The first human exploration mission to the planet Mars is shrouded in secrecy. Even David Debacco, the Director of Mission Support, doesn't know the identity of the mission sponsors or their true agenda. As David struggles to keep the brave Mars explorers alive, an expanding web of deceit threatens the mission and the woman he loves. Anna Schweitzer is traveling to Mars in a bold pursuit of knowledge, barely aware of the Earthly plots surrounding her. Against impossible odds, she looks to Mars for hope. Will she live long enough to reach its untamed surface? Or will she succumb to elements more terrifying than any she left behind on the Earth?

This project studies the patterns in which the Medusa myth shapes, constructs, and transforms new meanings of women today, correlating portrayals in ancient Greek myth, nineteenth- century Symbolist painting, and new, controversial, visions of women in contemporary art. The myth of the Medusa has long been the ultimate symbol of woman as monster. With her roots in classical mythology, Medusa has appeared time and again throughout history and culture and this book studies the patterns in which the Medusa myth shapes, constructs, and transforms new meanings of women today. Hedgecock presents an interdisciplinary and broad historical “cultural reflections” of the modern Medusa, including the work of Maria Callas, Nan Goldin, the Symbolist painters and twentieth-century poets. This timely and necessary work will be key reading for students and researchers specializing in mythology or gender studies across a variety of fields, touching on interdisciplinary research in feminist theory, art history and theory, cultural studies, and psychology.

Medusa Uploaded by Emily Devenport offers readers a fast-paced science fiction thriller on the limits of power and control, and the knife-edge between killing for revenge or a greater good. Vulture—10 Best Sci-Fi and Fantasy Books of 2018 io9—28 New Scifi and Fantasy Books to Add to Your Shelves in May The Verge—12 Science Fiction and Fantasy Novles to Check Out This May Kirkus—Best SFF and Horror Out in May My name is Oichi Angelis, and I am a worm. They see me every day. They consider me harmless. And that's the trick, isn't it? A generation starship can hide many secrets. When an Executive clan suspects Oichi of insurgency and discreetly shoves her out an airlock, one of those secrets finds and rescues her. Officially dead, Oichi begins to rebalance power one assassination at a time and uncovers the shocking truth behind the generation starship and the Executive clans. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Examines images of horror in Victorian fiction, criticism, and philosophy. Focusing on the recurring metaphor of Medusa’s head, The Medusa Effect examines images of horror in texts by Sigmund Freud, Friedrich Nietzsche, and a series of Victorian artists and critics writing about aesthetics. Through nuanced and innovative readings of canonical works by Freud, Nietzsche, Dante Gabriel Rossetti, Walter Pater, A. C. Swinburne, and George Eliot, Thomas Albrecht demonstrates the twofold nature of these writers’ images of horror. On the one hand, the analysis illuminates how the representation of something seen as horrifying—for instance, a disturbing work of art, an existential insight, or a recognition of the fundamental inaccessibility of another person’s consciousness—can serve a protective purpose, to defend the writer in some way against the horror he or she encounters. On the other hand, the representations themselves can be a potential threat—epistemologically unreliable, for instance, or illusory, deceptive, fundamentally unstable, and potentially dangerous to the writers. Through a psychoanalytically informed literary analysis, The Medusa Effect explores crucial ethical and epistemological questions of Victorian aesthetics, as well as underexamined complexities of the mechanisms of Victorian literary representation. “ an elegant study in rhetorical analysis.” — Victorian Studies “Thomas Albrecht brings a radically different approach to aesthetics—psychoanalytic and poststructuralist rather than historicist—in The Medusa Effect.” — Studies in English Literature

Grace, Gretchen and Greer are three teenage descendants of Medusa who must unite and embrace their fates in a world where monsters lurk in plain sight. The triplets are now reunited, but their battle against the monsters of the abyss rages on. And as if training to become fully-fledged huntresses weren't enough, the boys in their lives are causing them problems. Is Nick all he seems? And where's Thane? Grace is sure he's hiding something from her. As the girls discover more about their heritage, they find themselves in greater danger than ever. Can they face up to the sacrifices they must make in order to fulfil their destiny? The second book in the high-concept urban fantasy YA series.

Medusa, the Gorgon, who turns those who gaze upon her to stone, is one of the most popular and enduring figures of Greek mythology. Long after many other figures from Greek myth have been forgotten, she continues to live in popular culture. In this fascinating study of the legend of Medusa, Stephen R. Wilk begins by refamiliarizing readers with the story through ancient authors and classical artwork, then looks at the interpretations that have been given of the meaning of the myth through the years. A new and original interpretation of the myth is offered, based upon astronomical phenomena. The use of the gorgoneion, the Face of the Gorgon, on shields and on roofing tiles is examined in light of parallels from around the world, and a unique interpretation of the reality behind the gorgoneion is suggested. Finally, the history of the Gorgon since tlassical times is explored, culminating in the modern use of Medusa as a symbol of Female Rage and Female Creativity.

Kurt Austin puts the NUMAA team on a case involving a hideous series of medical experiments, an extraordinarily ambitious Chinese criminal organization, and a secret new virus that threatens to set off a worldwide pandemic.

'Escapism of a high order.' INDEPENDENT ON SUNDAY 'A slyly intelligent page turner.' PUBLISHERS WEEKLY AN AURELIO ZEN MYSTERY When a group of Austrian cavers in the Italian Alps come across human remains at the bottom of a deep shaft, everyone assumes the death was accidental - until the still unidentified body is stolen from the morgue and the Defence Ministry puts a news blackout on the case. The whole affair has the whiff of political intrigue. That's enough to interest Aurelio Zen's boss at the Interior Ministry, who wants to know who is hiding what from who and why. The search for the truth leads Zen into the murky history of post-war Italy and obscure corners of modern-day society to uncover the truth about a crime that everyone thought was as dead and buried as the victim. 'As the plot quickens, we are soon deep in Dibdin's favourite territory: the murky political conflicts of Italy's past and the oily chicanery of its present.' SUNDAY TIMES 'Dibdin's misanthropic wit finds plenty to play with.' GUARDIAN 'A terrific detective story.' 5* reader review 'Beautifully written . . . You get a real sense of the turbulence in the Italian state during that era.' 5* reader review 'MEDUSA is the best I've read so far, with a complex but pleasing plot.' 5* reader review PRAISE FOR MICHAEL DIBDIN AND THE INSPECTOR ZEN SERIES: 'He wrote with real fire.' IAN RANKIN 'A maestro of crime writing.' SUNDAY TIMES 'One of the genre's finest stylists . . . And Zen himself is a masterly creation: he is anti-heroic and pragmatic but obstinate, cunning and positively burdened with integrity.' GUARDIAN 'Dibdin tells a rollicking good tale that you want both to read fast, because of its gripping storyline, and to linger over, to savour the evocative descriptions of place and mood.' INDEPENDENT 'One of British crime fiction's most distinguished and distinctive voices.' ANDREW TAYLOR 'Dibdin has a gift for shocking the unshockable reader.' Ruth Rendell 'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVER 'I love the way these books capture the atmosphere and contradictions of Italy.' 5* reader review 'Aurelio Zen novels are a great treat.' 5* reader review 'There is no better writer than Dibdin. His books are a joy to read.' 5* reader review 'Love these books . . . I am sure you will get hooked too!' 5* reader review

Edited by Patrick Remy. Essay by Jacqueline Goy.

A powerful and compelling tale of brooding horror that deepens and broadens to the final catastrophe—an unusual and engrossing novelette by the author of "The Curse of Yig."