From the Upper West Side to Miami's pastel resorts, "Shadows on the Hudson" traces the intertwined destiny of survivors in the aftermath of the Holocaust.

"Kooser has written more perfect poems than any poet of his generation." -Dana Gioia, Can Poetry Matter?

An extraordinary memoir by Iris Origo, who chronicled political life in A Chill in the Air and War in Val d'Orcia, and now turns inward to describe her own family, the work of writing, and the transcience of memory. Images and Shadows, Iris Origo’s autobiographical account of her early life, is as perceptive and humane and beautifully written as her celebrated memoir War in Val d’Orcia. Origo’s father came from an old and moneyed American family, her mother was the daughter of an Irish peer, and Iris grew up in the most privileged of circumstances. Her father died of tuberculosis when he was only thirty, and her mother moved to Fiesole, Italy, where she and Iris developed a close friendship with the great connoisseur and art historian Bernard Berenson. Later, Origo and her Italian husband transformed a desolate and deforested Tuscan property into a flourishing estate, and it was there that she discovered her true calling as a writer. In Images and Shadows, Origo paints portraits of her shy, loving father and her headstrong mother, and describes beloved places, the books that formed her sensibility, and how she grew up and made her way in the world. She reflects on the pleasures and challenges of writing and evokes the persistence and fragility of memory. Images and Shadows is an autobiography that is as thoughtful as it is profoundly touching.

Glen Cook, the father of Grimdark, returns to the Chronicles of the Black Company with a military fantasy adventure in Port of Shadows. The soldiers of the Black Company don’t ask questions, they get paid. But being “The Lady’s favored” is attracting the wrong kind of attention and has put a target on their backs--and the Company’s historian, Croaker, has the biggest target of all. The one person who was taken into The Lady’s Tower and returned unchanged has earned the special interest of the court of sorcerers known as The Ten Who Were Taken. Now, he and the company are being asked to seek the aid of their newest member, Mischievous Rain, to break a rebel army. However, Croaker doesn’t trust any of the Taken, especially not ones that look so much like The Lady and her sister... The Chronicles of the Black Company #1 The Chronicles of The Black Company #2 The Books of the South #3 The Return of The Black Company #4 The Many Deaths of the Black Company At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

When Hattie's singing rouses a giant beast from the lake, everyone in town is terrified except Hattie, who works to convince the townsfolk that Hudson is not dangerous.

The third book in the Francis Bacon Studies series, this volume reveals fundamental insights into the artist’s character and psychology that will change existing perceptions. Very little is known about Francis Bacon’s early career, but this third installment in the Bacon estate’s groundbreaking series provides exciting new insight into and analysis of the elusive artist. Archived material recently added to the Estate of Francis Bacon’s collection—including the diaries of Bacon’s first two patrons and an extensive number of records kept by Bacon’s doctor, Paul Brass—has allowed Francesca Pipe, Sophie Pretorius, and Martin Harrison to delve deeper into the artist’s formative years than ever before and revolutionize existing perceptions of Bacon’s character and psychology. Essays by Sarah Whitfield, Joyce Townsend, and Christopher Bucklow draw on biographical details of the artist’s life and technical analysis of his work. Utilizing this more traditional, art-historical approach, these scholars examine the complex relationships between Bacon and his peers and offer new insights into the artist’s methods and the system of metaphors within his paintings. This fascinating collection of scholarship will interest anyone looking to learn more about Francis Bacon, contemporary art, or the artistic imagination.

There are mysteries in the woods of the Hudson Valley of New York and northern New Jersey. There are stone sites that are assumed to be the work of colonial farmers, but why do they have precise astronomical alignments? Could they be the work of Native Americans or Pre-Columbian voyagers? Author and researcher Linda Zimmermann explores stone chambers, perched boulders, standing stones, and massive walls that may just be unique historical treasures that must be studied and preserved.

"For nearly twenty years, a small, dedicated band of artists rented studio space at 111 1st Street, a former tobacco warehouse near the Hudson River waterfront in Jersey City, New Jersey. These artists eventually became engaged in a fight for their survival within the building and a city undergoing gentrification"--