context for an exemplary body of dramatic work too often viewed within a narrow English milieu or against a broad British backdrop. These essays explore, from a variety of critical perspectives, the playwright's place in Scotland and the place of Scotland in his work. From critical reception to dramatic and cinematic adaptation, the contributors engage with the complexity of Shakespeare's Scotland and Scotland's Shakespeare. The influence of Scotland on Shakespeare's writing, and later on his reception, is set alongside the dramatic effects that Shakespeare's work had on the development of Scottish literature, from the Globe to globalisation, and from Captain Jamy and King James to radical productions at the Citizens' Theatre in Glasgow.

Murder mayhem and magic.Pushed by his wife to seize the throne Macbeth kills his rightful liege and then tries desperately to hold onto the kingdom that he has wrongfully usurped. Prophesy and magic abound in this dark moody and atmospheric play.Out damned spot! Out I say!One- two -why then 'tis time to do't. Hell is murky. Fie my lord fie! A soldier and afeard? What need we fear who knows it when none can call ourpower to account? Yet who would have thought the old man to have had so much blood in him?

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This exciting collection of original essays critically assesses the significance of locality in Shakespearean plays. Considering how Shakespeare and his contemporaries understood the 'North', it brings together diverse voices to define what the 'North' meant and means in relation to Shakespeare. The book also situates Shakespeare's works alongside less canonical texts and media, as well as detailed case studies of new material from rich but rarely-used local, municipal and performance archives. It provides an opportunity to critically reflect on links and differences between the past and present, England and Scotland, the local and the global.

Thanks to Shakespeare, the name Macbeth has become a byword for political ambition realised by bloody violence. The reality is that Macbeth quickly established himself as an effective and popular ruler. As a Celtic warrior-king, he was responsible for the maintenance of his people's dominance of northern Britain.